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lenten journal: it’s worth it all . . .

I spent last week in Texas on a work trip that centered around the New Story Festival organized by Gareth Higgins and Brian McLaren that focused on the myth of redemptive violence, which is a term coined by theologian Walter Wink to describe the belief that we can bring order out of chaos through brutal force. (Insert the history of most any country in the world here to prove his point.) What they offered instead a “seventh story” based on all that connects us.

“The seventh story,” Gareth said, “is a space rather than a closed narrative.”

All of the speakers and performers helped to create such a space. The event didn’t make the evening news, but we changed the world.

In the space afforded me as I traversed North and Central Texas let me catch up with my brother and sister-in-law, and my cousin. For one whose small family of origin has dwindled, the face-to-face conversations were life-giving. I got to spend time with a couple of high school and college friends and some of my authors as well. But there were four encounters I had that caught me by surprise.

I got to see four people who were a part of the youth group at University Baptist Church in Fort Worth, where I was youth minister in the 80s. All of them are older now than I was when I was their youth minister. Three of them have children who are older than they were when I knew them. And all of them are dealing with significant hardship in their lives.

I went to the assisted living facility to meet one whose mother is making a long slow recovery from bacterial meningitis. Another is just a year past the death of their father. The third is still grieving from a move across country two years ago that has left them feeling unmoored. The last has endured a difficult year since their spouse was hit by a truck as they stood on a street corner. They have four kids. The spouse is cognitively aware and very much themselves, but still has a long way to go physically. The hardest thing of all seems to be that they have lost their sense of taste and food was one of their greatest joys.

Perhaps what I loved most about the space we found together was we didn’t have to tell old stories to connect. We kept telling the same story we began thirty years ago, which was that we loved each other. I saw the seventh story in a live-action version as I moved from one friend to another.

And that’s how it felt. Once upon a time, I was the adult (I should probably put that in quotes) and they were the teenagers, but this week we were fellow travelers—friends making space for one another to keep telling the story of our connectedness, which also meant to share our pain with one another.

One of the speakers I heard at the festival was Danielle Shroyer, who talked about “original blessing.” (And I also found out we share a Wilshire Baptist Church connection.) “We are in a relationship with God that God started,” she said, “and God is sticking with it.” As people created in the image of God, we are built with the same stick-to-it-ness, should we choose to live into our best selves and trust that love is the story we are most meant to tell and to share.

Even as I write about these encounters, I can name a number of people whom I love that I did not get to see while I was in Texas. I have been mostly off of Facebook for Lent, except to post these musings and some poetry, but even a brief scrolling-through when I got home put me in touch with others who are living through hard days, and some who are celebrating as well. None of us can be everywhere we want or need to be, yet we can be connected. We are connected. We just need to keep telling each other the story so we will remember.

Back in those youth ministry days, Billy Crockett and I wrote a song for youth camp called “Best of Friends.” I even got to sing the harmony part on the first chorus when he recorded it. The song grew out of watching the same folks I saw this week and others befriend one another. I had moved so much growing up that I did not know that kind of love. I watched them and wrote

these days of sunshine these days of rain
we pull together in days of pain
we share beginnings we share the ends
it’s worth it all in these days
to be best of friends

Yes, it is. Thank God.

Peace,
Milton

lenten journal: march madness

march madness

when I got to the tiny house
I was greeted by Elsa and Lily
they are backyard chickens

whose tinier house is next to mine
they did not invite me in but
saw to it that I found my place

this morning they were busy
as I stepped out to greet my host
who was giving the girls a snack

Elsa and Llily lost interest and
moved to things more interesting
under the oak full of new leaves

then they quit looking down
and looked up into the tree and
the branch a foot above them

and they took turns jumping flat-
footed—not flying—beaks up
grabbing bit of green growth

as one who has never had much
of a vertical leap and who has
probably sold chickens short on

both intelligence and athleticism
I stood corrected for jumping
at unfounded fowl conclusions

if a chicken can jump for breakfast
maybe there is hope for us all
I may start practicing my jump shot

Peace,
Milton

lenten journal: among the wildflowers

I am fortunate to be driving across Texas just as the bluebonnets are blooming. Here’s where they took me.

among the wildflowers

the old pickup rolled to a stop
on the shoulder of the two-lane road

the gravel spoke underneath
the worn boots of the workmen

who walked to the front of the truck
that was sending sighs of steam

into the early spring morning
of a not very good day

two of them stood and stared at
the smoking engine as though

they could change something
the other walked to the edge

of the field of wildflowers
“Jesús, what are you doing?”

“look at the bluebonnets,” he said,
“they only last a couple of weeks

but they do more than just survive
they spend their little lives for beauty.”

one of the others was on the phone
the other was digging for tools

they weren’t listening to the man
as he stepped across the ditch

and laid down among the blooms
“gracias,” he said, “gracias.”

Peace,
Milton

PS—How could I not include this song? The Wailin’ Jennys do a wonderful cover of Tom Petty’s classic.

lenten journal: taking my shot

To paraphrase an old commercial, “I don’t play basketball, but I watch it on TV.”

Actually, I played on one team when I was in sixth grade. We were on leave from Africa and living in Fort Worth. I was on the Royal Ambassadors team for our church. (If you don’t know what Royal Ambassadors are, ask someone who used to be Southern Baptist.) Everyone else on the team had played together for years; I had never played in an organized game. They were really good and had been the perennial league champions. I was then—and remain—an amazingly average athlete.

Late in the first half, the coach told me to go in as a substitute. I didn’t know I had to check in at the scorer’s table. I just walked out on the court and told the other kid I was coming in. The ref blew his whistle; my coach blew a gasket. I went back to the bench. At halftime, he explained the rules to me. With two minutes left in the game, he put me in. Two minutes. I fouled out.

That’s when I knew I was born to watch basketball.

And that’s what I am doing. I am taking these days on the best basketball weekend of the year to watch young men and women do what I cannot, which is always worth doing. That is also the reason I have not written for a couple of days. I’m not sure this qualifies as a spiritual retreat, but it sure feels like one.

Peace,
Milton

lenten journal: the space between our sufferings

the space between our sufferings

this is one of those nights
when the day has been long
and I’m looking for words
in a blank book of an evening
because I promised I would
have something to say
I promised to meet you here
I have riffled through the
pages of my memory
hoping a story would tell
itself or at least tell me
something worth saying
and all I have to offer is
this space between our
sufferings come sit with
me maybe we don’t need
to say anything but that

Peace,
Milton

lenten journal: someone is always leaving

someone is always leaving

I was twelve years old before
I met someone who had never moved
and I discovered I was the strange one
because I was accustomed to suitcases

I was twenty-nine before I had friend
for ten years and had stayed close enough
to grow our friendship face to face
instead of recalling memories

I turned forty-five the same year I
lived in the same house for a decade
when the Standells sang, “O Boston,
you’re my home” I could sing along

I am sixty-two and still not used to
being on the staying side of goodbye
the leaving side never got any easier
and yet someone is always leaving . . .

Peace,
Milton

lenten journal: sing a new song

I saw an article several months ago that claimed people quit looking for new music after they turn thirty. The study went back to 2015 and talked about neurological reasons we get dug in and cultural ones as well.

The article came to mind again as I was thinking about W. S. Merwin’s death and what it feels like to lose another formative voice in my life. So many of the voices I listen to have been with me a long time: Madeleine L’Engle, Annie Dillard, Frederick Buechner, John Berger, Marilynne Robinson, Toni Morrison, Naomi Shihab Nye, Jimmy Santiago Baca, James Carroll. That is not an exhaustive list by any means.

When I taught high school English, our reading lists leaned into the oldies as well—many of them books I read when I was a teenager: To Kill a Mockingbird, Of Mice and Men, Frankenstein, The Old Man and the Sea, The Scarlet Letter. (I hope that list doesn’t cause any unintentional trauma for anyone.) Adding new books was difficult because no one wanted to quit reading the tried-and-true favorites.

As I watch the way-too-early presidential race begin, I am frustrated by the oldies-but-goodies that feel compelled to run. I don’t want someone older than me to be president. It’s time for the Baby Boomers to step aside. I don’t mean we all have to quit what we are doing, or that we can’t contribute; I do mean we no longer need to be in charge.

Somewhere along the way in the last year or so, in the discussions around patriarchy and white fragility, I learned an acronym that has been helpful to my own growth: WAIT—Why Am I Talking. In discussions about how we can make life more equitable and hopeful for all, the best thing I can do is to WAIT—to listen and learn and pay attention. I can speak up later, but I don’t need to be the one who drives the agenda, particularly when we are talking about how to get straight white men to quit controlling the agenda.

Back when he was one of the young voices, Billy Joel wrote

I guess that these are not the best of times
but they’re the only times I’ve ever known
and I believe there is a time for meditation
in cathedrals of our own

If those words ring true—and I believe they do—then they apply to the generations that have come after us who don’t necessarily know all the words to “Piano Man.”

I love the staying power of words and music. I am still moved by my Beatles records, even as I still love to read The Great Gatsby. And I love that Paul Simon and John Prine both had new albums last year and they are both in their seventies. I’m listening to a Karla Bonoff record as I write this. Then I catch myself still thinking of U2 as a new band because they came to light after I was out of seminary—and they’ve been making records for forty years. When familiar books and music feed enrich our connections to our memories and to one another, they are powerful. At the same time, the line between nostalgia and a sense of generational superiority is a thin one.

One of the choices I have made over the years is to read as much as I can of people who don’t write from an identified Christian perspective. John Berger is a good example. As far as labels go, he was a British art critic, labor activist, communist, and compassionate thinker. His writing has fed my life for many years. He asked questions in ways familiar voices did not, so I took it on myself to become friends with him through his writing. I wanted him to influence me. This year, I made a conscious decision to read theologians who are people of color for much the same reason. I want to hear from someone who asks different questions.

I am aging and I can keep growing.

I suppose that last sentence may sound antithetical to my opening premise that Joe and Bernie needs to get out of the way, but that’s not how I see it. Part of growing is letting go. One of the big lessons for me to learn is how not to be in charge. Instead of singing lead, it’s time to sing harmony, or maybe just to listen until I am invited to sing along.

In my work as an editor, most of the writers I work with are younger than I am. They have a lot to say. I am grateful that I get to learn from them and help them shape what they have to say. They see things in a way I had not—until I read their words, which is how I felt when I first read L’Engle and Buechner. There is more light yet to break forth and it will come from new light bearers.

“Sing to the Lord a new song,” sang the psalmist—ancient words that carry contemporary wisdom: let’s not quit looking for new songs to sing.

Peace,
Milton

PS—This song came to mind as a good way to close.

lenten journal: we are saying thank you

I opened my laptop this evening to the news that W. S. Merwin died yesterday. He was a prolific and powerful poet whose words have left their mark on my life. I am going to use this page to share some of those with you.

My first introduction to him was “For the Anniversary of My Death,” which took on new meaning as I read it today.

Every year without knowing it I have passed the day   
When the last fires will wave to me
And the silence will set out
Tireless traveler
Like the beam of a lightless star

Then I will no longer
Find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing and the falling cease
And bowing not knowing to what

His poems are full of both grief and gratitude, as you will see in the verses that follow. His words feel simple and rich at the same time. Here is one simply titled “My Friends.”

My friends without shields walk on the target

It is late the windows are breaking

My friends without shoes leave
What they love
Grief moves among them as a fire among
Its bells
My friends without clocks turn
On the dial they turn
They part

My friends with names like gloves set out
Bare handed as they have lived
And nobody knows them
It is they that lay the wreaths at the milestones it is their
Cups that are found at the wells
And are then chained up

My friends without feet sit by the wall
Nodding to the lame orchestra
Brotherhood it says on the decorations
My friend without eyes sits in the rain smiling
With a nest of salt in his hand

My friends without fathers or houses hear
Doors opening in the darkness
Whose halls announce

Behold the smoke has come home

My friends and I have in common
The present a wax bell in a wax belfry
This message telling of
Metals this
Hunger for the sake of hunger this owl in the heart
And these hands one
For asking one for applause

My friends with nothing leave it behind
In a box
My friends without keys go out from the jails it is night
They take the same road they miss
Each other they invent the same banner in the dark
They ask their way only of sentries too proud to breathe

At dawn the stars on their flag will vanish

The water will turn up their footprints and the day will rise
Like a monument to my
Friends the forgotten

Here is one I only recently found, though it is not new, called “The Laughing Child.”

When she looked down from the kitchen window
into the back yard and the brown wicker
baby carriage in which she had tucked me
three months old to lie out in the fresh air
of my first January the carriage
was shaking she said and went on shaking
and she saw I was lying there laughing
she told me about it later it was
something that reassured her in a life
in which she had lost everyone she loved
before I was born and she had just begun
to believe that she might be able to
keep me as I lay there in the winter
laughing it was what she was thinking of
later when she told me that I had been
a happy child and she must have kept that
through the gray cloud of all her days and now
out of the horn of dreams of my own life
I wake again into the laughing child

“Yesterday” speaks to the role of a child in another stage of life, as well as the comfort of a friend.

My friend says I was not a good son
you understand
I say yes I understand

he says I did not go
to see my parents very often you know
and I say yes I know

even when I was living in the same city he says
maybe I would go there once
a month or maybe even less
I say oh yes

he says the last time I went to see my father
I say the last time I saw my father

he says the last time I saw my father
he was asking me about my life
how I was making out and he
went into the next room
to get something to give me

oh I say
feeling again the cold
of my father’s hand the last time
he says and my father turned
in the doorway and saw me
look at my wristwatch and he
said you know I would like you to stay
and talk with me

oh yes I say

but if you are busy he said
I don’t want you to feel that you
have to
just because I’m here

I say nothing

he says my father
said maybe
you have important work you are doing
or maybe you should be seeing
somebody I don’t want to keep you

I look out the window
my friend is older than I am
he says and I told my father it was so
and I got up and left him then
you know

though there was nowhere I had to go
and nothing I had to do

Perhaps the poem of his I come back to the most is “Thanks” because of its tenacious hope and compassionate courage.

Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions

back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you

over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you

with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

As I said, gratitude and grief run though his poems. I will close with “Variations on a Theme,” which is about both.

Thank you my life long afternoon
late in this spring that has no age
my window above the river
for the woman you led me to
when it was time at last the words
coming to me out of mid-air
that carried me through the clear day
and come even now to find me
for old friends and echoes of them
those mistakes only I could make
homesickness that guides the plovers
from somewhere they had loved before
they knew they loved it to somewhere
they had loved before they saw it
thank you good body hand and eye
and the places and moments known
only to me revisiting
once more complete just as they are
and the morning stars I have seen
and the dogs who are guiding me

To say thank you for his life and words seems the best thing to do.

Peace,
Milton

lenten journal: to mourn is to mark . . .

to mourn is to mark . . .

the moment when the world
was ripped open, torn asunder
and then not to hurry on

the palpable absence of those
taken—not lost, but stolen—
and then wrap our arms around it

the seduction of fear that
disguises itself as revenge or
even righteous indignation

that violence and volume are
not signs of strength or power
but the vocabulary of cowards

the hope that lies in uncertainty
in the courage of compassion
we are the walking wounded

our hearts with our grief
a tattoo of tenacity that trusts
that love is inexhaustible

Peace,
Milton

lenten journal: evensong

evensong

these are the days when dusk
feels indecisive, reluctant to
bring the day to an end yet
holding on for a few minutes
more each evening, as though
trying to make room for
just one more thing.

I love the long reach of
the light, the fading fire that
fills the horizon but I am
ready for the night to come,
I’m willing to give into to the
warm blanket of darkness
the world is pulling up.

the tilt of the earth means
night will be short-changed by
whatever daylight is saving;
I do look forward to planting
and growing, to days as warm
as a fresh tomato, but not yet;
let it stay dark a little longer.

Peace,
Milton