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lenten journal: hold on, hold on . . .

Next Sunday I am going to be a part of a bluegrass group that will be the service musicians for our morning worship. Most of the group is one family – parents and three boys, all of whom play instruments. The youngest one, who is six or seven, plays the mandolin likes it’s part of him, smiling through his spectacles as he strums away. As we have been practicing, I’ve been mindful of the ongoing celebration of what would have been Woody Guthrie’s one hundredth birthday (July 14, to be exact) and, somehow, I go from my diminutive mandolin player to Woody to John Berger, who described the Okie folksinger. “Now I can make is simpler,” Berger begins and then goes on.

Guthrie was a charismatic performer and guitar player and a natural improviser. He sang old songs, and he sang many new songs written by himself to old tunes. One of these is entitled, “So Long, It’s Been Good to Know You.” He puts these words into the mouths of the thousands who had to take to the road from the city of Pampa on the west Texan plain during the Depression.

On the radio I heard recently a recording of him singing this song, whose refrain he had changed to: “Hold on, hold on, it’s been good to know you.” Or so I thought. Perhaps I misheard. No matter. Like this, it’s a refrain which addresses the subject of any drawing which has insisted upon being put on paper.

“Hold on, hold on, it’s been good to know you.”

Tonight I have the privilege of going to see Bruce Springsteen and the E Street Band in concert. I am driving with friends to Greensboro, North Carolina, for what will most certainly be a memorable evening. Bruce is a descendant of Guthrie’s in many ways, even covering some of his songs. I watched the video of Springsteen’s keynote address at SXSW this past week and he said,

The purity of human expression and experience is not confined – there’s no pure way of doing it; there’s just doing it . . . . At the end of the day, it’s the power and purpose of your music that is what’s valuable.

I must add one other musical piece that has set my week swirling in thought and melody. Last Thursday Ginger and I sat on the front row of the Lyle Lovett and John Hiatt concert at the DPAC (or the Tupac, as we like to call it). On our very first date I took Ginger to see Lyle – twenty-three years ago – at a little club in downtown Fort Worth aptly named the Caravan of Dreams; thus began our journey. We’ve seen him every time he’s come to our town – whatever the town – since then. The two men sat side by side and swapped songs, some of which pulled up moments from our past that still hold on and others that were harbingers of future memories yet to take hold.

I realize this post so far follows a rather impressionistic melody line, rather than offering clear verses, yet I keep coming back to Berger’s chorus, if you will:

hold on, hold on, it’s been good to know you.

One of the moments I am looking forward to on Sunday is the music we will offer in response to the Prayers of the People, which is the part of our service where people offer their joys and concerns, as we say. I am singing with the little mandolin man. The lyric is the last half of one of the verses from “Sweet Hour of Prayer” –

and since he bids me seek his face
believe his word and trust his grace
I’ll cast on him my every care
and wait for thee, sweet hour of prayer

I love the hymn, and I love singing it, but what I’m looking forward to is the dynamic between me and my companion. He is about half my height and stands and gazes up at me while I sing; he never looks at his hands. Something in the exchange at practice yesterday made me want to sing to him,

hold on, hold on . . .

I’ve had Bruce’s new record, “Wrecking Ball,” playing in the car all week in lieu of NPR getting ready for tonight. The chorus of one of the songs that’s kept me singing is

big wheels roll through the fields
where sunlight streams
oh meet me in
a land of broken dreams

Or so I thought. This morning was the first time I had a chance to sit down with the lyrics to find nothing was broken; the last line reads

a land of hope and dreams.

No matter. Any of the songwriters mentioned in this post offer an invitation to engage, to do more than listen, and to make something out of both the beautiful and the broken pieces of this thing called life. All of them have also wound their songs in and out of my days for the better part of my life. Thursday night, I called out for John Hiatt to sing one of my favorite songs, which was deep enough of an album cut that he could not remember the lyrics – “Before I Go.” The last verse says,

ghosts on the trees, there’s ghosts on the wires
asking questions and showing signs
shivering with truth, they’re lighting fires
lighting fires all down the line

and I will try, and I will stumble
but I will fly, he told me so
proud and high or low and humble
many miles before I go
many miles before I go

I feel like this post rambles along like a Dylan lyric (fifty year anniversary of his first record, by the way). I mean that in a good way. These songwriters, among others, are those who have held on to me and made me glad to have known them. Tonight, I will dip myself in the stream of the music that has washed my soul once again, sing along at the top of my lungs, and do my own share of shivering with the truth, doing my best to be thankful down to the bone.

Hold on, hold on, it’s been good to know you.

Peace,
Milton

lenten journal: perspective

when I walked outside this morning
there was enough moisture in the air
from last night’s thunderstorm
to make me feel close to the ocean
and aware of my place in the world

the lettuces that lived through
what passes for winter around here
have gone to flowering, a display
of well-deserved botanical arrogance
and I am aware of my place . . .

this evening I watched butterflies
dance among the spring weeds
that have started without me
and I picked two hands full of
kale to cook up for dinner

now the schnauzers are sleeping
in tandem, tired from our walk
and I am soon to follow suit
hoping for a dream of walking
down a long stretch of sand

Peace,
Milton

lenten journal: reflection

there are days I lay awake
at night and wonder even
worry about what’s to come
because the future feels

like a past due account and
I have already spent my time
thinking about tomorrow
putting the tense in present

there are nights like this
when I fall asleep holding
on to the day like the last
bite of the meal we shared

where we passed our plates
like forgiveness and let
ourselves love and laugh
like the present were a gift

and we press our fingers
to get every last crumb
and thank God we were
made to be hungry

Peace,
Milton

lenten journal: seasonings

If I still lived in Boston
I would see spring blooms
inside — at the Flower Show –
here in Carolina the daffodils
are well into their parade
the peach tree has budded . . .
I like the feel of the sun
on my neck and, yes, I miss
the prospect of snow on
Easter Sunday Morning
followed by the flowers
Creation’s resonance to
God’s emphatic YES.

Peace,
Milton

lenten journal: admission

On February 5, 1989, I took Ginger to see Lyle Lovett at the Caravan of Dreams in downtown Fort Worth. The club was small and we sat on the front row. Tonight, I took Ginger to see Lyle Lovett for the twenty-third time in our twenty-three years together – and we sat on the front row. Lyle shared the stage for an acoustic evening of song swapping with John Hiatt. I have much to say about it, but not all tonight. This evening, I offer this poem.

admission

one of the things that has always made her smile
is my collection of ticket stubs stashed away
in random places around the house, remnants
of evenings spent listening and singing along.

they are torn paper portals of time travel
back to the night I was in the room when . . .
tokens of thanksgiving for the chance
to have been there when it happened –

the importance of a piece of paper
to remind me I am capable of tearing
open my heart and clearing my ears
to remember life is a live performance

Peace,
Milton

lenten journal: onward, christian artists . . .

“Study the faces of the new tyrants,” Berger says has he begins the last section of his book, Bento’s Sketchbook: How Does the Impulse to Draw Something Begin? What follows is a series of incisive descriptions:

They are impeccably dressed and their tailoring is reassuring, like the silhouette of high-security delivery vans.

They have foreheads with many horizontal creases. Not furrows ploughed by thought but rather lines of incessant passing information.

Small, swift eyes which examine everything and contemplate nothing. Ears extensive as a database, but incapable of listening.

They are familiar only with their own impressions of their own rackets. Hence their paranoia and, generated by the paranoia, their repeated energy. Their repeated article of faith is: There is no alternative. (147)

Not just tyrants, I thought as I read, he’s describing most of our politicians. And then I wrote in the margin, “This is antithetical to hope.” Faith as well. We were breathed into being by a God of endless possibilities, a God who has yet to quit slinging stars into the night sky, a God who inhabits the joy of laughing children and the smell of new puppies as fully as layered lavishness of a Texas sunset and the comforting power of the waves crashing on a New England shoreline. To say there is no alternative is not an article of faith but a declaration of vapid cynicism.

I listen to Santorum and his ilk define all there is to be afraid of, listing everything from presidents to birth control pills, as though the best working metaphor for the faithful is that of the warrior, the protector, the good soldier who holds the line against the raging enemy. Even though I know it’s not original on his part and I grew up singing “Onward, Christian soldiers, marching as to war,” I don’t want anything to do with it. To see oneself as a soldier means to live looking for the enemy, which means the energy gets spent on building walls and weapons. Those are not articles of faith.

“Love your enemies.” Quick – who said that?

We are not soldiers. We are artists, creatives made in the image of our Creator.

Drawing is anyway an exercise in orientation and as such may be accompanied with other processes of orientation which take place in nature.

When I’m drawing I feel a little closer to the way birds navigate when flying, or to hares finding shelter when pursued, or to fish knowing where to spawn, or trees finding a way to the light, or bees constructing their cells.

I’m aware of a distant, silent company. Almost as distant as the stars. Company nevertheless. Not because we are in the same universe, but because we are involved – each according to his own mode – in a comparable manner of searching. (150)

An exercise in orientation. What comes to mind first is an encounter I had in the parking lot of the Hard Rock Hotel in Las Vegas. Ginger and I were checking out of the hotel and I was carrying bags out to the car about nine in the morning. The two men in front of me were still living the night before. Both were in cut off jeans and Hawaiian shirts.

“Well, I’ll tell you one thing,” said the first with great emphasis and volume, “there’s two things you’ve got to know in life: where you’re at and where you’re going.”

“Well, hell,” said the other, “I always know where I’m at, but I ain’t never knowed where I was going.”

I want to sing a new song: “Onward, Christian artists . . .” Forget about marching, about defending, about protecting. Create. Search. Remember. Remember we are not searching to discover God’s plan, we are searching for God. We are searching for every way we can find to connect with one another, to include one another, to love one another. The trees find their way to the light and we find our way together. We find our way to the God of Many Alternatives.

onward, christian artists
drawing close to God
searching for connection
the faithful and the flawed

fear’s fomenters crumble
while all creation sings
of our divine alternatives
as our hope takes wing

onward christian artists
drawing us to God
stars and saints are cheering
and the trees applaud

Peace,
Milton

lenten journal: a friend I have yet to meet

One of the writers who has befriended me through her words is Naomi Shihab Nye. We have never met, though I imagine being in San Antonio sometime and knocking on her door as though we are both used to my doing that and having her answer and inviting me in for tamales and poetry. One of the things I love about her work is the way in which she infuses meaning into words we think we already know. She polishes them softly and then offers back what seemed mundane and pedantic and sparkling and vital. On this night, as my allergies are taking me down, I offer the words of this friend I have never met with hopes that will not always be the case.

Kindness

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you every where
like a shadow or a friend.

Valentine for Ernest Mann

You can’t order a poem like you order a taco.
Walk up to the counter, say, “I’ll take two”
and expect it to be handed back to you
on a shiny plate.

Still, I like your spirit.
Anyone who says, “Here’s my address,
write me a poem,” deserves something in reply.
So I’ll tell you a secret instead:
poems hide. In the bottoms of our shoes,
they are sleeping. They are the shadows
drifting across our ceilings the moment
before we wake up. What we have to do
is live in a way that lets us find them.

Once I knew a man who gave his wife
two skunks for a valentine.
He couldn’t understand why she was crying.
“I thought they had such beautiful eyes.”
And he was serious. He was a serious man
who lived in a serious way. Nothing was ugly
just because the world said so. He really
liked those skunks. So, he re-invented them
as valentines and they became beautiful.
At least, to him. And the poems that had been hiding
in the eyes of skunks for centuries
crawled out and curled up at his feet.

Maybe if we re-invent whatever our lives give us
we find poems. Check your garage, the odd sock
in your drawer, the person you almost like, but not quite.
And let me know.

Thanks, Naomi.

Peace,
Milton

lenten journal: choosing our words

Not long after we moved into our school building last year, Borders went broke and sold everything in their stores including the fixtures. The tables in my room are the very ones that held stacks of books for customers’ perusal and my walls are lined with the book shelves that made corridors of what are now giant empty brick and mortar boxes. One of the parents showed up one day with boxes of books that belonged to her father, who is quite a reader it seems, to fill up the shelves so the room looked learned in. Last week, one book caught my eye tucked away on the bottom shelf in the corner: a first edition hardback copy of A Circle of Quiet, one of my favorites of Madeleine L’Engle’s nonfiction work.

Needless to say, the book doesn’t live on that shelf anymore.

Our regular staff meeting was cancelled this afternoon, which meant I left school for the computer store and my evening shift earlier than usual, which meant I had time to read a bit when I got there. Berger, of course, who has laid patiently for several days. He told a wonderful story of a woman who had escaped from Kampuchea (now Cambodia) as the Khmer Rouge took hold. Berger described the Kampuchean people of that time as people who were

on the point of being tyrannized and massacred by their own political visionaries, who transformed them into fanatics so that they could inflict vengeance on reality itself, so they could reduce reality to a single dimension. Such reduction brings with it as many pains as there are cells in a heart. (127)

In the margin I wrote, “our politicians.”

I know it’s an overstatement in the sense that none of our national figures come close to resembling Pol Pot or have any intention of unleashing the kind of wholesale violence inflicted by the Khmer Rouge, yet what resonated in the quote was the note about reducing reality to a single dimension and leaving us with nothing but polarities from which to choose. As I read, I remembered words Madeleine had written about the dangers of reducing our vocabulary, so I went looking for them when I got home.

The more limited our language is, the more limited we are; the more limited the literature we give our children, the more limited their capacity to respond, and therefore, in their turn, to create. The more our vocabulary is controlled, the less we will be able to think for ourselves. We do think in words, and the fewer words we know, the more restricted our thoughts. As our vocabulary expands, so does our power to think. Try to comprehend an abstract idea without words: we may be able to imagine a turkey dinner. But try something more complicated; try to ask questions, to look for meaning: without words we don’t get very far. If we limit and distort language, we limit and distort personality. (149)

When we reduce our political discussion to who’s red and who’s blue, when our primary word for describing any foreigner we don’t understand is terrorist, when we live in such a sound bite culture that most every news story headline is almost a brand name by the time it is repeated verbatim by most every news outlet, we are left without the depth or nuance it takes to be human to and with one another. The tenor of the recent debates has been Orwellian: “Two legs bad, four legs good.” And, as the pigs in Animal Farm knew, if you get the sheep to shout the slogans loud enough you can control the discourse and rob everyone of their freedom.

Our state, North Carolina, is a good example.

In May, we are voting on a constitutional amendment that, when allowed to be stated in the limited vocabulary of our limited legislature, is designed to “defend marriage” by banning equal marriage. Those who are promoting the amendment have reduced the discussion to the single dimension Berger described, fomenting fear of gays and lesbians as if they were dead set on destroying society. What they don’t talk about the parts of the amendment beyond its obvious discrimination of gays and lesbians that take away rights from any domestic partnership – those who share in adoption, or share their lives at all. They won’t even have legal standing to visit each other in the hospital. Our draconian politicians promoting the amendment don’t do much more than shout “Straight legs good, gay legs bad,” and hope that limiting the discussion will do the trick. They are lying through their teeth.

I have several words for them, trust me, but before I let my anger get the best of me I want to find the words to try and get them or anyone else to see that their reduction the discussion “brings with it as many pains as there are cells in a heart.” They are not doing their jobs, they are not doing God’s job; they are doing damage – deep, hurtful, who-know-how-long-it-will-take-to-undo damage. Their amendment is not about protecting marriage or promoting morality; it is about preserving power. They want to keep things the way they are because that means the straight white men get to keep running things. Gentlemen – and it is a room packed with men, from one straight white guy to another, those days are over. Thank God.

What I love about Jesus’ vocabulary was his words were expansive. He didn’t reduce large ideas into controllable slogans, instead he took simple ideas and blew the roof off. When he told us to “consider the lilies,” he called us to contentment with who we are and put us in touch with our mortality in the same sentence. The lilies bloom and don’t worry about what’s next and they bloom for about three weeks and they die. He ate with sinners and the One Percent, the prostitutes and the Pharisees. He talked about the poor more than he did the powerful. And he welcomed people every chance he got.

Time is too short and this matters too much to let the discussion around the amendment be reduced to one that comes disguised as sanctified and entrenched morality. Amendment One is draconian and destructive. It robs people of rights they already have and promises to inflict deep pain on any number of North Carolina families. We cannot allow ourselves to constitutionalize discrimination. Let’s defeat the amendment and choose better words that invite and include.

Peace,
Milton

lenten journal: encouragaing words

Durham is the most encouraging place I have ever lived.

This is a city full of people who pull for each other, which is good because it’s also a city full of people with dreams and things they want to see happen. In our town of about a quarter of a million people we had a Food Truck Rodeo this afternoon and there were twenty-nine trucks from around the area, each one a dream on wheels. One of vehicles in the bunch is not motorized: Bike Coffee.

That’s right. Coffee – hand ground, fresh poured, awesome coffee – served from a bike. The purveyors, Areli and Leon, are peddling their way to a dream of opening a brick and mortar shop right here in our neighborhood that will be called Cocoa Cinnamon because along with their coffees they have chocolate, spices, and teas.

More later about tour opportunities for you to come and visit Durham, but first I want to use my space tonight to offer encouragement of my own because I believe in what my neighbors are doing. They have begun a Kickstarter campaign to raise the money they need to open their shop. It will be in this building. It will be the neighborhood coffee shop we have been hoping for. It will be where you will be able to find Ginger writing sermons most any afternoon once it opens and where I stop on my way to work in the mornings. It will be awesome.

Here is how Areli and Leon describe what they do:

So What is Cocoa Cinnamon all about? Here’s how we think of it: Craft. Create. Engage. Impact.

CRAFT – excellence in preparation of coffee, espresso, chocolate and tea.

CREATE – a creative nexus of people, places, and ideas; this includes making all sorts of people smile!


ENGAGE – a place for all people to be with family, friends, together or alone in diversity, health and relaxation.

IMPACT – a dynamic community space that strives towards and embodies sustainability, peace, democracy and human flourishing.

They have a great video on their Kickstarter page explaining more about what they want to do. What I hope you will do, if you can, is help them out.

And then come to Durham and I’ll take you to coffee.

Peace,
Milton

lenten journal: nighthawks

sometime in the night I will be
robbed of an hour of sleep in
order that we might save daylight

the thieves will leave nothing but
the promise the hour will be saved
kept safely and returned in the fall

still — what if this was the night
I was to sleep deep enough to wake
truly rested and somehow relieved

or I was to dream of a sheltering sky
over that single day at the seaside
with just you and me walking along . . .

or perhaps of a night when I walked
into the Hopper painting before daylight
and took my place behind the counter

Peace,
Milton