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lenten journal: a word for today

Spring Break began today for my school, along with many schools in our area. Usually it begins on Easter weekend, but this year they scheduled it earlier, which has thrown off my calendar a bit. The best news is I will get to play catch up a little in the garden tomorrow, or at least until the pollen pushes me back indoors. As Lent prepares to stretch out in the Last Long Week, I must admit to being caught a little off guard by the approach of Palm Sunday, even with writing everyday.

You would think I’d be ready.

The pace of life and my unpreparedness for What Is To Come makes me mindful of the gift we are given in being able to get ready: to prepare, to practice, to ponder. Easter has been on the calendar for a long time. We have scheduled the sacred into our lives, and scheduled around it. To be caught by surprise, even by what I know is coming, is a gift – a chance to catch a small glimpse of what it might have felt like the first time around.

A couple of nights ago, I sent a message to an acquaintance here in town whom I need to see for some advice on a project. I suggested we get together next Friday (as in next week) and he wrote back agreeing to meet, thinking I meant tomorrow. When I clarified, he wrote back to say his mother-in-law was dying and he needed to go with his wife to be with their family as they said goodbye, commenting that she was an only child so she was carrying the bulk of the burden. After walking through the past year with my father-in-law Reuben’s descent into Alzheimer’s and death, I understood in a very visceral way. I wrote back to tell him to take the time he needed and then “I will see you after the Resurrection.”

“Ahhh, yes,” he answered, “after the Resurrection . . .”

An old friend whose heart has been broken sent a message tonight asking for prayer to be able to face the silence of the night the lies ahead. Those are the two stories of pain that come to mind most quickly tonight; I know more. So do you. We are tired, we are weak, we are worn.

And we know whatever pain we know is not the last word.

Growing up Baptist, I didn’t know about Lent, or, I should say, I thought Lent was something Catholics did that meant that had to give up stuff. Thanks to a long list of teachers and fellow pilgrims, I learned to tell time liturgically, which has made my Resurrection mornings even more powerful because, I think, I learned to take the darkness more seriously. I’ve learned that the direction our faith takes us through pain and grief, not around them. And I’m reminded almost daily that we go through them together.

Tonight, that’s enough.

Peace,
Milton

lenten journal: hey, white people

yeah, I’m talking to me
you, too – and anyone
who never had to worry
about being followed
stopped or accused
because of our skin
who never thought
twice about a hoodie
making us a threat
listen right now
we need to listen
don’t speak of
what the boy might
have done wrong
don’t explain
make excuses or
offer solutions
just listen
for a long time
we have much
yet to understand

Peace,
Milton

lenten journal: a time for singing

Writing about time — and finishing up with Tom Waits — has sent me in search of time songs. Today I offer a soundtrack to pass the time.

Bruce Cockburn opens the set with “Lovers in a Dangerous Time.”

John Mellencamp continues: “Save Some Time to Dream.”

An old favorite — Shawn Colvin singing “Ricochet in Time.”

As long as we’re in old favorite mode — Cyndi Lauper’s “Time After Time.”

One more old favorite: “Where Does the Time Go?” by the Innocence Mission.

On to Ryan Adams — “In My Time of Need.”

Here is Dawes with Mumford and Sons: “When My Time Comes.”

And our closing hymn: Paul Simon singing, “Love and Hard Times.”

Sing along every chance you get.

Peace,
Milton

lenten journal: about time

Lent is almost over and I am just now digging into the stack of books I got for Christmas. The one on the top of the heap was About Time: Cosmology and Culture at the Twilight of the Big Bang by Adam Frank. Ginger gave it to me because she knows how fascinated I am with time and how deeply tied it is to theology for me. Her gift was a true act of love because I don’t have to talk about time for very long before her eyes start to roll back in her head; my interest is not shared. Appreciated, but not shared.

The book fits in well to my life these days because I have to be keenly conscious of time and how I spend it. I am working two jobs, trying to keep up with lesson plans (I’ve never kept up with grading), finish a book manuscript due in a few weeks, stay true to my Lenten practice of writing this blog daily, do more than merely smile at Ginger as I pass by, do my due diligence with the Schnauzers, keep up with the cooking, try to stay familiar to at least some of my friends, and hope to get at least six hours of sleep a night. As I said, I am keenly conscious of time. Tick, tick, tick.

In the two years I have been teaching at my little school, I have never had a wall clock that worked. There has been a blank space where a clock was supposed to be or a clock that neither keeps nor tells time has been hanging next to the door, as is currently the case. Every so often, one of my students awakens to the reality that the reported hour has nothing to do with our time zone; today was such a day.

“Mr. B-C,” she said, “why don’t you just take it down?”

“Because,” I answered, “I’ve decided to view it more existentially – as a work of art. I mean, do any of us actually have any sense of what time it is? We make our own time.” She rolled her eyes in a move vaguely reminiscent to Ginger. I chuckled to myself and by myself as they humored me. Yet, if the clock were “correct” it would only be so because I set it to what time we have collectively decided it should be so we can be on time, know when to expect one another to show, or rush outside to meet the carpool at the end of the school day.

It has not always been so. The word timekeeper first appeared in 1686.

Frank builds his argument on the premise that cosmological time (how we think about the universe) and human time (how we think about our lives) have “always been intertwined, and there was never an age when they could be closely separated.” However, in these days we are living “the time we imagine for the cosmos and the time we imagined into human experience turn out to be woven so tightly together that we have lost the ability to see each of them for what it is.” (xv)

As I read those words, I thought of Psalm 8:

when I look up at your skies,
at what your fingers made—
the moon and the stars
that you set firmly in place—
what are human beings
that you think about them;
what are human beings
that you pay attention to them?

When I read those verses, two things happen. First, I hear the Chapel Choir from University Baptist Church singing “The Majesty and Glory of Your Name,” an anthem based on the psalm and one of my favorite choral pieces. Second, I lament I was born in a time of human history when gazing into the night sky doesn’t offer the chance to be put in my place that it once did. And so I live caught between the stars and the Bull City, if you will, trying to find the rhythm of my life. As I try to come to terms with the differences in the meaning of time for the Psalmist and me, I learn from my Christmas gift:

Changes in material engagement redefine culture by altering what are called its institutional facts. Institutional facts define the human world into which we are each born. . . . With the advance of material engagement came new ways of experiencing time. . . . Just as each invention made new forms of culture possible, cultural imagination also developed alongside the technology. Because time always exists at the interface between the physical and the imagination, it would be closely tied to material engagement and the changes it drove in culture. (20)

I can feel the eyes beginning to roll back – and not just Ginger’s. But don’t bail on me just yet. Give me just a little more, well, time. Another of my students is obsessed with time. He has Aspergers and a strong need for order; knowing the exact time matters because, it appears, he worries about being able to get finished with his work on time. Part of my job is to offer grace the clock cannot. When he asks for the time, I look at my smart phone. I used to carry a pocket watch, but that has given way to the phone which is sent the time from a satellite somewhere, as are all the phones and computers in the school; we all agree down to the minute. Our schedules thrive on the specificity. Second period ends at 10:25. The day is over at 3:15. I have to be at the computer store at 5 o’clock. Tick, tick, tick.

Changes in our material engagement make it difficult for us to see beyond the immediate. The exactness of our timekeeping puts the dead in deadline. We are scheduled down to the minute because we can be. And we are still figuring out what it means to our humanity. Or perhaps I’m just figuring out what it means for me. I started by saying time has theological implications. That’s the place where I find Frank’s words compelling because if every material engagement changes what it means to be human then it also changes how we see God. The Psalmist could gaze into a night sky devoid of ambient light and see layers of light; I can see street lights, hear sirens, a catch a couple of stars. Seasons like Lent and Advent have become more crucial for me because they set my heart to a different beat and lift my eyes to see beyond the curse of the second hand to remember to sing along.

Who am I that you are mindful of me? Alleluia.

Peace,
Milton

P. S. — Here’s one of my favorite time songs for good measure.

lenten journal: question(s)

love is the opening door
love is what we came here for
no one can offer you more
do you know what I mean
have your eyes really seen
— Lesley Duncan, “Love Song”

Lesley Duncan’s lyrics came back to find me today (I know the song because of Elton John’s cover on his Tumbleweed Connection record) partly because I went back to that disc since it is Elton’s birthday and mostly because of the way it felt to be a part of the bluegrass service we had today. (I wrote a little about it here.) Several of the songs were ones I sang at my father-in-law Reuben’s funeral because they were songs he loved; singing them today made the grief palpable in a way it had not been for awhile. We closed our service with “Will the Circle Be Unbroken,” which, after today’s service, I took to be a rhetorical question.

question(s)

why do I feel more at home here
when I sing this world is not my home?
why does singing about heaven
make me want to plant trees?
why don’t the gospels talk
about what Jesus liked to sing?
our lives go on as endless song . . .
how can I keep from singing?

Peace,
Milton

lenten journal: chance of rain

when it rains like this
I wish for my old vinyl
records and the songs
that seep back into
my heart like water
into our basement

its something other
than mere melancholy
or even memory
the melodies have worn
rivers in my heart
whose beds grow dry

from time to time . . .
and then it rains words
and music – blossom
smile some sunshine
and I close my eyes
and sing along

Peace,
Milton

lenten journal: spice route

Last night as we were getting ready for the Cocoa Cinnamon tasting, Leon had a plastic bottle filled with sand from the Sahara he had brought home from time spent in Tunisia and Morocco. He poured some into a brass Turkish coffee pot and let us touch it. The sand was somehow fine and coarse at the same time and had a pinker hue than what I know as sand, bordering on rose. (Cue the Police: “Tea in the Sahara.”) At the same time, Areli was building little mounds of spices – cinnamon, cayenne, sea salt, hibiscus, curry, cacao nibs, raw cacao beans – for us to add to our Venezuelan drinking chocolate when they served it later in the evening. I sat the camera on the table at one end of board and took this picture. Here is where the picture took me.

spice route

something in the sand
shrinks me down to size
clothed in appropriate
insignificance I step into
the stories mounded up
in the spices on the board
in the middle of our table

standing in my dining room
I walk the stone streets
of Tunis and Marrakesh
surrounded by the laughter
and questions from the
caravan of friends and
adventurers sailing

around the room
tasting and talking
digesting dreams
inhaling hope
infusing our lives with
the trace minerals
of togetherness

Peace,
Milton

lenten journal: here’s another picture

Many years ago, I wrote a song that began, “Here’s another picture of love . . . ” Tonight, we added several more photographs to that album as Areli and Leon from Cocoa Cinnamon did a coffee, tea, and chocolate tasting at our house as a way of preparing us for the awesome coffee shop they are going to open in our neighborhood. They have a Kickstarter campaign going right now. Help them out and then come visit us in Durham and we’ll take you for coffee — or drinking chocolate. Believe me, it’s worth the trip. We ended up with thirty-five people hanging out in our house for a couple of hours tasting, listening, talking, and generally having an awesome time and reminding one another of what it means to be together. So here’s another picture — or seven.

 
Peace,
Milton

lenten journal: plotting the resurrection

First Fig 
 
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!
 

I have kept my practice of a Lenten journal now for many years. This, however, is the first year I have tried to write and work two jobs. As I was driving home tonight, I thought of Edna St. Vincent Millay’s “First Fig,” which is a favorite and it led me to the following words.

plotting the resurrection

I’m not one to wax
eloquent about the
virtue of burning
out though I feel a
flicker of resonance
with her candle in
the way neither my
daylight nor dark
hold much room for
rest it appears
I have given up
sleep for lent sleep
for lent perhaps
on easter morning
I can nap in the
empty tomb no
one will be there

Peace,
Milton

lenten journal: bear with me

In my post yesterday I quoted from Bruce Springsteen’s keynote address at South-by- Southwest, which I would like to repeat:

The purity of human expression and experience is not confined – there’s no pure way of doing it; there’s just doing it . . . . At the end of the day, it’s the power and purpose of your music that is what’s valuable.

After seeing him in concert last night in Greensboro, I must report the man walks the walk (rocks the rock) as well as he talks the talk. At 62, the Boss shows no signs of slowing down or gives any indication that the point of his evening is to leave it all on the stage. If rock and roll were a religion, Bruce would be a Pentecostal evangelist. With his clarion call still ringing in my ears, I heard the music start all over again when I read this sentence in Art & Fear:

To make art is to sing with your human voice. (117)

May I offer a mash up, if you will? There’s no pure way of doing it, there’s just doing it; at the end of the day, it’s the power and purpose of your faith that is what’s valuable. To make faith is to sing with your human voice.

Here is one of the reasons Jesus matters: he was fully human, which is to say being human is not a bad thing, not an evil thing, not a destructive thing. Being human is who we were made to be. Bruce sang, and a coliseum of voices along with him, of what it means to be resiliently human:

we are alive
and though our bones are alone here in the dark
our souls and spirits rise
to carry the fire and light the spark
to fight shoulder to shoulder and heart to heart

The reason we all sang along, or at least one of them, is because he sings about the truth of life that lives amidst the contradictions and grief, of the light that shines indefatigably in the darkness. We are the dry bones singing and dancing. Every damn day. It is the melody of art and faith, our best song in our human voices, embracing the life we have been given to live. Back to Art and Fear — Bayles and Orland close their book by saying:

In the end it all comes down to this: you have a choice (or more accurately a rolling tangle of choices) between giving your work your best shot and risking that it will not make you happy, or not giving it your best shot – and thereby guaranteeing that it will not make you happy. It becomes a choice between certainty and uncertainty. And curiously, uncertainty is the comforting choice. (118)

I’m a quote ahead of myself. I need to back up a page or two to the set up for the paragraph you just read:

Answers are reassuring, but when you’re onto something really useful, it will probably take the form of a question. . . . Over the long run, the people with interesting answers are those who ask interesting questions. (112-113)

Not long after I re-read those words, I came across my friend Jimmy’s thoughts on his Facebook page this morning:

It didn’t seem questions had much place in my faith tradition. I remember asking questions, but, there were always answers. Life is not a math challenge where all the numbers add up to a simple resolution. Neither are questions.

Jesus is the answer, says the old gospel song, backed up by all sorts of good intentions. No. Jesus asks the questions. Where are your accusers? Do you want to get well? Do you love me? Jesus calls us to embrace the uncertainty. Consider the lilies. Walk the second mile. Take care of the people who can’t take care of you in return. Love your enemies.

Oh – there’s one more thread in my tapestry: this line from Mary Oliver’s “Spring,” which graced the Writer’s Almanac today:

There is only one question
How to love the world.

Wait. That’s not fair. A good line from a great poem deserves to be seen in its natural habitat. Here’s the whole thing.

Somewhere
      a black bear
           has just risen from sleep
                and is staring

down the mountain.
     All night
          in the brisk and shallow restlessness
               of early spring

I think of her,
    her four black fists
        flicking the gravel,
               her tongue

like a red fire
    touching the grass,
        the cold water.
              There is only one question:

how to love this world.
    I think of her
        rising
               like a black and leafy ledge

to sharpen her claws against
    the silence
        of the trees.
              Whatever else

my life is
    with its poems
        and its music
             and its glass cities,

it is also this dazzling darkness
    coming
       down the mountain,
            breathing and tasting;

all day I think of her—
    her white teeth,
       her wordlessness,
            her perfect love.

The fact that I went to Baylor notwithstanding, I love a good bear metaphor. And I’m back to Lyle, or at least his cover of Steve Fromholtz’s song:

some folks drive the bears out of the wilderness
some to see a bear would pay a fee
me I just bear up to my bewildered best
and some folks even seen the bear in me

Oliver’s bear comes lumbering out of hibernation into a world exploding with possibilities and dangers, callings and contradictions, reminding us we follow a similar trajectory: sometimes bewildered, sometimes uncertain, sometimes hungry, sometimes hopeful, and always called to love with all the force and fervor of a bear looking to break a winter’s fast or Bruce belting out the final chorus of “Born to Run.”

We are alive. And human. And are called to love the world: to relish the uncertainty, to dance in the dark, to make faith by singing in our human voice:

everybody has a hu-hu-hungry heart.

Peace,
Milton

P. S. — Sic ’em, Bears.