Our in-person worship got snowed out today, but I was able to record from home, so this sermon got to be more than just a manuscript. Joy is the theme of the third Sunday in Advent, and the scripture was Mary’s response to her surprising circumstance. Here’s where it took me.
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Of all the things that have been written about the Bible, we don’t find a lot that talks about humor in scripture. For one thing, the books of the Bible are not that humorous, though some of that is due to the fact that we are reading translations of ancient manuscripts that distance us from the original word choice and word play and timing that are essential to a good joke.
When I taught high school English, I loved reading Shakespeare with students, but the part that was the most difficult for them to understand was the humor. Jokes don’t travel well over centuries. It’s hard to keep up with the way language changes from generation to generation, much less from century to century.
Tragedy travels better because it is grounded in events, in circumstance. The death of a parent, for example, is something we can understand across great spans of time because experience doesn’t need a translator. Tragic things just happen. Humor is an art, something that has to be crafted in the moment—and when I say humor, I mean more than a setup and a punchline. I’m talking about a way of looking at the world that helps us not take ourselves so seriously, that creates room for laughter and connection, that makes the tragedy bearable. That kind of humor is a learnable and practicable skill.
Translator Sarah Ruden says Biblical humor is a manifestation of the Bible’s joy. What I read in her words is that joy is also a skill, an art, that we can learn and practice, and the words Mary spoke after she found out she was pregnant give us a good picture of what the skill of joy looks like in practice.
The hard part for us is we have to break some stained glass to really hear what Mary is saying. Over centuries, her words have been as “The Magnificat” and then turned into any number of classical music pieces. Two of our hymns this morning are adaptations of what we often call her song, even though there’s not really indication in the text that she was singing.
Though much of the music is beautiful, it binds Mary up rather than setting her free or setting us free to see her joy at work. Sometimes that happens in the way we sing it. Our first hymn, “The Canticle of Turning,” sets the text to an old Irish folk tune, “The Star of County Down.” It was written to be accompanied energetically by guitars and fiddles and even a bodhran (an Irish hand drum) rather than by an organ and sung in a tavern as much as a sanctuary.
Under all of those layers, Mary was probably about fourteen when God’s messenger told her she was pregnant, and not much older when she went to visit her cousin Elizabeth, who was a good deal older. Mary was in the middle of a tragedy, as far as circumstances were concerned. The life she thought was about to unfold had exploded with the news of her pregnancy. Instead of getting married, Mary was going to be ostracized. Nevertheless, she told the messenger, “Let it happen just like you said,” which was her first step toward joy.
The other steps followed in the words we read this morning, which move from gratitude for God choosing her to talking about how the child she was carrying would upend the world and offer hope to those who lived outside of the realms of power and wealth—those deeply acquainted with tragedy. Those who were rich and powerful were not always going to be so. That’s the way the humor of God worked, and she was grateful to be a part of it.
Mary wasn’t acting like the tragedy wasn’t real, she was choosing to craft space for joy to live. She was choosing to see more than the tragedy, to see the uncertainty that was in front of her as room for hope to grow.
That is difficult and important work, and it is the work to which we are called as well. It’s important because tragedy, in whatever form it takes, is about separation and loss. The craft of joy is reconciling work, connecting work. It’s the idea in the carol, “Do you hear what I hear?” That’s an invitation to share in the joy that is going on around us no matter what the tragedy.
The stars keep coming out. The birds keep singing—even in the winter. The sun comes up every morning. Little babies stare at us and smile in supermarket lines. We sit in coffee hour and tell stories and laugh together. Whether big or small, the song of joy plays all around us. The question is are we willing to practice the skill to hear it?
We started by saying that scripture is hard for us to get sometimes because of the layers of translation and history that lie between us and the original versions. Still, we trust there is a reason to keep telling the stories and to keep trying to come to a deeper understanding of them, even as we continue to work to not get so attached to our version of the stories that we can’t be caught by surprise by new way of looking at them.
That same approach is what leads us to a life of faith. It is hard to make meaning out of all that happens to us. We face tragedy and difficulty, and we don’t always have a good reason for why things happen. Yet, we don’t give up. We choose not to take a fatalistic view of things, but we keep telling the stories of joy and hope, the stories of the ways God’s love and mercy finds us and saves us, and we keep working to not get so attached to our way of looking at the world that we can’t be caught by surprise.
And at the heart of the story of Jesus’ birth that we tell every year is the reminder the messenger gave to Joseph, who was reeling in the face of tragedy he didn’t understand: “Name the child Emmanuel, which means “God is with us.” Down all of the years, all of the tragedies, that is still the heart of our story: God is with us, no matter what other circumstances are our reality. God is with us, calling us to practice the art of joy. May we answer with Mary’s enthusiasm. Amen.
Peace,
Milton