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aftermath

aftermath

 

I didn’t watch the debate last night

on purpose. I went to bed and woke

this morning to screens strewn with

the debris of comments and video

clips like empty beer cups and hot dog

wrappers left after a WWF cage match.

 

Orange is the new angry. No. It’s the

same old angry, the puke of privilege,

intending to set a tone that shouts down

anyone who dares to disagree, or even

suggest that his is not the only voice.

 

But there are other voices. Charlotte.

Tulsa. Aleppo. Dallas. (Insert city here.)

Your city. My city. Our country. Take

to the streets, my friends. Hold up

signs. Hold out your hands. Knock

on doors. Let’s turn to one another

on street corners and tell the truth

with our smiles, our words, our

willingness to not be defined by

our differences, to not be fueled

by our fears. Live beyond the lie

that there is not enough for

everyone. Trust that it takes all

of us to tell the whole story of

what it means to be an American.

 

Loud and powerful are not the same

thing; rich and right are not synonymns.

Human and hopeful; neighbor; friend;

just, kind, deferential, determined;

loving; engaging; tenacious; together:

a short list from the vocabulary of

freedom. Speak your words and add

them to the lexicon of lament and

promise. Write them on the walls of

our prisons, our police stations, our

capitols and our churches, our schools

and our state houses. Let the graffiti

of grace speak louder than the garbage

talk of a failed game show host.

 

Peace,
Milton

further along

This is the manuscript of the sermon I preached yesterday at First Congregational Church of Guilford UCC. The text was Genesis 37 and the sermon was the beginning of a series on Joseph that Ginger and Sarah will be continuing.

I titled it, “Further Along”.

______________________

Family: it’s one of the most comforting and discomforting words at the same time. It’s also one of the hot-button words in our culture. We hear some speak of “traditional family values,” saying all we need to do is structure our families just like they did in the Bible. Well, this morning we are going to look at one of those families—actually, one we might even consider as the Central Family in Genesis—and we are going to begin a journey with them over the next few weeks, focusing on the life of Joseph in particular.

The limb of the family tree we are going to climb out on begins with Jacob. You remember him. He was a twin and came out of the womb holding on to the heel of his older brother Esau. When he was old enough, he conspired with his mother Rebekah to deceive his blind and aging father Issac and steal Esau’s birthright. Yeah, that guy.

Jacob left home and got married. Four times. At the same time. But Rachel was his favorite. Jacob fathered twelve sons with his four wives. Rachel was the mother of Joseph and then–a good bit later–Benjamin. Both of the boys held a special place in Jacob’s heart and he couldn’t help but play favorites, which fed the already smoldering sibling rivalry. Listen to the story as told in Genesis 37.

Garrison Keillor said the elements of a good novel are royalty, sex, religion, and mystery, and then he offered the perfect story in one sentence: “Good God,” said the Queen, “I’m pregnant; I wonder who the father is?” Over the next few weeks, the novella, if you will, of Joseph’s life that unfolds in these chapters in Genesis has all those elements, as well as a happy ending. Keep that in mind: it all kind of works out.

But I’m getting ahead of myself.

As you can see from our reading, Joseph didn’t do himself any favors by sharing his dreams with his brothers. They already knew he was the favorite. He had the Coat of Many Colors; Jacob didn’t give those to everyone. And now dreams where he everything kept bowing down to him? A few days keeping flocks and fuming in the desert and they were ready to kill him. When he showed up out in the middle of nowhere to say Dad wanted them to come home, they decided to do more than talk: kill him, throw him down a well, and tell Jacob an animal had gotten him. Reuben, the eldest, had a moment of sanity: don’t kill him; throw him in the well and just tell Dad he’s dead.

They went with the second plan and threw him down an empty cistern (or “the pit,” as the King James translates it). Reuben intended to circle back and let him escape, but before he could get there the others had second thoughts of their own and sold him to passing merchants. As far as they are concerned, the pit was the end of the story. They could go home with goat’s blood on their hands and get on with their lives.

The Dreamer, however, wasn’t done. By the time the boys got back to Papa, Joseph had ended as a servant in Pharaohs’ court.

There’s a great sermon in here about family dynamics. And another about how we live with the damage we have done to one another. I’m not going to preach either of them. I want to talk about the pit and what it says about how God works in our lives.

Before the pit can be the segue to the next part of the story, it has first to be an ending. Joseph knew he was more than metaphorically in the pit of despair. Perhaps the reason his brothers pulled him out and sold him was they were tired of his wailing for help. He didn’t see a way out.

If we took the time this morning, most all of us could name pits in our lives—death, depression, despair, disappointment. And those are just the Ds. Sometimes the pit is one dug by tragedy. At other times, we seem to slide to the bottom in a sort of slow descent of circumstance. Either way we are left to wonder: Where is God when we are in the pit? What role does God play in our story?

Where is God in Joseph’s story?

How much God intervenes in our lives is one of life’s most persistent questions.

If we say, for instance, that God delivered Joseph from the pit, or that God already had in mind for him to end up in Egypt so the Happy Ending could take place, we run the risk of turning this story into a puppet show. His brothers and the slave merchants acted out of self-interest, out of hatred; they were not divinely inspired.

On the other hand, to say those showed up out of simple coincidence, or that Joseph’s survival was just dumb luck doesn’t offer much hope or consolation.

What then shall we say?

I would like to say I don’t plan to answer those questions, but I would like to offer ways to live with them.

First, let us remember that we live in the moment and we interpret in hindsight. We see God in our lives when we look back. What is holy shows up best in our rearview mirror. Faith in God is trusting that one day we will get to look back and understand a little more. Like the old gospel song says, “Further along we’ll know more about it.”

I don’t mean we will see how God engineered circumstances. I mean with the eyes of faith we will see things we could not see in the moment of crisis. In the pit. We will see that we lived through it. And that we were not alone.

In his book A Force of Will, Mike Stavlund tells the story of the birth of his son, Will, who was born a twin, and was born with severe heart problems that required extensive surgeries. He lived only a few days. The book, written some years later, is the story of his looking back to see what he learned about God and faith and life having lived through the throes of trying to save his little boy’s life. One of the things Mike says that speaks to me is that he learned the meaning of the word palliative:

Palliative repairs are those that come in a series—one repair builds on the one before it and aims to enable the surgery that will follow. Which seems unsatisfying. . . . As difficult as it was to do so, we learned to focus on the current procedure and not be overwhelmed with the whole regimen . . . . (25-26)

Then he went on,

Though many might disagree, I think our faith is palliative, too. Faith needs to work well enough to get us further along, and we are allowed to make adjustments as we go along the journey of life. (26)

Hold that thought, and let’s talk about God for a minute. In his book Participating in God, Paul Fiddes says God created us as partners, capable of making choices that matter and he says,

If God is going to allow the world to be creative with some reflection of God’s creativity, there must be some things which are possible but which have not yet become actual for God. Further, when they actually happen there will be something new about them, something contributed by the world. (143)

Just as our capacity for relationship leaves us open to love and loss, to being thrown in the pit and being rescued by strangers, so God’s leaves God’s self open and chooses to move palliatively in our lives, from one thing to the next, so that we might know what Love looks like.

We can’t see the whole story because we are in the middle of it. What we know is we belong to a God whose name is Love and who meets us palliatively everyday, should we choose to live in relationship with God. Listen to Mike Stavlund again:

Like a writer’s drafts, or a backpacker’s tent, or a scientist’s hypothesis, or gardener’s weeding, or a parent’s relationship with a child, our present faith only needs to work for its appointed time and should in fact be flexible, temporary, and transitory. We shape it as best we can and then let it be shaped by God, ourselves, and our community. Maybe faith is only and ever palliative, intended to start us on a journey of eternal collaboration with our Maker. (29)

We are a week past our marking of the anniversary of September 11. Fifteen years later and there’s still no way to explain why bad things happen. We have friends and family members who died too soon, or just died before we were ready. We know the pits of grief and betrayal, of hopelessness, of failure and even sin. We have lost jobs, missed chances, and broken our hearts.

But that is not the whole picture. We can look back and remember those who heard us call and pulled us out, those who stayed when that was all to be done, those who kept showing up to remind us the pit is never the last word. There is more light, more love to come further along.

My brothers and sisters, there is still more of the story of God’s love to live out together. Our God has called us as cowriters. As co-creators in this palliative life. Let us look backward in gratitude and move forward in grace. Amen.

Peace,
Milton

tell me a story

It’s a little after sunrise, sc0033e6fd02-1
an early autumn morning—
a chill of hope in the air;
the sunrise is the color of stories.
Today is your birthday.
I’m still keeping count though you
are no longer celebrating:
eighty-eight.

I live in a house you never
visited, in a town you
never saw; I have a new
job you knew nothing of . . .
and I wonder about the life
you lived before me: the
twenty-eight summers and falls,
the stories I never heard.
We were father and son,
yet so much more.

quiet time

I have been quiet for a long time, I know.

One of these things I learned about myself is I grew weary of feeling I needed to respond to the issues of the day—and by “needed” I mean allowing myself the luxury of thinking I had something that had to be said. I stay somewhat amazed at those who have articulate and lengthy posts and articles ready to actually meet the schedule of the twenty-four hour news cycle and the growing brevity of our cultural attention span. I am not among them. Rather than succumb to what felt like the tyranny of the immediate, I chose to stay quiet. Not silent. Quiet. To give myself room to learn to listen better, rather than to try to become better at the quick draw.

Even as I write, I realize it was not all by choice. I have been quiet these days because they have been full of change and challenge, of death and life. Though my mother has been dead nearly seven months, learning how to live as an orphan feels brand new. I am overjoyed at my new job as an editor, and the chance to work with words that matter for a living, and I am adjusting to moving from the extrovert havens of the classroom, kitchen, and retail store to the, well, quiet of my cubicle where most of my daily conversations happen on the page. I am seeing myself in new lights, finding space I have not known in years. The rhythms have changed; I am learning a new dance.

My new job means a lot of time on trains going back and forth between Guilford and New York, which means I have read more books in the last month and a half than I did in the year previous. My heart and mind feel full. I have remembered experientially that to write one must read. As I work on what I hope will be my next book—and a book about grief (I think), I am reading all over the place: reading because of the writer, because of the subject, because of the beauty of the language. And I am reading books for no particular purpose other than to take the journey. Even as these days feel framed by sadness, I am content.

The variety of reading has created conversations. In The Orphaned Adult, Alexander Levy offered these words: “Most of us don’t want to know how ordinary we are, especially in our suffering.” Today, as I was rereading Nora Gallagher’s Things Seen and Unseen, I heard her respond, “The road to the sacred is paved with the ordinary.”

When I posted Levy’s words on my Facebook page, a friend who is also a member of the Dead Dad’s Club wrote, “When my Dad died, I didn’t want my grief to be ordinary because I was afraid that would make my Dad ordinary, which he most certainly was not. None of us are ordinary in that sense – beautifully and uniquely created, right? So my loss, while relatable, isn’t ordinary. It is uniquely created as well, yes? I find myself totally agreeing and totally disagreeing with the statement. Thanks for sharing.”

I read her words and responded, “I feel the same way. What feels most uniquely ours is what connects us to one another.”

The continuing refrain I hear as I learn to sing the songs of hope and sadness that make up the soundtrack of our lives is that what is new to me is not new. On the days when I feel like nobody knows the trouble I’ve seen, I only need to look down and notice I am walking a well-worn path; I am not alone, even in my loneliness. And even that is not an original observation. I heard it along the way and remembered.IMG_1820

Earlier this week, I rode the Number 1 train from Penn Station up to 110th Street and Cathedral Parkway to visit the Cathedral of St. John the Divine because I had never been there and because I want to feel like I do more than go to New York to work and then come home. As I was riding back, I saw a poster on the wall in my subway car for a promotion called “Poetry in Motion”. I read the poem and took a picture. Here is the text.

Here
by Gary Snyde

In the dark
(The new moon long set)

A soft grumble in the breeze
Is the sound of a jet so high
It’s already long gone by

Some planet
Rising from the east shines
Through the trees

It’s been years since I thought

Why are we here?

A couple of stops later, a young couple got on the train—and by young, I mean teenagers. They were both dressed in black. His hair was curly on top and shaved to a fade on the sides. She had long black hair and bright red lipstick. Urban kids. They stared and talked only to each other, and then he saw the poster. He read the poem and then took out his camera, just as I had done. “I did that, too,” I said. He offered a faint smile and returned his focus to the young woman. I got off the train and joined life again above ground, mindful that neither of us had been the first to engage the poem, anymore than we had been the first ones to ride the train.

“There’s nothing new under the sun,” the writer of Ecclesiastes proclaimed in words far too easy to read as despairing. “ People may say about something: “‘Look at this! It’s new!’ But it was already around for ages before us.” (1:9-10, Common Bible) Yet, by the time he gets to the end of what he has to say, he appears to be as acquainted with hope as he is with grief: “Go, eat your food joyfully and drink your wine happily because God has already accepted what you do.” (9:7) Amen.

There’s nothing new under the sun, and it is new to me and you. Both things are true. The well-worn path to the sacred is in the ordinary. I’m learning to be quiet and listen.

Peace,
Milton

a new old poem

I spent the day in the yard installing the arbor and planting the climbing roses I got Ginger for her birthday. As I sat in the back yard, resting before finishing dinner, I thought of a poem I wrote as we settled into the house on Trinity, preparing for Ginger’s parents to move in with us. I found this revision.

these are

the dig in the dirt
go to bed tired
pull up the weeds
plant the climbing roses days

the creak in the knees
crust in the knuckles
come back in five years
to see how it all worked out days

the plot the resurrection
slam the door open
say thanks for the help
give thanks for the pups days

the wonder what’s next
dream a new dream
learn to live with the grief
walk this road together  days

the all that I hoped for
never saw it coming
sink roots yet again
keep our promises to each other days

the I’m with you
I’m with you
I’m with you days

Peace,
Milton

the end of poetry month

the end of poetry month

also marks the end of
a poet a protester
a prophet a priest
those are not often
captured in one person
he was already in his forties
when I learned who he was
a pastor asking questions
that didn’t come up
in most baptist circles
by the time I was in my
forties I was growing
into becoming a poet
and more of a protester
not because I was angry
as much as I felt the
weight of these sad times
tonight feels heavy
a poet is dead
a prophet is dead
let us speak what we feel
and not what we ought to say.

(for Daniel Berrigan)

Peace,
Milton

muscle memory

muscle memory

dishwashing always needs a soundtrack
so I let my phone play deejay and the
next thing I knew I was chewing on a
piece of grass walking down the road
even though we ain’t go money there’s
a place in the world for a gambler so
dance with me ‘cause oz never did give
nothing to loosen a jar from the nose
of a bear who was born in the summer
of his twenty-seventy year and out riding
fences for so long now you just look at
him and cry please come to Boston for the
springtime because I was so much older then

Peace,
Milton

nature walk

nature walk

a few days ago we started our
twenty-seventh year following the
path among the stones along the
shore until stopped by the barrier
set to  protect the nesting plovers

today we spent a sunny afternoon
walking down to our little harbor
and then back down unfamiliar
streets past people in unprotected
neighborhoods as they nested

a nature poet would build a better
metaphor, but I see people who
live wingless in the floodplain of
the rising tides of grief hoping
they will not be left alone

Peace,
Milton

penultimate

penultimate

it was the night before
though I suppose I could
say it was the last night
but that is not how I’ve
ever thought of it

nothing was ending
everything was beginning

we gathered everyone
we could think of in the
fellowship hall to tell
stories eat barbecue
and mark the moment

nothing was ending
everything was beginning

the guys gathered to share
communion afterwards
as many groomsmen as
Jesus had disciples
and then I tried to sleep

nothing was ending
everything was beginning

more than a quarter of
a century ago
we are sharing some wine
planning for tomorrow
and I’m ready for sleep

nothing was ending
everything was beginning . . .

Peace,
Milton