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lenten journal: march madness

march madness

when I got to the tiny house
I was greeted by Elsa and Lily
they are backyard chickens

whose tinier house is next to mine
they did not invite me in but
saw to it that I found my place

this morning they were busy
as I stepped out to greet my host
who was giving the girls a snack

Elsa and Llily lost interest and
moved to things more interesting
under the oak full of new leaves

then they quit looking down
and looked up into the tree and
the branch a foot above them

and they took turns jumping flat-
footed—not flying—beaks up
grabbing bit of green growth

as one who has never had much
of a vertical leap and who has
probably sold chickens short on

both intelligence and athleticism
I stood corrected for jumping
at unfounded fowl conclusions

if a chicken can jump for breakfast
maybe there is hope for us all
I may start practicing my jump shot

Peace,
Milton

lenten journal: among the wildflowers

I am fortunate to be driving across Texas just as the bluebonnets are blooming. Here’s where they took me.

among the wildflowers

the old pickup rolled to a stop
on the shoulder of the two-lane road

the gravel spoke underneath
the worn boots of the workmen

who walked to the front of the truck
that was sending sighs of steam

into the early spring morning
of a not very good day

two of them stood and stared at
the smoking engine as though

they could change something
the other walked to the edge

of the field of wildflowers
“Jesús, what are you doing?”

“look at the bluebonnets,” he said,
“they only last a couple of weeks

but they do more than just survive
they spend their little lives for beauty.”

one of the others was on the phone
the other was digging for tools

they weren’t listening to the man
as he stepped across the ditch

and laid down among the blooms
“gracias,” he said, “gracias.”

Peace,
Milton

PS—How could I not include this song? The Wailin’ Jennys do a wonderful cover of Tom Petty’s classic.

lenten journal: taking my shot

To paraphrase an old commercial, “I don’t play basketball, but I watch it on TV.”

Actually, I played on one team when I was in sixth grade. We were on leave from Africa and living in Fort Worth. I was on the Royal Ambassadors team for our church. (If you don’t know what Royal Ambassadors are, ask someone who used to be Southern Baptist.) Everyone else on the team had played together for years; I had never played in an organized game. They were really good and had been the perennial league champions. I was then—and remain—an amazingly average athlete.

Late in the first half, the coach told me to go in as a substitute. I didn’t know I had to check in at the scorer’s table. I just walked out on the court and told the other kid I was coming in. The ref blew his whistle; my coach blew a gasket. I went back to the bench. At halftime, he explained the rules to me. With two minutes left in the game, he put me in. Two minutes. I fouled out.

That’s when I knew I was born to watch basketball.

And that’s what I am doing. I am taking these days on the best basketball weekend of the year to watch young men and women do what I cannot, which is always worth doing. That is also the reason I have not written for a couple of days. I’m not sure this qualifies as a spiritual retreat, but it sure feels like one.

Peace,
Milton

lenten journal: the space between our sufferings

the space between our sufferings

this is one of those nights
when the day has been long
and I’m looking for words
in a blank book of an evening
because I promised I would
have something to say
I promised to meet you here
I have riffled through the
pages of my memory
hoping a story would tell
itself or at least tell me
something worth saying
and all I have to offer is
this space between our
sufferings come sit with
me maybe we don’t need
to say anything but that

Peace,
Milton

lenten journal: someone is always leaving

someone is always leaving

I was twelve years old before
I met someone who had never moved
and I discovered I was the strange one
because I was accustomed to suitcases

I was twenty-nine before I had friend
for ten years and had stayed close enough
to grow our friendship face to face
instead of recalling memories

I turned forty-five the same year I
lived in the same house for a decade
when the Standells sang, “O Boston,
you’re my home” I could sing along

I am sixty-two and still not used to
being on the staying side of goodbye
the leaving side never got any easier
and yet someone is always leaving . . .

Peace,
Milton

lenten journal: sing a new song

I saw an article several months ago that claimed people quit looking for new music after they turn thirty. The study went back to 2015 and talked about neurological reasons we get dug in and cultural ones as well.

The article came to mind again as I was thinking about W. S. Merwin’s death and what it feels like to lose another formative voice in my life. So many of the voices I listen to have been with me a long time: Madeleine L’Engle, Annie Dillard, Frederick Buechner, John Berger, Marilynne Robinson, Toni Morrison, Naomi Shihab Nye, Jimmy Santiago Baca, James Carroll. That is not an exhaustive list by any means.

When I taught high school English, our reading lists leaned into the oldies as well—many of them books I read when I was a teenager: To Kill a Mockingbird, Of Mice and Men, Frankenstein, The Old Man and the Sea, The Scarlet Letter. (I hope that list doesn’t cause any unintentional trauma for anyone.) Adding new books was difficult because no one wanted to quit reading the tried-and-true favorites.

As I watch the way-too-early presidential race begin, I am frustrated by the oldies-but-goodies that feel compelled to run. I don’t want someone older than me to be president. It’s time for the Baby Boomers to step aside. I don’t mean we all have to quit what we are doing, or that we can’t contribute; I do mean we no longer need to be in charge.

Somewhere along the way in the last year or so, in the discussions around patriarchy and white fragility, I learned an acronym that has been helpful to my own growth: WAIT—Why Am I Talking. In discussions about how we can make life more equitable and hopeful for all, the best thing I can do is to WAIT—to listen and learn and pay attention. I can speak up later, but I don’t need to be the one who drives the agenda, particularly when we are talking about how to get straight white men to quit controlling the agenda.

Back when he was one of the young voices, Billy Joel wrote

I guess that these are not the best of times
but they’re the only times I’ve ever known
and I believe there is a time for meditation
in cathedrals of our own

If those words ring true—and I believe they do—then they apply to the generations that have come after us who don’t necessarily know all the words to “Piano Man.”

I love the staying power of words and music. I am still moved by my Beatles records, even as I still love to read The Great Gatsby. And I love that Paul Simon and John Prine both had new albums last year and they are both in their seventies. I’m listening to a Karla Bonoff record as I write this. Then I catch myself still thinking of U2 as a new band because they came to light after I was out of seminary—and they’ve been making records for forty years. When familiar books and music feed enrich our connections to our memories and to one another, they are powerful. At the same time, the line between nostalgia and a sense of generational superiority is a thin one.

One of the choices I have made over the years is to read as much as I can of people who don’t write from an identified Christian perspective. John Berger is a good example. As far as labels go, he was a British art critic, labor activist, communist, and compassionate thinker. His writing has fed my life for many years. He asked questions in ways familiar voices did not, so I took it on myself to become friends with him through his writing. I wanted him to influence me. This year, I made a conscious decision to read theologians who are people of color for much the same reason. I want to hear from someone who asks different questions.

I am aging and I can keep growing.

I suppose that last sentence may sound antithetical to my opening premise that Joe and Bernie needs to get out of the way, but that’s not how I see it. Part of growing is letting go. One of the big lessons for me to learn is how not to be in charge. Instead of singing lead, it’s time to sing harmony, or maybe just to listen until I am invited to sing along.

In my work as an editor, most of the writers I work with are younger than I am. They have a lot to say. I am grateful that I get to learn from them and help them shape what they have to say. They see things in a way I had not—until I read their words, which is how I felt when I first read L’Engle and Buechner. There is more light yet to break forth and it will come from new light bearers.

“Sing to the Lord a new song,” sang the psalmist—ancient words that carry contemporary wisdom: let’s not quit looking for new songs to sing.

Peace,
Milton

PS—This song came to mind as a good way to close.

lenten journal: we are saying thank you

I opened my laptop this evening to the news that W. S. Merwin died yesterday. He was a prolific and powerful poet whose words have left their mark on my life. I am going to use this page to share some of those with you.

My first introduction to him was “For the Anniversary of My Death,” which took on new meaning as I read it today.

Every year without knowing it I have passed the day   
When the last fires will wave to me
And the silence will set out
Tireless traveler
Like the beam of a lightless star

Then I will no longer
Find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing and the falling cease
And bowing not knowing to what

His poems are full of both grief and gratitude, as you will see in the verses that follow. His words feel simple and rich at the same time. Here is one simply titled “My Friends.”

My friends without shields walk on the target

It is late the windows are breaking

My friends without shoes leave
What they love
Grief moves among them as a fire among
Its bells
My friends without clocks turn
On the dial they turn
They part

My friends with names like gloves set out
Bare handed as they have lived
And nobody knows them
It is they that lay the wreaths at the milestones it is their
Cups that are found at the wells
And are then chained up

My friends without feet sit by the wall
Nodding to the lame orchestra
Brotherhood it says on the decorations
My friend without eyes sits in the rain smiling
With a nest of salt in his hand

My friends without fathers or houses hear
Doors opening in the darkness
Whose halls announce

Behold the smoke has come home

My friends and I have in common
The present a wax bell in a wax belfry
This message telling of
Metals this
Hunger for the sake of hunger this owl in the heart
And these hands one
For asking one for applause

My friends with nothing leave it behind
In a box
My friends without keys go out from the jails it is night
They take the same road they miss
Each other they invent the same banner in the dark
They ask their way only of sentries too proud to breathe

At dawn the stars on their flag will vanish

The water will turn up their footprints and the day will rise
Like a monument to my
Friends the forgotten

Here is one I only recently found, though it is not new, called “The Laughing Child.”

When she looked down from the kitchen window
into the back yard and the brown wicker
baby carriage in which she had tucked me
three months old to lie out in the fresh air
of my first January the carriage
was shaking she said and went on shaking
and she saw I was lying there laughing
she told me about it later it was
something that reassured her in a life
in which she had lost everyone she loved
before I was born and she had just begun
to believe that she might be able to
keep me as I lay there in the winter
laughing it was what she was thinking of
later when she told me that I had been
a happy child and she must have kept that
through the gray cloud of all her days and now
out of the horn of dreams of my own life
I wake again into the laughing child

“Yesterday” speaks to the role of a child in another stage of life, as well as the comfort of a friend.

My friend says I was not a good son
you understand
I say yes I understand

he says I did not go
to see my parents very often you know
and I say yes I know

even when I was living in the same city he says
maybe I would go there once
a month or maybe even less
I say oh yes

he says the last time I went to see my father
I say the last time I saw my father

he says the last time I saw my father
he was asking me about my life
how I was making out and he
went into the next room
to get something to give me

oh I say
feeling again the cold
of my father’s hand the last time
he says and my father turned
in the doorway and saw me
look at my wristwatch and he
said you know I would like you to stay
and talk with me

oh yes I say

but if you are busy he said
I don’t want you to feel that you
have to
just because I’m here

I say nothing

he says my father
said maybe
you have important work you are doing
or maybe you should be seeing
somebody I don’t want to keep you

I look out the window
my friend is older than I am
he says and I told my father it was so
and I got up and left him then
you know

though there was nowhere I had to go
and nothing I had to do

Perhaps the poem of his I come back to the most is “Thanks” because of its tenacious hope and compassionate courage.

Listen
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions

back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you

over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you

with the animals dying around us
our lost feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
we are saying thank you and waving
dark though it is

As I said, gratitude and grief run though his poems. I will close with “Variations on a Theme,” which is about both.

Thank you my life long afternoon
late in this spring that has no age
my window above the river
for the woman you led me to
when it was time at last the words
coming to me out of mid-air
that carried me through the clear day
and come even now to find me
for old friends and echoes of them
those mistakes only I could make
homesickness that guides the plovers
from somewhere they had loved before
they knew they loved it to somewhere
they had loved before they saw it
thank you good body hand and eye
and the places and moments known
only to me revisiting
once more complete just as they are
and the morning stars I have seen
and the dogs who are guiding me

To say thank you for his life and words seems the best thing to do.

Peace,
Milton

lenten journal: to mourn is to mark . . .

to mourn is to mark . . .

the moment when the world
was ripped open, torn asunder
and then not to hurry on

the palpable absence of those
taken—not lost, but stolen—
and then wrap our arms around it

the seduction of fear that
disguises itself as revenge or
even righteous indignation

that violence and volume are
not signs of strength or power
but the vocabulary of cowards

the hope that lies in uncertainty
in the courage of compassion
we are the walking wounded

our hearts with our grief
a tattoo of tenacity that trusts
that love is inexhaustible

Peace,
Milton

lenten journal: evensong

evensong

these are the days when dusk
feels indecisive, reluctant to
bring the day to an end yet
holding on for a few minutes
more each evening, as though
trying to make room for
just one more thing.

I love the long reach of
the light, the fading fire that
fills the horizon but I am
ready for the night to come,
I’m willing to give into to the
warm blanket of darkness
the world is pulling up.

the tilt of the earth means
night will be short-changed by
whatever daylight is saving;
I do look forward to planting
and growing, to days as warm
as a fresh tomato, but not yet;
let it stay dark a little longer.

Peace,
Milton

lenten journal: the calculus of christ

I led a Bible study Monday night at church looking at Mark 8 and the things that happened leading up to Jesus saying:

After calling the crowd together with his disciples, Jesus said to them, “All who want to come after me must say no to themselves, take up their cross, and follow me. All who want to save their lives will lose them. But all who lose their lives because of me and because of the good news will save them. Why would people gain the whole world but lose their lives? What will people give in exchange for their lives?” (Mark 8:34-37, Common Bible)

I leaned into Chex Myers’ book “Say to This Mountain:” Mark’s Story of Discipleship to explain what Jesus was saying.

The cross was not a religious icon in first-century Palestine, nor was “taking up the cross” a metaphor for personal anguish. Crucifixion had only one connotation: It was the vicious form of capital punishment reserved by imperial Rome for political dissidents. . . . In contrast to Judean nationalists who were recruiting patriots to “take up the sword” against Rome, Mark’s Jesus invited disciples to “take up the cross.”

In the next paragraph he closes by saying,

Jesus thus thrice reiterates that “gain” and “loss” should not be calculated according to the ledgers of the dominant culture. Unfortunately, most Christians have failed to experiment with the mysterious calculus of Jesus’ nonviolence. Jesus closes his homily by invoking a different vision of justice.

A good bit of time in our group discussion centered on Jesus’ last question in the passage:

What will people give in exchange for their lives?

We talked about how that question seemed to turn the losing-finding discussion on its ear, almost asking, “What would you die for?” or “What is worth living for?” Jesus’ political and economic metaphors call us to see life at the margins. We are all connected to one another. When one is dying we are all dying. To gain the whole world is not living.

Based on what people said in the room, none of us had heard anything about the FBI sting that resulted in a lot of rich white people being charged with bribing to get their children accepted into elite schools. As I read articles and analyses today, I thought about our discussion. And I thought back to my days as a high school teacher.

For seven years, I taught at Charlestown High School in Boston. I had five classes a day with thirty-five students in each class. Seventy percent of them were nonnative English speakers. Most of those were the only ones in their families who spoke English. When parent night came around, I was lucky to see two or three, not because of neglect but because of work schedules, cultural differences, and fear. My last three years there, I taught seniors. In January, I would go down to the one guidance counselor (for 1200 kids) and get the unopened box of SAT applications and help my students fill them out.

For three years, I taught at Winchester High School in Winchester, Massachusetts, a town just north of Boston where Ginger pastored. I had five classes of twenty-five students. When we had parent night, I saw two hundred and fifty parents. A day didn’t go by that I didn’t receive an e-mail note from one of them. The school of 800 had a staff of guidance counselors that met individually with the juniors to work on test preparation, college essays, and recommendation letters.

I loved the students in both places. I loved reading books with them and talking about ideas and dreams. I had smart and motivated students in both places. And the playing field was never level.

[SIDE NOTE: Why were only the mothers mentioned and the fathers were not? Felicity Huffman has been married to William H. Macy for a long time. His name was not in any article I read.]

The parents who paid the bribes were egregious in their actions. I’m glad it is out in the open. I wish I thought that meant it would stop, but the so-called elite schools will continue to pander to the elites who give money one way or another. Baylor, my alma mater, is no longer affordable for a family on an average income. Yes, I know there are scholarships and grants and students are still almost impossibly saddled with debt when they get out.

The White House released the proposed budget on Monday and announced severe cuts to Medicare as a way to cut spending, even as the military budget increased and more money was set aside for the wall. Betsey Devos, the Secretary of Education, suggested cuts in education funding. I’m sure Social Security and support programs like WIC are not far behind. We have people paying millions to bribe to get what they want, yet these programs are what politicians call “entitlements.”

I know a rant on a blog or a Facebook post changes nothing. I’m working hard not to rant. I want to get beyond my anger. I keep coming back to the question:

What will people give in exchange for their lives?

When we hear the term nonviolence, we think of standing up against war or torture, but the bribery and budget cuts are acts of violence. They are doing damage. They are dehumanizing. It seems to me it is worth our lives—our time, our effort, our money, our security, our reputations, our churches—to do what we can do to dismantle these broken systems.

No, I don’t have an easy solution for what would replace them and I suck at calculus. But for Jesus’ sake, I’m willing to try and learn his math.

Peace,
Milton