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advent journal: melodies of peace

One of the annual events Ginger and I have been a part of in Guilford is a service of remembrance for parents who have lost children. It is an astounding time of both grief and healing. Ginger usually speaks or prays and I sing. This year, the service was live streamed, but it was moving nonetheless. The song I was asked to sing was “I Wish You Peace” by the Eagles, which set me to thinking that on this Sunday when we light the peace candle perhaps some songs about peace might serve us well.

I wish you peace when times are hard
the light to guide you through the dark
and when storms are high and your, your dreams are low
I wish you the strength to let love grow on
I wish you the strength to let love flow

The next song that popped into my head is Paul Simon’s “Peace Like a River.” The title has always stuck with me because I knew it first as a youth group song. Now that I have let that ear worm loose, listen to Simon’s song about civil rights protest.

Peace like a river ran through the city
long past the midnight curfew
we sat starry-eyed
oh, we were satisfied

and I remember
misinformation followed us like a plague
nobody knew from time to time
if the plans where changed
oh, if the plans were changed

you can beat us with wires
you can beat us with chains
you can run out your rules
but you know you can’t outrun the history train
I‘ve seen a glorious day

Another old favorite popped up in the jukebox of my heart: Nick Lowe’s “(What’s So Funny ‘Bout) Peace, Love, and Understanding?”

and as I walk on through troubled times
my spirit gets so downhearted sometimes
so where are the strong and who are the trusted?
and where is the harmony, sweet harmony?

‘cause each time I feel it slippin’ away
just makes me wanna cry
what’s so funny ’bout peace, love and understanding?
what’s so funny ’bout peace, love and understanding?

You might know the Elvis Costello version better, but Nick wrote the song, so I thought I would let him sing it–accompanied here by Los Straitjackets.

Kate Campbell is a roots singer-songwriter who has songs that reach deep in the heart. She also has a deep appreciation for the history of music, particularly in the roots and gospel traditions. “Peace, Precious Peace” is one she says she found on album by Stringbean–David Akeman–who I remember from Hee Haw. His words and music offer a carol of sorts.

there’s a wonderful feeling
in the hearts and the minds
in a world that is sick
of blood and shame
and the battle for glory
and the peace we shall find
when we lay down
the sword and the flame

there’ll be shouting and singing
there’ll be joy everywhere
there’ll be banners
from every land unfurled
there’ll be jubilant ringing
of the bells everywhere
when there’s peace, precious peace
in this world

Beth Neilsen Chapman’s “Peace” is a carol of yearning. I think we could sing it anytime of year. I couldn’t find her singing it, but I did find Michael McDonald’s cover.

Oh wondrous child of whom the angels sing
know my joy feel my suffering
shining star make this love you bring
so bright that I may believe
that my way will not be lost
from now on, ’til that rivers crossed
my soul renewed
my spirit free
in you I’ll find my peace

Though my opinion would quickly be contested at my house, I think John Denver and the Muppets: A Christmas Together is the definitive Christmas album. One of the songs it contains is The Peace Carol.

add all the grief that people may bear
total the strife, the troubles and care
put them in columns and leave them right there
the peace of Christmas Day

Sam Baker’s story is as intriguing as his songwriting and performing. “Go in Peace” is one of my favorites. The melody plays off of “Come, Thou Fount;” the words are a simple and profound benediction.

go in peace
go in kindness
go in love
go in faith
leave the day
the day behind us
day is done
go in grace
let us go
into the dark
not afraid
not alone
let us hope
by some good pleasure
safely to
arrive at home

We will let him close the set.

I hope you are finding the music of peace to carry you in these days.

Peace,
Milton

advent journal: rest, repent, get ready

I preached from both Isaiah 40:1-8 and Mark 1:1-8 because the latter echoes the former.

________________________

Friday morning I got a text from my cousin who is still in ICU with COVID pneumonia. “Today is the first day I don’t feel like doing this,” she wrote. “I’m beat. Three weeks is too long.”

The night before, I wrote this poem at the end of a long day. It’s called “tired words.”

the word exhaust
means to empty
but I feel full of tired
and grief weighed
down with weary
don’t you

that’s not intended
to be a question
I know you do
I see the loss in
your eyes the bend
in your back

I don’t have much
to offer tonight
except to say
tired is not
the last word
neither is grief

but whatever the
last word is
I’m not even sure
we’re even close
to starting the
sentence

let us sleep
even if it’s not rest
I need to sleep
don’t you
if you dream
remember to tell me

These exhausting days offer us a new connection with our texts this morning. Isaiah spoke after seventy years of Babylonian exile. John the Baptist showed up after a hundred years of Roman occupation, and Mark wrote his gospel another seventy or eighty years after that–and the Romans were still there. Our scripture passages for today were written and spoken for and by tired people.

Isaiah starts with God saying, “Comfort my people,” and then moves on to say words that are echoed in Mark, as a setup for John the Baptist:

“A voice cries out, ‘In the wilderness prepare the way of the Lord, make straight in the desert a highway for our God.”

When Isaiah spoke those words, he wasn’t predicting the future. He was talking in real time to people coming back to a land where there was nothing to come back to. Most everything felt like wilderness, I imagine, and in the middle of their exhaustion, the prophet said, “Get ready for God; start building a way for God to do something.”

In the next section, a voice tells the prophet to cry out. When Isaiah asks what to say, the voice says, “All people are grass, their constancy is like the flower of the field. The grass withers, the flower fades, when the breath of the Lord blows upon it; surely the people are grass.” It sounds like the voice knew the people were tired and felt blown about.

These are days when we feel about as permanent as the flowers that mostly passed with autumn. The colors have changed from pinks and blues and greens to the oranges, reds, and yellows of fall to the greys and browns of the coming winter. I spent part of one afternoon this week spreading dead leaves to cover our mostly dormant vegetable beds, stepping between the skeletons of marigolds and wilted kale. I understand when the voice says we are like flowers and grass. And the reason I was spreading leaves is that it helps get the ground ready for new life next spring.

In that same spirit, the voice didn’t stop with the withering grass. “God is coming,” she says, “to gather us up into God’s arms.”

John was in the wilderness calling people to repentance in the face of oppression and despair. He wanted them to see a change in themselves as the beginning of a change in the world. They couldn’t control the Romans, but they could control how they treated each other. It was another way to say, “God is coming.”

We are living in tough days. We may not be at the hands of a foreign oppressor, but we have much to remind us we are in need of words of both comfort and repentance. We are unsettled, exhausted, grieving; maybe even angry and confused. And, as Advent pulls us towards Christmas, we are called once more to prepare away in our present wilderness because God is coming.

How do we do that when we cannot be physically together? How do we do that when we are a country that feels at war with itself? How do keep going when we feel so tired?

In 1849, Edmund Sears was a pastor in Wayland, Massachusetts. He suffered personally from melancholy, or what we would call depression. The nation had just come out of a brutal war with Mexico and was beginning to manifest deeper and deeper divisions over slavery. Europe was in upheaval. A fellow pastor from Quincy asked him to write a carol. What he wrote is perhaps my favorite: “It Came Upon a Midnight Clear.” One of the verses rarely shows up in our hymnals, but it speaks to the same sort of circumstances we are enduring:

Yet with the woes of sin and strife
The world has suffered long;
Beneath the angel-strain have rolled
Two thousand years of wrong;
And man, at war with man, hears not
The love-song which they bring;
O hush the noise, ye men of strife,
And hear the angels sing.

It’s not exactly “Joy to the World,” is it? But he follows it with a verse that is the reason I love the carol so much:

And you, beneath life’s crushing load,
Whose forms are bending low,
Who toil along the climbing way
With painful steps and slow,
Look now! for glad and golden hours
come swiftly on the wing.
O rest beside the weary road,
And hear the angels sing!

I don’t know if the glad and golden hours are going to come swiftly, but I do know we are feeling the crushing load of life and we long for a song of peace and comfort. I know we are ready for things to be different. We can’t change most of our circumstances. We can change how we respond to them. We can commit ourselves to sharing the crushing load with one another, step by step along the weary road.

And so today we have lighted the candles of hope and peace, even as we bear the weight of life. We hear the call of the prophets to comfort one another and to repent—to look for ways we can change in words and actions to help change the world around us. Weariness and wonder are not mutually exclusive. These are heavy days, and they are hopeful days. Maybe that is what Paul meant when he talked to the Philippians about a peace that passes all understanding. Rest, repent, get ready for God. Amen.

Peace,
Milton

advent journal: accounting for non-business majors

“Being unappreciative might mean we are simply not paying attention.”
–David Whyte, Consolations

accounting for non-business majors

we never pay inattention
the cost of ignoring (ignorance?)
requires a different accounting
but I never could balance

my checkbook, so I’m not
the one to keep the ledger
other than to say life is going
to cost you one way or another

it’s funny that appreciate
is also a business term
meaning gain value over time
something worth holding on to

to pay attention is to
appreciate life to gain value
the wealth of wonder requires
gratitude as a downpayment

(man, if they had just told
me that accounting was poety
I might have done better
instead, I lost interest)

Peace,
Milton

advent journal: tired

Somedays I come to this page with something to say already in mind, as if to make an offering. Sometimes I come with nothing but raw feelings, almost like a confession or simply a statement of how things are. Tonight is the latter. Thanks for meeting me here.

tired

the word exhaust
means to empty
but I feel full of tired
and grief weighed
down with weary
don’t you

that’s not intended
to be a question
I know you do
I see the loss in
your eyes the bend
in your back

I don’t have much
to offer tonight
except to say
tired is not
the last word
neither is grief

whatever the
last word is
I’m not even sure
we’re even close
to starting the
last sentence

let us sleep
even if it’s not rest
I need to sleep
don’t you
if you dream
remember to tell me

Peace,
Milton

advent journal: winded

winded

it’s not just stacking the wood
you have to cover it–I know that
it doesn’t sound hard, does it

I walked down to Page’s and
bought a tarp, blue and brown
and a pack of bungee cords

the first time I centered
the tarp and folded in the edges
like I was gift-wrapping

and the winds came

twice more I have wrapped
the wood and tied it some new
configuration only to be undone

after a whirlwind of a day
I put the tarp back and thought
I’ve stacked a metaphor

Peace,
Milton

advent journal: zoom out

I don’t know why the thought crossed my mind the other day, other than I had given myself time to do nothing and let my thoughts run unleashed for a bit. What struck me is not original, I’m sure, but it felt significant; it was this: any technological advance carries with it a corresponding dehumanization.

Then I sat there trying to prove myself wrong. I’m not sure I am.

Advances in technology have brought ways for us to get from one place to another more quickly, ways to communicate across greater and greater distances, ways to grow more food with less effort, ways to make things or build things faster and larger. Many of those things are good things. And they also insulate, distance, and fragment us as humans. Technology turns us into workers, consumers, and avatars. We have become human resources rather than people.

Wait. Before you bail in the rest of this post, let me get to my point: I don’t like Zoom. It wears me out.

Somewhere recently I read something that talked about what made Zoom exhausting was that we could see ourselves the whole time, which is not the natural way we have conversations with people. We don’t see the expressions we make first hand. Zoom demands a self-consciousness that tires us.

In poet Kae Tempest’s new book, On Connection, they add another layer to the discussion.

The problem with reflection is that before looking in the mirror, we compose ourselves. So what we see is what we hope to see. Before the furtive glance into the dark glass of a parked car or shop window, we have already made the face of taken the posture that we like to see. We adapt for the shock of observation. To really see ourselves requires a different approach.

To really see those around us requires we lose ourselves as well. I have a hard time attending to a screen full of boxes that remind me of the Brady Bunch or Hollywood Squares. Even with all of the faces, the voices are disembodied and I get a sense (or maybe it is self-protection projection) that we are all doing other things besides really tuning in.

Yes, we are able to have meetings and classes and even worship thanks to the technology. And it feels less than human to me. I have been talking to my cousin who is in ICU in Houston with COVID pneumonia. She is not on a ventilator and is able to text and talk. I find a deeper connection talking on the phone and having to listen to her voice for tone and feeling. Part of it is, I think, I can’t see me.

I talk to my friend Kenny in Texas several times a week. We could Zoom, but we never do. We just talk. I can hear more of my friend than I would be able to see on screen, I think because I know his voice. And I can also listen without watching myself listen and wondering, at some level, how I look while I’m listening.

In some of my notes that didn’t make my sermon last Sunday, I found this from Rabbi Johnathan Sacks; he was talking about prayer, but his words fit here as well.

If we could only stop asking the question, “How does this affect me?” we would see that we are surrounded by miracles.

Look–I have meandered from attempting to wax philosophical about technology to being surrounded by miracles. Most every one of those miracles have a name and a face and a voice and a laugh and a way they have left a mark on my life. I don’t want to see myself. I want to learn, again, how to look and listen–even in the face of technology.

Peace,
Milton

advent journal: insulatus

insulatus

I don’t have time to tell you
the whole story, but I spent
a week in St. Petersburg
it was Leningrad then

a perfect graduation gift
for a Russian history major

the center of the city
was a collection of islands
connected by drawbridges
we didn’t really notice

until we were out late
in the endless daylight of

an early Soviet summer
and they all went up to
let the ships pass leaving
us on park benches

isolated–from the Latin:
to make into an island

we are nearing the contrasting
solstice here in New England
the bridges have been up too long
for my health or my liking

an intimacy with isolation
is not something I desire

an old Russian man told us
the bridges went down at five am
we found solace in the story
of survival we would tell

what will we say of these days
when I finally get to you?

Peace,
Milton

advent journal: songs for the days ahead

For all but the last few days of Advent the days keep growing shorter. I find myself getting up early so I don’t miss any daylight. Our schnauzers have learned to come find me around four o’clock so we can walk the green as the sun sets; if I am in the house, sometimes I go down with it. When we come back from walking, I start thinking about what to make for dinner, and I usually turn on some music because I always looking for things to add to my playlist. I thought I might share some songs for the road ahead.

I have loved to listen to Michael Johnson play and sing ever since I first heard “Bluer Than Blue” and “I’ll Always Love You” back in the Seventies. About eight years ago he put out a record called Moonlight Deja Vu that had this song, “How Do You Know What You Know?”

how do you know what you know about love
how do you know what you know
is it what you’d imagined
is it what you believed
does the love that you give
come from love you receive
how do you know what you know

As we move through this season of waiting and hoping, it felt like a good start.

Another voice that has been a part of the soundtrack of my life is Mary Chapin Carpenter. She released a new record this year, The Dirt and the Stars, that includes this song, “Where the Beauty Is.”

walk with me and hold my hand
here’s so much we won’t understand

all that’s buried in your heart
the cold and lonely, hopeless part
dig down deeper and find the spark
that’s where the beauty is

She has an ongoing YouTube series called Songs from Home where she sings live from her house, accompanied by her dog. Here is her live rendition.

Any song that begins

the thin horizon of a plan is almost clear
my friends and I have had a tough time

seems a good fit for these days. Here is the rest of the verse of “The Wood Song.”

bruising our brains hard up against change
all the old dogs and the magician
now I see we’re in the boat in two by twos
only the heart that we have for a tool we could use
and the very close quarters are hard to get used to
love weighs the hull down with its weight

“Dance around the Room with Me” showed up in a Spotify playlist. Ana Egge offers a light invitation:

it’s okay to be angry
it’s okay to be mad
it’s okay to feel sorry
it’s okay to feel sad

dance around the room with me
start dancing and you’ll see
it opens up, opens up your heart
it opens up, opens up your heart
it opens up, opens up your heart
it opens up, opens up your heart

Nothing like a good spin across the kitchen floor to make you feel better.

I have found myself singing the Bee Gees’ “I’ve Just Got to Get a Message to You” mostly because of the chorus:

I’ve just got to get a message to you
hold on hold on

That seems to be what we are all saying to each other. I found this live acoustic version that lets you hear the harmonies they did so well (before disco).

Warren Zevon will offer our benediction tonight with a song that is easily twenty years old and still seems written for these days.

don’t let us get sick
don’t let us get old
don’t let us get stupid, all right?
just make us be brave
and make us play nice
and let us be together tonight

Be well, be kind, be brave, stay home, and keep singing. See you along the road . . .

Peace,
Milton

advent journal: we will get through this

For many years I have written daily during Advent. For the first time in a long time I will be preaching through Advent as well. My sermon for this first Sunday is “We Will Get Through This,” drawing from Isaiah 64:1-9.

______________________________

Somehow it is the first Sunday in Advent and we are on the cusp of December. I know we all find some solace in knowing that 2020 only has one more month left, and yet it is hard to find much indication that 2021 is going to give us much of a respite—at least it feels that way to me. It takes me back to my high school drama class and Samuel Beckett’s play, Waiting for Godot, which is a play about two men, Vladimir and Estragon, who are waiting for someone who never shows up. At one point, Vladimir says, “I can’t go on like this,” and Estragon replies, “That’s what you think.”

We are going on. Day by day.

I don’t know how it felt at your house, but Thanksgiving was a mixed meal of gratitude and grief at ours. For one thing, my cousin (I only have two) is in the ICU in Houston with COVID pneumonia. Like many of you, we were also distanced from loved ones who are usually around our table. That said, we had a good day even as we were aware and even talked about all we have missed or lost this year, and how we now get to look forward to a Christmas that may be much the same.

I have spent the last nine months trying to remember what day of the week it is as though time was sort of standing still, on the one hand, and then being caught by surprise by how quickly the months have passed on the other.

Since I’ve already started talking about theater, I’ll keep going. One of my favorite musicals is Fiddler on the Roof. In the scene where the Jewish villagers are being evicted by the Russian Cossacks from Anatevka, the town that had been their home for generations, one of them turns to the rabbi and says, “Wouldn’t this be a good time for the messiah to come?”

Yes. Yes, it would.

It is fitting then, for us to begin Advent, our season of waiting for Christ to be born again in our time and in our circumstance, with a prayer of lament from Isaiah. These words came towards the end of the Hebrew people being exiled—being prisoners of war—in Babylon for seventy years. I think of what it has been like to feel isolated for nine months—how disorienting and depressing and disruptive it has been—and I can’t imagine how people stayed hopeful when it went on for generations.

Isaiah starts his prayer begging for divine intervention: why don’t you just tear open the heavens and come down here in the middle of everybody and show them Who’s Who? Do one of those big God-like things you used to do when you sent floods and fires and all the other big special effects into the lives of our ancestors. No one had ever seen anything like it—and you did it because they were your people. They trusted you because they knew you would come through.

It’s that last line that tips the prophet’s hand and shows his insecurity. The stories that had been handed down were told in a way that said God did big things for us because God loves us. When things get tough, it gets easy to think, well, if God isn’t doing big things now does that mean God doesn’t love us as much anymore?

Where is God in the middle of our isolation anyway? How do we find God when we feel abandoned?

As he continues to pray, Isaiah answers his own question by swinging back and forth between saying, “It’s because we keep sinning, isn’t it?” and “No one expects you to show up because you’ve been gone so long.” I love the honesty in his words. He talks to God as if God can take it.

And then he seems to go pretty hard at God: “We are just clay, and You are the potter.
We are the product of Your creative action, shaped and formed into something of worth,” as if to say, we are worth something because you made us.

I wonder who he was trying to convince—God or himself.

What does it mean to pray in these days? Rabbi Jonathan Sacks says,

There are simply too many cases of prayers being answered for us to deny that it makes a difference to our fate. It does. I once heard the following story. A man in a Nazi concentration camp lost the will to live – and in the death camps, if you lost the will to live, you died. That night he poured out his heart in prayer. The next morning, he was transferred to work in the camp kitchen. There he was able, when the guards were not looking, to steal some potato peelings. It was these peelings that kept him alive. I heard this story from his son.

Perhaps each of us has some such story. In times of crisis we cry out from the depths of our soul, and something happens. Sometimes we only realize it later, looking back. Prayer makes a difference to the world–but how it does so is mysterious.

I was getting ready to record the worship service for this week when my phone rang. It was my cousin calling from an ICU in Houston with COVID pneumonia. She has been there for most of the week; she is improving, but, as she said, she is not out of the woods. She had called earlier in the day, which was the first time I had heard her voice in almost a week. She was short of breath and couldn’t talk long. When the phone rang the second time, she said, “Will you read me a story? Not something sad. You know, something once upon a time.”

I was sitting at my laptop, so I typed in once upon a time, and then children’s stories, until I stumbled upon Peter Rabbit. So I read Peter Rabbit to her. It felt as insignificant as those potato peelings, yet when I finished she said, “Thanks for helping me not feel alone.” I didn’t make her better. She is still in ICU. But it was a way to say, “I love you.”

In our own way, my cousin and I played our own version of Vladimir and Estragon’s brief exchange:

“I can’t get through this.”
“That’s what you think.”

Getting through things is kind of what it means to be human. Getting through things is what hope is all about, I think, because the choice we have, almost daily, is how we will get through it. We can get through by blaming others, or God, for our circumstances. We can get through by lashing out at those around us, or those who disagree with us. Or we can get through by realizing we are all in this together, even when we have to live at a physical distance. We can get through it trusting that nothing can separate us from the love of God, even when we don’t feel a sense of God’s presence.

Several years ago I stood with a friend at his father’s graveside service and heard an elderly country preacher read Paul’s words from Romans with a Southern lilt—which I will not try to imitate. “Shall anything separate us from the love of God? “NO,” he said with such confidence and conviction standing over that coffin that I have not read or heard those words the same way since.

Our season of Advent is one of the ways we say, “Wouldn’t this be a good time for the messiah to come?” Meister Eckhart, a thirteenth century mystic sort of reframed the question in a way that calls us into the middle of it all, “What good is it to me for Mary to give birth to God’s son if I do not also give birth to him in my time and my culture?”

When Joseph laid in bed wondering how he was going to get through Mary’s pregnancy, the angel told him the messiah was coming and to name the child Emmanuel: God with us—with being the operative word.

God is with us. Nothing can separate us. We will get through this and whatever comes after this by telling stories of potato peelings and Peter Rabbit and a pregnant Judean teenager to remind us our story is not yet over.

We will get through this. That is what I think. Amen.

Peace,
Milton

compline

My cousin Sloane is in the hospital tonight in Houston with COVID pneumonia. Though we are cousins, we have never had the luxury of living near each other but, particularly in our adult lives, have found ways to feel like family. She sent me a text tonight to let me know she had been hospitalized and asked me to write a prayer on my blog for her and for the other people with COVID and the doctors and nurses. My best prayers are in poetry. I am grateful my words can reach across miles.

compline

the day is ending
and I am out of words
someone I love
is spending this night
in a room full of loved ones
forced into isolation

and uncertainty
in space shared only
by masked caregivers
who cannot offer smiles
only a glance of compassion
or an embrace of listening

the day is ending
and I am remembering
that I promised
to send a copy of a
favorite book like the one
she sent last month

so when she asked
for me to write a prayer
I found my place once more
in the heartbreak church
in hopes that my words
can go the distance

the day is ending
and I join a chorus of
voices calling out names
and giving thanks for
carers wondering how
to keep on going

I trust it is praying
to admit I don’t know
how prayer works
and still say
please let her know
she is not alone

Peace,
Milton