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listen to linda

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Yesterday was a day outside; today was a day inside: I worked for twelve and a half hours. I came up to write tonight with few words anywhere in or on my person, so I decided to go back through last week’s poems at The Writer’s Almanac. Maybe reading how someone else puts words together, I thought, would push me to do the same. And I found this poem by Linda Pastan:

Rereading Frost

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

At other times though,
I remember how one flower
in a meadow already full of flowers
somehow adds to the general fireworks effect

as you get to the top of a hill
in Colorado, say, in high summer
and just look down at all that brimming color.
I also try to convince myself

that the smallest note of the smallest
instrument in the band,
the triangle for instance,
is important to the conductor

who stands there, pointing his finger
in the direction of the percussions,
demanding that one silvery ping.
And I decide not to stop trying,

at least not for a while, though in truth
I’d rather just sit here reading
how someone else has been acquainted
with the night already, and perfectly.

I had never heard of Linda Pastan before tonight. My loss. I took a little time to try and find more written about her and by her. Inspired by her own willingness to sit and read how someone else has already captured the moment, I offer you two more poems I found.

Vermilion

Pierre Bonnard would enter
the museum with a tube of paint
in his pocket and a sable brush.
Then violating the sanctity
of one of his own frames
he’d add a stroke of vermilion
to the skin of a flower.
Just so I stopped you
at the door this morning
and licking my index finger, removed
an invisible crumb
from your vermilion mouth. As if
at the ritual moment of departure
I had to show you still belonged to me.
As if revision were
the purest form of love.

That last sentence kills me. I’ve lived that sentence more than once.

Women on the Shore

The pills I take to postpone death
are killing me, and the healing
journey we pack for waits
with its broken airplane,
the malarial hum of mosquitoes.
Even the newly mowed grass
hides fault lines in the earth
which could open at any time

and swallow us.
In Edvard Munch’s woodcut,
the pure geometry of color—an arctic sky,
the luminescent blues and greens of water—
surrounds the woman in black
whose head is turning to a skull.
If death is everywhere we look,
at least let’s marry it to beauty.

I don’t want to say much. Her words need room to resonate, not to be drowned out, even if it is applause. Suffice it to say, if there is not a Linda Pastan Fan Club, I’m starting one.

Peace,
Milton

how can I keep from singing?

10

Today was a quintessential slice of New England autumn: crisp, cool air; brilliant sunshine; trees ablaze with color; and a hymn sing in our little white clapboard church next to the cemetery.

Ginger left a message on my cell phone yesterday suggesting we spend time together after church driving around to see the leaves and to buy some pumpkins to decorate our yard, one of our family traditions. (What follows is a somewhat unintentional tradition: I leave the pumpkin in the yard way too long and it sort of melts into a big pile of orange goop.) We have had an incredibly beautiful fall this year and it has lasted a long time. As we drove along Route 3A, we saw beautiful stands of trees lining the banks of the North River and variegated forests dappled by streams of sunlight breaking through the leaves. Amongst all the color were the bare branches of those trees whose leaves had already fallen, harbingers of the winter that is to come.

I’m struck every year by the profound irony of the most intense beauty of the foliage coming as the leaves fall and die. They don’t slip away quietly, but blaze to the end, making their last moments their most intense and amazing. For all the lush green of spring and summer, I don’t really notice the leaves until they fire and fall.

We found our pumpkins and we also bought a small bale of hay for one of them to sit on outside our gate. By the time we got back to the house, we knew quite well that they don’t call it “hay fever” for nothing. Thank God for Benadryl. Between the mums and the pumpkins, our house is officially decorated for Halloween and Thanksgiving.

Tonight about twenty of us gathered at the church to sing. Growing up Southern Baptist meant I went to church most every Sunday night for evening worship. What I loved best about it was the singing. The service was less formal and had much more music. Those who were there seemed to be the ones who loved to sing and we all joined in on our gospel favorites to close out the day. Here we gather to sing on Sunday evenings once or twice a year, but many of the songs are the ones so ingrained in me from childhood that I still know them by heart. One in particular seemed to catch the spirit of my entire day, “How Can I Keep From Singing” by Robert Lowry. (You can play the melody in the background while you read if you wish.)

My life flows on in endless song;
Above earth’s lamentation

I hear the sweet though far off hymn
That hails a new creation:

Through all the tumult and the strife
I hear the music ringing;

It finds an echo in my soul—
How can I keep from singing?

What though my joys and comforts die?
The Lord my Savior liveth;
What though the darkness gather round!
Songs in the night He giveth:

No storm can shake my inmost calm
While to that refuge clinging;

Since Christ is Lord of Heav’n and earth,
How can I keep from singing?

I lift mine eyes; the cloud grows thin;
I see the blue above it;
And day by day this pathway smoothes
Since first I learned to love it:

The peace of Christ makes fresh my heart,
A fountain ever springing:

All things are mine since I am His—
How can I keep from singing?

As I sat down to write tonight, I did a little research on Robert Lowry, the hymn writer. He is responsible for several of my favorite hymns: “I Need Thee Every Hour,” “All the Way My Savior Leads Me,” “Savior, Thy Dying Love,” “We’re Marching to Zion,” and “Shall We Gather at the River?” The last hymn was written in 1864 when he was pastoring. As the Civil War was raging, so was an epidemic in New York and Lowry wondered what prospects for Christian community lay on the other side of death. He wrote “How Can I Keep From Singing?” in 1860, before the war began. In Lowry’s mind, what mattered most was his preaching, yet his music is his enduring contribution. As his biographer wrote:

While Dr. Lowry said, “I would rather preach a gospel sermon to an appreciative, receptive congregation than write a hymn,” yet in spite of his preferences, his hymns have gone on and on, translated into many languages, preaching and comforting thousands upon thousands of souls, furnishing them expression for their deepest feelings of praise and gratitude to God . . .. What he had thought in his inmost soul has become a part of the emotions of the whole Christian world. We are all his debtors.

The Brazilian woman who is our incredible cake maker at the Red Lion loves to sing while she works. She sang when she was a dishwasher, too, before we discovered she was a wonderful baker. She has not seen her husband and her children for three or four years now. She is still struggling to speak and understand English. She doesn’t have an easy life and, most any day you might choose to eavesdrop on the bakery, she will be in there singing. There is an ongoing lamentation to our humanity: we, like the leaves, will only hang on so long before we fall. Hopefully, we, too, can go out blazing. But there is a melody more enduring than the sounds of grief and pain, a song that permeates life at every level, one that we were given from birth.

As life and death swirled around me today, one not so easily separated from the other, how could I keep from singing?

Peace,
Milton

the circle game

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I spent some time on my recipe blog today because I was cooking dinner for someone in our congregation who just had surgery and I realized I’ve not posted any new recipes recently or with any consistency. When I started blogging, recipes were part of the deal for me. In that spirit, I posted my Autumn Bisque recipe, a soup I concocted with what I could find in the walk-in refrigerator at work. The combination of ingredients sounds a bit strange, but it tastes great.

Since I’m the lunch chef four days out of seven, making soup has become my job. I’m the one who’s there all afternoon to let the soup simmer to tastiness. Other than our clam chowder, we don’t have any set soups on the menu, which means we don’t have any set recipes either. I start with basics – bacon, onion, celery, and (sometimes) carrots – and then see what else grabs my attention as I stand in the walk-in. It’s cold enough to spur me to creativity; I can’t stand in there for long. I try to pay attention to what soup we’ve just had. I made meatball and mushroom soup before the bisque, so it was time for something with more vegetables. Since the bisque has cream in it, I’ll do something with broth or lentils or beans tomorrow (I saw some cannelloni beans and pintos in our dry storage).

The metaphor of making something good out of what you have on hand isn’t lost on me these days, though I have to say it’s easier with soup than it is with life. Ginger and I are both getting to do things we love, as far as jobs go, and we are trying to figure out a recipe for finding the time we need together when we don’t share any days off. Her best chance at a day off, Friday is one of the two busiest days in most any restaurant. The other is Saturday, which is her second best chance at some free time. My days off, Tuesday and Thursday, are everyone else’s workday. We’re still in the process of figuring out how to make soup of it all.

While she was at a meeting tonight, I put in some Joni Mitchell while I was cleaning up the kitchen. We bought her Hits CD on a trip some years back when we realized the rental car had a CD player. I washed dishes and sang along with tunes that have carried me across many years. When I heard one particular guitar intro, I stopped what I was doing. opened the window to let the early evening breeze sneak in, and stood there looking out as the day faded while she sang “The Circle Game”:

Yesterday a child came out to wonder
Caught a dragonfly inside a jar

Fearful when the sky was full of thunder

And tearful at the falling of a star

Then the child moved ten times round the seasons
Skated over ten clear frozen streams

Words like when you’re older must appease him
And promises of someday make his dreams

And the seasons they go round and round
And the painted ponies go up and down

We’re captive on the carousel of time

We can’t return we can only look

Behind from where we came

And go round and round and round

In the circle game

In fifty-odd days I will complete my fiftieth year on the planet and begin my fifty first time round the seasons. I remember in college religion classes, and then again in seminary, being told that the Judeo-Christian perspective of time was unique because it was linear rather than circular: history was going somewhere. So we sang, “Onward Christian Soldiers” and “Forward Through The Ages” (both to the same tune) knowing that we were headed for some sort of cosmic finish line. Somewhere in the middle of those discussions, I bought James Taylor’s wonderful album, JT. And he sang:

The secret of life is enjoying the passage of time
Any fool can do it

There ain’t nothing to it

Nobody knows how we got to

The top of the hill

But since we’re on our way down

We might as well enjoy the ride

The secret of love is in opening up your heart
It’s okay to feel afraid
But don’t let that stand in your way no

‘Cause anyone knows that love is the only road

And since we’re only here for a while yeah
Might as well show some style

Give us a smile now

Isn’t it a lovely ride
Sliding down

And gliding down

Try not to try too hard

It’s just a lovely ride

Maybe seven weeks before my birthday is too early to start waxing philosophic, but Joni and James have been circling with me for a long time, so they encourage me to reflect. Most of our images of circling are not productive: planes circle waiting to land, going in circles means getting nothing done. In 1991, Sergei Krikalev, a Soviet cosmonaut, spent nearly 312 days in space circling the earth because the Soviet Union collapsed while he was in orbit and he had to wait up there until the new governments figured out who could get him down. But we do circle, over and over.

But there’s more to circling than Clark Griswold saying, “There it is – Parliament, Big Ben” while trapped in a London roundabout. Just as our linear history is made up of one daily revolution after another, so are my years – and yours.

I sang the last verse with Joni and changed one word.

So the years spin by and now the boy is [fifty]
Though his dreams have lost some grandeur coming true

There’ll be new dreams maybe better dreams and plenty
Before the last revolving year is through

And the seasons they go round and round
And the painted ponies go up and down

We’re captive on the carousel of time

We can’t return we can only look

Behind from where we came

And go round and round and round
In the circle game

Even on hard days, it’s still a lovely ride.

Peace,
Milton

born again and again

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Today was yet another busy day at the restaurant. October and November are our busiest months. Between tomorrow and Sunday we have seven weddings, four rehearsal dinners, a surprise party, and a couple of other small groups (20-25). And we have a total of seven cooks, one baker, and four dishwashers.

Anybody looking for part-time weekend work?

On the way home tonight I listened to the replay of Fresh Air with Terry Gross. She was interviewing David Kuo, the former deputy director of the White House Office of Faith-Based and Community Initiatives. He has written a very critical book about the way in which the Bush administration has not followed through on its touting of faith-based initiatives, but I was too tired to stay interested for long. What did hook me was one statement Kuo made in talking about “born again Christians.” That term just flies all over me.

As I know I have mentioned more than once, I grew up Southern Baptist, so I know about being “born again.” I think I even know the story of Jesus’ encounter with Nicodemus by heart (King James Version), so I know Jesus said, “You must be born again.” What bothers me is the way it has become a label to divide the “real” Christians from the posers – or at least that’s the way I hear it. Sometimes, it’s also used in somewhat of a derogatory manner by those who are critical of evangelicals or don’t understand much about Christians to begin with.

Either way, the term bothers me. I think, first of all, it’s redundant. To be a serious disciple of Christ means you’re not coming out of the same chute as you were before (pun intended). What I hear in Jesus’ words to Nicodemus is a call to see everything differently: his birth, his family, himself, his job, his faith, his sense of belonging on the planet. Nicodemus was flummoxed by Jesus’ words. Nobody can climb back up the birth canal anymore than you can back up your rental car once you’ve gone over those spiky things. Jesus never referred to anyone as a born again believer as though it were some special category. Neither did Paul, or John, or George, or Ringo. (Pete Best did once and they threw him out of the band.)

I’m also troubled by the phrase because it divides the people of God into us and them. Since Jesus’ time there have been divergent views on life, theology, and just about everything in Christianity. For almost a millennium and a half, the Church was controlled by bishops and the like who could declare those divergent views as heresy and have those people thrown out. Many of those decisions had to do with church politics than anything else. There are a lot of differences between churches, between denominations, between people. Some of them are important and some are circumstantial. However, once we reduce the variety to who’s right and who’s wrong, which is how I hear “born again” versus not born again, we knock grace right out of the conversation because we’ve reduced our faith to being primarily about who gets to go to heaven. It reminds me of a bumper sticker I saw once that said, “Jesus loves you, but I’m his favorite.”

(Apropos of nothing, my favorite bad bumper sticker: “I found Jesus. He was behind the couch the whole time.”)

I understand “born again” as a euphemism for conversion. When I was five years old, while my father was preaching a revival at First Baptist Church of Conroe, Texas, I turned from a life of sin and sex and drugs and gave my heart to Jesus. I remember it more because it has been told to me over and over again and I take the experience as an pivotal moment in my young life. But do I think that one decision in my life is what made me heaven bound, or set my spiritual course? No, I don’t.

What I’ve learned from my experience and listening to the experiences of others is that we must be born again and again and again if we want to follow Christ. Jesus was telling Nicodemus to throw out the most basic paradigm of what it meant to be human and allow God to redefine existence. That’s not a one time deal; it has to happen over and over again. Using death instead of life as a metaphor, Jesus said it this way: “take up your cross daily.” We read those words and think about Jesus’ crucifixion as a model: be willing to sacrifice like he did (not that we really plan to do it) — and we know about his resurrection. They heard those words and thought about the way in which criminals were brutally executed: Jesus was calling them to lose everything. Whether talking about life or death, Jesus was deconstructing the very foundations of our existence and reframing what it means to be fully human, as he was: born again.

Ginger keeps saying she wants me to write a book about how a liberal Christian can have heart faith. Here’s where I’ll start: I’m a part of the United Church of Christ because I’m born again. I’m not the same guy who gave his heart to Jesus when he was five. Since that time, I’ve been born again and again and again, leading me to a place in my faith a long way away from what I learned growing up. What I took with me was a love for good hymn singing, a belief in the power of God to change lives, a heart for missions, and gratitude for the way they taught me to study the Bible. Along the way, I was born again when I saw that Paul wasn’t kidding when he said in Christ there is no male or female. I was born again when I saw that what is true for gender is also true for sexual orientation. I was born again when I realized responding to violence with violence accomplishes nothing. I was born again when I sat at the wedding of my good friends Ken and George in Old South Congregational Church. I was born again when I married Ginger. I was born again as I learned how to choose reconciling with my family over my pride and hurt. I am a man of many births. Now God is laboring to give birth to me once more as I seek to find my calling vocationally. All along the way, I have been blessed with an amazing group of midwives who have helped to bring me into these new worlds and even as I struggle to learn to speak and walk anew, I hear Jesus saying, “You must be born again.”

Whatever that means for the days to come, I know Jesus never meant it to be used as a defining label or a condition of membership. I think he did mean to say that none of us has a corner on the truth.

It’s not about being right; it’s about being loved.

Peace,
Milton

hand to hand

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I opened and closed the restaurant today.

I swapped days with the head chef because today is his wedding anniversary. I usually work Mondays. I came in today to find I had a great deal of prep work to do. We were out of clam chowder (our signature soup), caramelized onions, and sliced tomatoes, just to name a few things. Several of the bins in the cold station were empty, or nearly so, and a good bit of stuff was not put where it usually is, so I had to hunt for it. Needless to say, I was frustrated. As with most kitchen issues, I made a list of what I needed to get done, put my head down, and things were alright within an hour or two. Both folks who worked last night know what it takes to open in the morning. I couldn’t help but wonder what they were thinking. I assumed they had forgotten what it feels like to come to work in the morning and find yourself, as we say, “in the weeds” because the night crew didn’t leave you prepared.

Tonight we got slammed. We used up most of the prep work we had done during the day. By the time we closed, we had used up all the cole slaw, most of the soup du jour, all the boiled shrimp, and — one again — sliced tomatoes. The other cook who was working with me tonight asked if I wanted him to slice tomatoes (I’m opening again tomorrow).

“No,” I said, “It’s late and we’re tired; I’ll do it in the morning.”

As I watched him put the pan of whole Roma tomatoes in the refrigerator, I smiled to myself. I know what it feels like to get to the end of a long day, or even just an incredibly busy evening, and only be able to hang in there long enough to get stuff cleaned and put away. That slipped my mind this morning.

Many years ago, when my brother and sister-in-law were living in Tucson, I went to visit them. We went to see the University of Arizona play football. Their stadium is a bowl, where the rows of seats angle continuously from the field all the way to the top row. At one point in the game, one of the cheerleaders stood up on the short wall in front of the first row, turned her back, and fell backwards on to the upraised arms of the people in the first couple of rows. In what seemed like lightning speed to me, the folks in the stands began passing her up towards the top; it felt like she got there in a matter of seconds.

That’s how life gets lived, I think, passed on hand to hand.

At least, that’s how it feels in the kitchen.

Peace,
Milton

cards from africa

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First things first: my dad’s report was good. The tumor was a stage two and had not broken through the bladder wall. They found no other cancer cells in the other samples they took from his bladder. He goes back for another checkup in three months, but that’s all he has to do.

And there was much rejoicing.

I had a couple of things on my mind when I came up to write tonight, but they will wait. I want to point you to something I found out about through Africakid called The World Challenge. Here’s how they describe themselves:

The World Challenge is back and looking to reward projects that make a real difference to local communities. World Challenge 2006, brought to you by BBC World and Newsweek, in association with Shell, aims to find individuals or groups from around the world who have shown enterprise and innovation at a grass roots level.

World Challenge 2006 is all about global involvement, casting a net for ideas from individuals or groups deserving recognition.

The twelve finalists are doing amazing work. Africakid made specific mention of Cards From Africa, a business in Rwanda that was organized by her brother’s friend, whose aim is to provide “quality employment to the poorest and neediest young people in Rwanda.” You can read an article about CFA, along with the other finalists, in the issue of Newsweek that came out today (dated October 23). The winning business will get $20,000 and the two runners-up will each get $10,000.

Please take time to vote and then tell as many people as you can.

Voting ends November 19. The winners will be announced in December.

Peace,
Milton

finding an old friend

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On the way to work yesterday I found an old friend, thanks to Scott Simon on Weekend Edition Saturday.

Back in the mid-eighties, a couple of the guys in my youth group in Fort Worth showed up with Billy Bragg’s record, Talking With the Taxman About Poetry. Bragg is an English folk singer with punk roots who has been a prophetic and progressive voice for twenty-five years. We even got to see him one night at Poor David’s Pub in Dallas (where you can still hear some great music). One of the songs that stuck with me from that album was “Levi Stubbs’ Tears,” an amazingly sad song about the power of music to help us name our loneliness:

With the money from her accident
She bought herself a mobile home

So at least she could get some enjoyment

Out of being alone

No one could say that she was left up on the shelf

It’s you and me against the World kid she mumbled to herself

When the world falls apart some things stay in place
Levi Stubbs’ tears run down his face

The next record I bought was Back to Basics, which contained a tune called “The Milkman of Human Kindness.”

If you’re lonely, I will call –
If you’re poorly, I will send poetry

I love you
I am the milkman of human kindness

I will leave an extra pint

If you are falling, I’ll put out my hands
If you feel bitter, I will understand

I love you
I am the milkman of human kindness

I will leave an extra pint

In the interview, Simon referenced a song I didn’t know called “The Space Race is Over,” which Bragg wrote for his son whose first word besides “Mommy” and “Daddy” was “moon.” For Bragg, the space race was a metaphor for our decreasing ability to dream.

Now that the space race is over
It’s been and it’s gone and I’ll never get to the moon

Because the space race is over

And I can’t help but feel we’ve all grown up too soon

Now my dreams have all been shattered
And my wings are tattered too

And I can still fly but not half as high

As once I wanted to

I was twelve when Neil Armstrong and Buzz Aldrin landed on the moon. I can remember standing in my yard in Lusaka, Zambia and staring up at the sky on that July night, lost in wonder that people just like me were standing on the moon shining down at me. The possibilities seemed limitless. I never imagined that would be as far as we would go, or that “space travel” would reduce rockets to the equivalent of astronomic eighteen-wheelers. Somewhere we lost sight of the possibilities.

Billy Bragg has never given up being a dreamer and an activist; he still sings about what’s possible. Much of his music has a strong political edge. He makes no bones about coming from the Left, and he is determined to speak hopefully. When Scott Simon asked him to describe what it meant to him to be a songwriter, Bragg said:

You have to kind of discern issues that other people might not be talking about that you might have something to say about and write about those things . . . You have to learn to overcome your cynicism and believe in humanity and the ability of people working together to make the world a better place. Cynicism is the enemy of that – not capitalism, not conservativism, but cynicism — and to do this job you have to be able to overcome your own to help people overcome theirs.

Today at Church Council, one of the folks handed out a sheet from our State Conference office that did not do much for me other than this quote from the late columnist Sydney Harris:

A cynic is not merely one who reads bitter lessons from the past, but is one who is prematurely disappointed in the future.

We had some friends over for dinner tonight and the talk turned, at least for a while, to politics. The consensus around the table was our elected officials are directed by polls and lobbyists for the big corporations and not by their own integrity or the people they supposedly represent. When it comes to our national leaders, I am prematurely disappointed in the future. I want desperately to be able to trust someone we have elected to office and I’m not sure I think that is possible anymore.

I hate feeling that way.

The November election is drawing closer. As it does, our gubernatorial race is descending into the ditches. As much as I would like to see the Republicans lose control of Congress, the Democrats have offered little vision more than “we’re not them.” Dreams are not fueled by who we don’t want to be. Ginger preached this morning on Jesus’ encounter with one we’ve come to know as the Rich Young Ruler. Jesus offered him a chance at love, but the young man’s wealth-induced cynicism caused him to turn away.

In the late Nineties, Bragg collaborated with Wilco to record some of Woody Guthrie’s unrecorded lyrics on a project called Mermaid Avenue. One of the songs is called “Christ for President.”

Let’s have Christ for President.
Let us have him for our King.
Cast your vote for the Carpenter
that you call the Nazarene.

The only way we can ever beat
these crooked politician men

Is to run the money changers out of the temple

And put the Carpenter in

O It’s Jesus Christ for president
God above our king

With a job and a pension for young and old

We will make hallelujah ring

Every year we waste enough
to feed the ones who starve

We build our civilization up

and we shoot it down with wars

But with the Carpenter on the seat
away up in the capital town

The USA would be on the way
prosperity bound!

I don’t know much about the song, other than the lyric I found on Bragg’s web site. I know enough about Woody Guthrie to imagine at least some sense of irony in the words; I know he was not writing an anthem for Jerry Falwell and Ralph Reed by any stretch. What Woody saw in Jesus was someone who was not beholden to wealth and power and was determined to meet the needs of the poor and oppressed. He saw hope – a reason to move beyond cynicism. Billy Bragg is living in that legacy and doing it well.

I’m glad to find him again.

Peace,
Milton

the terrorists win

2

The eleven o’clock news started last night with the story of Corey Lidle, the Yankee pitcher who crashed his plane into an apartment building in New York. He was a fairly new pilot who was flying with a friend. Who knows exactly what happened. Since it was late and I don’t like going to bed with heavy stuff on my mind, we listened to the most basic details and then changed over to The Daily Show. When I turned on the news this morning, the spin on the story had moved from being one about a man in a small plane to wondering if it could have been a terrorist attack. Granted, I don’t like the Yankees, but I’ve never thought they were terrorists – except, perhaps for Derek Jeter. Beyond the obvious visual similarities between this incident and the planes going into the Twin Towers, which plays upon our fears (though different by degree, without question), I struggle to find any reason to think an accident in which a small plane crashes into an apartment building would bring us to a point of almost contemplating a change in the color on our national terror alert warning system.

Yes, the accident happened in New York City.
Yes, it involved a plane and a building.
Yes, it is frightening to see the video of the aftermath.
And have we so capitulated to the way in which our leaders and our media play to our fears that we jump like lemmings into the sea at the assumption that terrorists have struck again?

Who is a terrorist, anyway?

The dictionary says it’s “a person who terrorizes or frightens others.” In the darkness last night cranes razed the Amish schoolhouse where the girls were executed by Charles Carl Roberts IV last week. He was described as a troubled man and a murderer. The media even used all three of his names, as they do with serial killers. But no one called him a terrorist. Why not? Have we loaded that word with so much power that it explodes our capacity for thoughtfulness most every time it’s detonated? We have been conditioned to run scared and to think of it as a euphemism for Muslim extremists. We don’t even talk about Timothy McVeigh in the same context as Osama bin Laden or Mohammed Atta.

If a terrorist’s intent is to incite terror in the hearts and minds of his or her victims, then those we do call terrorists are quite successful: we are a frightened, frightened nation. How can we see ourselves as The World Power and cower in fear at the same time? I think the biggest reason is we’ve allowed ourselves to be convinced that violence is the only language worth speaking in these days.

The British medical journal The Lancet released the findings of an estimate on the death toll in Iraq since the US invasion began. Their estimate is 2.5% of the population – 655,000 people – has been killed. If 2.5% of our population were exterminated, we would lose 7.5 million people. North Korea tested a nuclear weapon this week and has everyone clamoring to respond. Iran keeps trying to develop its own weapon. Pakistan is talking about a nuclear test, which means India will not be far behind. We keep telling them to stop, but we lead the race. We tell them not to fight, and we invade. We tell them human rights are important, and we keep folks locked up at Guantanamo. Then, when a small plane crashes into a building, we are frightened before we are saddened.

Before anyone writes to tell me I’m being idealistic, I understand the realities of the world. One of those realities, which we are seeing lived out everyday, is violence breeds violence. Another is responding to violence with violence only destroys; it solves nothing. Then there’s this reality: since we first invaded Iraq, we have spent almost 340 billion dollars. (That number will be quickly outdated.) What if we had spent that money in nonviolent ways, eradicating disease, providing education, or building homes? Most of the world doesn’t have potable water. One in four people on the planet have never talked on a telephone, much less checked email. What if we had used that money to pay living wages to the people who make most of the stuff we use and wear?

One more question: why is that money available for war and not for these other things?

Fear makes us do foolish things. As long as we choose not to learn that lesson as a nation, the terrorists win.

Peace,
Milton

what we don’t know

8

Today was a rather normal day at work for me except for one finger and one toe. For whatever reason, I both digits are swollen and painful. I’ve kept them slathered in Neosporin and covered, but nothing’s changed for a couple of days. Tomorrow I’m going to the doctor to she what she can do. The unusual circumstance has been ample fuel for my imagination. I begin to think there’s some sort of infection in my system that only works its way out through my fingers and toes. Ginger looked at them tonight and said, “They don’t look like leprosy.” I was grateful for her humor. It doesn’t look like the Plague either.

But it’s what we don’t know that makes it difficult.

Friday night Ginger left a message at the restaurant for me to call her when I had a moment. Things slowed down around eight, so I called home. She wanted to pass on news my parents had left on my voice mail, so I didn’t have to hear it by recording: my father has bladder cancer. On October 14, my dad will celebrate the tenth anniversary of his heart surgery. The big irony is my mother is a bladder cancer survivor, after having dealt with it off and on for almost fifteem years. Her experience — and our experience with her — helped temper the news somewhat and it’s what we don’t know that’s difficult.

The pathology reports were supposed to come back today, but because of the holiday on Monday, it looks like we will not know the details of what is going on with my dad until Friday. What we need to know is how aggresive the cancer is, because that will have a great deal to do with the treatment options. I know they removed the tumor they found and it had not broken through the bladder wall. I know this is a treatable form of cance. I also know the treatment takes its toll. We don’t know much else.

I will call on my way home from work in Friday and hope we know more.

I’m not up to being philosophical or even creative in my writing about this tonight. Thanks for your prayers.

Peace,
Milton

where the street has a name

4

Since Ginger and I don’t share a day off, we’re working hard to take advantage of any chance we have to hang out together. Since I was not working today, I rode into Boston with her because she had a couple of meetings to attend. We ate lunch together and I stayed in the booth at Cambridge Common while she went to her appointment. The pub brings back good memories of days at Winchester High because this was one of the watering holes we frequented after a day slaving over a hot grade book.

I miss living in the city.

Boston and Cambridge are residential and pedestrian: people live downtown and people walk from place to place. If we ever move somewhere else, I will need to learn quickly that drivers in most cities don’t stop to let people cross the street. In Dallas, they think those crossing the street are the human equivalent of ducks in a shooting gallery. You’re supposed to hit them.

Massachusetts Avenue, or Mass Ave. to the locals, is the artery that runs from the most southern part of Boston to the northern end of Cambridge, past Symphony Hall & the Berklee College of Music, between Copley and Kenmore Squares, across the Charles River, past MIT and then Harvard, through Porter Square, and on into Arlington center and beyond. It’s an important street to both cities and one that is full of landmarks for both Ginger and me.

The first summer after I started teaching, I worked for one of the other teachers who had a small business cleaning up abandoned and repossessed houses to get them ready for auction. Everyday we were in a different part of the city going through what people had left behind and putting it into garbage bags. It was hard work. One week, he had a different job for us. We were to clean around an building on the far south end of Mass Ave. that was going to be used by the city for some municipal offices. My job was to take the Weedeater That Ate Cleveland and whack down a small jungle of growth on one side of the building. By the time I was finished that afternoon, I was sweaty and covered in dust, which meant I was muddy, too. Since we were a one-car family at the time, my ride home was the T, Boston’s public transportation. I got on the 39 bus to Copley, where I could catch the Orange Line train home to Charlestown.

Since we were so far south of downtown, the bus was almost empty when I got on, so I got a seat. As the bus continued the route, the bus filled up, but no one ever sat down next to me. No one even looked at me. I was invisible. I realized I was getting a serendipitous look into what it felt like to be one of the homeless people in our city. When I got off the bus in Copley Square, I had about a five or six block walk to get to Back Bay Station to catch the train. Copley is one of the places many of the homeless folks hang out because there’s a small park there and the public library will let them use the bathrooms. I continued to remain invisible to most of the people, but every one of the street folks talked to me – not asking for anything; they talked to me. I became visible to a whole different layer of humanity.

On another day, at the other end of Mass Ave., I was in Harvard Square and passed a guy leaning up against the side of a church holding an empty Dunkin’ Donuts cup.

“Got any change?” he asked.

Ginger and I made it a practice not to give cash to people on the street, but to offer food instead. So I said, “I’d be happy to buy you a coffee and a muffin.”

He paused and then replied, “Coke and a brownie?”

I thought to myself, “Everyone deserves a Coke and a brownie,” so I said I’d do it. When I got inside the coffee shop, the brownies looked so good I got two. When I delivered his order, I sat down on the curb next to him and we ate together.

Mass Ave. used to house the most wonderful Tower Records store. The Berklee Performance Center, where I got to see Emmylou Harris on my birthday is on that street. So are Pearl Art Supply, the Middle East, Daddy’s Junky Music, Mr. and Mrs. Bartley’s Hamburgers, Joie de Vivre, and Paper Source.

The B. U. Bridge takes Mass Ave. from Boston to Cambridge, and vice versa. We walk that bridge every year as part of the Walk for Hunger, Project Bread’s wonderful annual fundraiser. Walking across the bridge, you see green marks that measure the span in “Smoots.” Many years back, MIT students measured the bridge using one of their own, a guy named Smoots, as the measuring stick. Right before we moved here, the bridge was completely renovated and the original measurements were lost. They wanted to measure the new bridge, but by that time Smoots’ grandson was a student at MIT. There was some discussion about which one should be the standard. Since the old man was still living, they brought him back to do it all over again.

1369 Coffee House is on Mass Ave. So is the Harvard Coop, the Plough and Stars, and the Elephant Walk. It’s where Jake, my acupuncturist, used to have his office. There’s also a Korean church I have never attended. Oh – and the Friendly Eating Establishment.

Moving up and down Mass Ave. is like moving through the layers of civilization in an archaeological dig, or moving up and down the most amazing buffet table you have ever seen trying to figure out how to taste a little of all of it. From the worn down row houses in Roxbury to the high dollar brownstones of the Back Bay, to the mixture of humanity that congregates in Central Square, to the the young people trying so hard to be alternative in Harvard Square, and the funky shops just beyond it. I have walked there, eaten there, laughed and listened and wandered there; I have shopped and sat and sojourned.

Today, I remembered.

Peace,
Milton