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through a glass darkly

6

Reuben went into surgery about eleven, Birmingham time, and the surgery was over around three. The good news was he came through the surgery without any complications, which was one of our concerns beforehand. The hard news is they had to take one lobe from his lung and the mass in that lobe was malignant. Our new word for today is adenocarcinoma. The more detailed pathology report and the tests on his lymph nodes will not be back for a couple of days, so we must wait before we can see what the next steps might be.

I sat in the coffee shop this afternoon trying to write as I waited and could do little more than wait. Tonight, I don’t have more words than these. I’m grateful for the prayers and words of solidarity. I’m also aware of some of you who are facing harsh realities of your own in these days. Please know my prayers are with you.

Some day, Paul said, we will see face to face, but not now. Not now.

Peace,
Milton

working

1

My day at work was different than usual because I spent it in the function kitchen getting ready for a big wedding expo we have this weekend. The Inn hosts over one hundred weddings a year and they throw a couple of these bashes to let the wedding couples taste all the things they can choose for their dinners. The day was different mostly because I was by myself. The function hall is a different building than the restaurant. I like the work because I can get lost in the tasks at hand and the time passes quickly. I tuned the radio to NPR and started on my list: I made three different kinds of soups, mashed potatoes, and pan fried German potatoes (for the restaurant), pulled the stems out of 250 mushrooms, cut up five boxes of fingerling potatoes, roasted chicken to make chicken salad, and finished making the demi-glaze I started on Monday. There’s a calming effect to being so focused on the task at hand because I’m so captured by the moment. The repetition doesn’t get boring to me because the motion is useful and purposeful. I’m doing good work.

When I’m on the line in the restaurant, there is a sense of immediate gratification because I finish a dish and then put it up for the server to take to the waiting customer. I get to see fairly immediate results. Preparing for a function has a delayed payoff. Several days from now I will see my work begin to take its final form. For now, I am called to find satisfaction in the preparation. That I enjoy cutting up potatoes and pulling the stems out of mushrooms lets me know I’m doing what I was made to do.

I also love that I’m getting better at my job. Working in the function kitchen allows me to learn about another aspect of professional cooking, which will make me better all the way around. I’m grateful that I get to do what I love. I know that’s a gift.

Peace,
Milton

all we can see

8

Ginger’s on her way to Birmingham and I’m sitting in Panera, trying to get my post written before I go home to console Schnauzers, which will take up the rest of the evening. They hate suitcases.

When we moved from Texas to Massachusetts sixteen and a half years ago, one of the biggest adjustments was the difference in landscape. There are places in Texas where you can wake up in the morning, look west, and see what people are doing on their porches in Tucson. The reason the stars at night are big and bright is you have a 360-degree view of the horizon: you can see them all. Massachusetts is a little more claustrophobic. If there aren’t hills, there are trees preventing you from seeing what’s around the bend. Though things – and people – are packed much closer together, there’s no place to get a clear view of it all.

If life is a highway, then it’s a lot more like Massachusetts than Texas. The other thing about Massachusetts that makes that statement even more true is we don’t believe in street signs. If you are new here, you never know where you are.

Ginger is flying across America without being able to see over the next hill, which for our family is called Thursday. She has yet to talk to the doctor or get a clear picture of what the surgery is going to entail, but, even if she knew that, we still can’t see beyond Thursday. Some time, probably in the afternoon, we will top the hill and see what the next stretch of life looks like. More than likely, there will be another obstacle keeping us from seeing too far down the road.

Sunday after church, I was talking with someone about the things I had written about Darfur. She said she didn’t know what to feel other than overwhelmed. I said what I’m trying to figure out is what lies beyond overwhelmed and helpless. The more we talk and pray together, the more we will be able to come to a place we cannot now see.

I remember hearing Bonnie Hunt on Letterman several years ago talking about writing comedy. She said the challenge is to get past the easy stuff, which is the sexual and vulgar stuff. So, when she goes into a writing meeting, they take the topic or idea and let themselves get all the vulgarity out of their systems, understanding they have not yet really begun to write until they get over that.

I’ve always imagined some of the first white people to get to the Grand Canyon coming over a small rise and all of a sudden being at the edge of that giant rift. In my mind, the old timer turns to his wife and says, “Well, Martha, I think we’re going to have to go around.” Either that, or they settled there and opened a bed and breakfast for the others they knew would be coming.

I resigned from my job as a minister because I believed I was answering God’s call on my life to follow my passion to make good food for people. Twelve weeks later I got laid off. Two weeks after that, I went back to work with a raise. All the planning in the world couldn’t have gotten me ready for that turn of events.

If such is the topography of life, we have to choose how we are going to navigate and travel. Last night coming home from work, I got behind a car going thirty-five on a road where the speed limit is forty-five and the Massachusetts drivers add on another ten miles per hour. Let me be clear: thirty-five was their top speed. Every time the road curved in the least, they hit their brakes, as though that somehow made them safer. What they didn’t realize is they turned themselves into a hazard. The other extreme is to go pedal to the metal until we top one hill too many and end up going all Thelma and Louise into the canyon below.

Both approaches are based on fallacies. Being overly cautious doesn’t change the truth that life is not safe; being cautious is not the same as being intentional. Living without caution doesn’t change the truth that freedom is not the same thing as license.

One of the things I love about Mark’s account of Jesus’ life is most of Jesus’ contact with people happens in the context of interruptions. When he got up in the morning, the disciples didn’t greet him with a schedule for the day: “First, you heal the blind man. Then on the way to lunch, a woman is going to touch the hem of your garment and be healed, and then you will feed the Five Thousand.” Jesus just started walking and as he topped each rise he dealt with what was in front of him – all the way to Golgotha.

Eighteen years ago last Sunday was my first date with Ginger. I took her to see Lyle Lovett back when Lyle had one record and played really small rooms. When I took her back to her apartment, I said, “I really like you and want to see you some more, but this next month is crazy and I don’t know when we’ll be able to get together.” By the end of February – twenty-four days later – I had seen her everyday but two. If life is a highway, I started taking a new way home – past her house. Now, eighteen years later, I don’t know how to think about life without her in it.

Rachel and Reuben have been married for fifty years.

We talk about “getting over” illnesses and problems as though getting over means getting past. Sometimes, like this Thursday, getting over means coming to terms with what’s ahead on this journey without maps. The significant markers are those John used to describe Jesus: “Knowing he had come from God and was going to God . . .” With those brackets around our lives, we know there is love beyond whatever is over the hill.

Peace,
Milton

schnauzer nap

2

One of the best parts of my day is coming home to Lola and Gracie, our two miniature Schnauzers. In the midst of all that is going on, I offer a poem on the lighter side because it’s where I needed to go today.

taking a nap with my schnauzers

tuesday afternoon
my day off
we have finished
our lunch and retired
to the sectional sofa
some people are at work
others are out walking
both people and dogs
but we are not concerned
we’re going to sleep

my dogs rest more
easily than I
they don’t weather
any guilt for the birds
who won’t be chased
the passers-by
who won’t be scolded
the toilet paper
that will go unshredded
while they slumber

Gracie lies with her head
tucked in behind mine
she whispers her secrets
then stretches out
on her back
all four feet
flying in the air
as though the couch
were a magic carpet or
a slow moving raft

Lola climbs on top
of the back cushion
a little night watchman
taking her station
not wanting to miss a thing
when I have settled
she will move down
next to me
spine against thigh
and snore

once I’ve dozed off
they wake each other
and watch to see
if my leg twitches
or my arm jerks
and turn to each
other and say
“people dream,”
then they slowly
close their eyes

Peace,
Milton

for the living of these days

7

We are headed into a difficult week.

We got word a few days ago that Ginger’s father has to have a mass removed from his lung. He’s already survived a battle with throat cancer. When a spot showed up a couple of years ago, they tested and said it was scar tissue. Now there’s a mass. Over the past year, we have watched him begin to slip slowly into Alzheimer’s. Now there’s a mass. Ginger goes to Birmingham on Tuesday to be there for the surgery on Thursday.

For obvious reasons, Ginger carried all of these things into the pulpit with her this morning. She was preaching from the lectionary, so she was talking about Jesus telling the disciples, after they had fished unsuccessfully, to cast out their nets again in deeper water. She began her sermon this way:

On February 3, 1937, she was born in the south the third child of four, the baby girl, and was very cute. However, this particular combination could prove to be a hindrance. As a result of my mother’s birth date, birthplace, and birth order, she was well loved and cared for — even spoiled — until her father died when she was fifteen. Then she (without much choice or option) became the primary responsible party of the household. Her little brother was too young and the others were expressing their grief in a myriad of ways. She had to cast her net, if you will, into deeper waters than she had ever known.

Through the years, my mother continued to take care of her mother and siblings and watched them die one by one. Now she is caring for my father who has Alzheimer’s and who will have major lung surgery this week. Again she is casting a net in deep and unknown waters as she learns to take on my father’s role of driving roads beyond their immediate community and as she faces the possibility of living alone for the first time in her life. She can curl and become immobilized or, like the disciples, she can move into uncharted territory casting her net into waters that seem to be without.

It’s true: my mother-in-law turned seventy yesterday. Of our four parents, she is the last to do so and, because we made a big deal for the other three, she has reminded us for several years that her seventieth birthday was coming. Ginger spent several hours (no, days) selecting, collecting, wrapping, and mailing seventy presents as my mother-in-law hoped she would, since we did a similar thing for my father years ago. Ginger spent an hour and a half on the phone yesterday while Rachel opened her presents with glee. Now, in the first week of her seventy-first year, she is taking her husband to the hospital.

Whatever my father-in-law understands or doesn’t understand about what is going on with him, he is being quintessentially himself. There has never been a day in his life when he didn’t feel “fine, outstanding, wonderful,” regardless of the circumstances. When they talk to him about the surgery, he simply says, “Whatever will be, will be.” This is a man who trusts God with the reckless abandon of a child jumping off a porch into the arms of a waiting parent. Though all of us have a strong sense of God’s presence in these days, he is not feeling the burden of the questions that have fallen on the rest of us. The doctors are operating to learn what is going on inside of Reuben as much as they are to remove the mass.

It’s a strange word. The dictionary gives lots of definitions; two stood out to me:

  • A lump or aggregate of coherent material: a cancerous mass.
  • Public celebration of the Eucharist in the Roman Catholic Church and some Protestant churches.

In one of English’s little ironies, the word for cancer and Communion are the same.

Our opening hymn this morning was “God of Grace and God of Glory,” one of my favorites. Some of the words in the second verse stuck out for me today:

From the fears that long have bound us,
Free our hearts to faith and praise.

Grant us wisdom, grant us courage

For the living of these days,

For the living of these days.

Whatever happens on Thursday may create as many questions as it does answers. We are living through something that requires faith, wisdom, and courage of us. Though the prospects seem about as hopeful as the disciples’ after a long night of fruitless fishing, Ginger is right: the best we can do is head into deeper water and cast our nets, trusting that God will provide sustenance for the living of these days, whatever they may hold.

Peace,
Milton

Spokane

5

A family is gathering for a meal
outside Spokane
the daughter is still
wearing her soccer uniform
the mother is chatting
as she passes the potatoes
the father is nonverbal, tired
trying to engage the dog is
waiting for someone to share

They will finish their dinners
their conversations
their homework
they will turn on the television
the phone will ring several times
it will not be me

No one in that house knows
I live across the continent or
I have tales to tell of my youth
of my life, of what I did yesterday
they don’t know I can cook or play
guitar, or that I’m writing a poem
they don’t know I’ve never
been to Spokane and
they’re not concerned

they are finding their dreams
building their lives
breaking their hearts
living out their days
without knowing me
and they are not the only ones

In all my years
the phone has never rung
and a voice declared
“Come quickly to Spokane
we just realized we can’t
go on without you”
the same could be said
for the table across the room
from me here in the coffee shop

the gossamer tether of humanity
doesn’t appear to reach as far
as the next booth unless the light
is just right and I can see the lines
I’m not sure which view
is easier to live with

a creative act

4

As I drove to work this morning my ears perked up when I heard Charlestown mentioned on the news because it’s our old neighborhood in Boston. What they were saying was quite disconcerting: I-93 northbound was closed, as was the Sullivan Square subway station because “a suspicious package” had been found that looked like a bomb of some sort. The city ground to a halt and I got to work without hearing any updates.

About three, one of the servers coming for the evening shift asked if I had heard what had happened in Boston. I said, “You mean the bomb scare?”

“It was all a hoax,” he said. “It was a promotional stunt for a cartoon.” He laughed.

It seems Turner Broadcasting was out to promote “The Aqua Teen Hunger Force” on The Cartoon Network and distributed these things in about ten cities. Boston just found theirs first – a small black box about the size of a laptop with lights running on it. Man, I would like to meet the brain trust in the TBS marketing meeting who thought imitating a terrorist act was a good way to get folks to watch cartoons. (That said, I’m sure the Hunger Force had their biggest audience tonight.)

To say the stunt was insensitive is an understatement. Rush hour in Boston is a little trip to hell on a good day. If someone sneezes or dials a wrong number on their cell phone, everything comes to a screeching halt that takes hours to untangle. I imagine that some folks trapped north of the city this morning just now got to work. Those who dreamed up and then implemented this fiasco obviously didn’t think much about the consequences of what they were setting in motion. What they thought about was getting attention the same way some of those visual and vocal train wrecks on American Idol get up there because it means they are finally on television.

The other story I heard (and I can’t find a link) was on the BBC News and was about a guy in England who has spent his life studying how bumble bees and hummingbirds fly in order to build miniature airplanes that mimic them. He’s close to reaching his goal. The tiny planes must have flexible wings like their models because they have to hover and move quickly. His quest actually has a point beyond getting in the Guinness Book of World Records. The inventor mentioned using them in fire and rescue operations where they could carry a video camera or heat sensors into burning buildings to let firefighters see what was inside. He had other ideas as well, none of them military. He was trying to imagine the consequences of his brainchild.

Both ideas are creative. No, both ideas are imaginative; only one is creative. Though no one has ever promoted a TV show quite the way TBS did today, carrying out the rush hour equivalent of shouting “Fire” in a crowded cinema doesn’t create anything. Being creative means adding to what it means to be human rather than taking away from it, such that, when we’re finished, we can respond much like our Creator responded as the Universe was breathed into existence: “That’s good.”

Peace,
Milton

only connect

2

Since our first real cold snap a week or two ago, the door on the driver’s side of my Jeep Cherokee Sport has been locked up. I’ve become quite adept at entering the car from the passenger side and, I’m sure, have provided a good bit of amusement to people in various parking lots around the South Shore. Today, when I took my car to have the oil changed, I got the door fixed as well. The problem was not big, they told me: the locks had dried out.

While they were fixing the car, I was next door in the Dunkin Donuts drinking coffee and reading my Utne Reader (one of my Christmas presents from Ginger). The first article was called “Our Blackberries, Ourselves” by Lisa Else (taken from a longer article in New Scientist magazine), in which she discusses whether all the opportunities we have to be “constantly plugged in” help us to be better at self-reflection and community:

People are connecting one on one – they have their online social networks or their cell phones with 250 people on speed dial – but do they feel a part of a community? Do they feel responsibility to a set of shared political commitments? Do they feel a need to take responsibility for issues that would require them to act in concert rather than just connect? Recently, connectivity and statements of identity on places such as Facebook or MySpace have themselves become values. It is a concern when self-expression becomes more important than social action.

Her words took me back to familiar words from one of my favorite novels, Howard’s End by E. M. Forster, which looks at the changing face of human interaction as the technology changed drastically in the days before World War One:

Mature as [Henry] was, [Margaret] might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the gray, sober against the fire . . .

Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die.

When my family first went to Africa in 1957, the only way to get to Southern Rhodesia was to sail from New York harbor, across the Atlantic Ocean, around the Cape of Good Hope, to the port of Beira in Mozambique on the southeast coast of the continent. The voyage took thirty-one days. When we wanted to call our family in the States at Christmas, we had to make a reservation weeks in advance with the international operator and then pass the phone around quickly so everyone could speak in the three minutes we were given to talk. What news we got from family came by mail that arrived two weeks after it was written.

By the time we came back to America for our first leave four years later, we could fly and be back in Texas in just a few days. Tonight I can read any African newspaper I want with the click of a mouse. I love that I get the chance to make contact with those of you who read this blog – and particularly with those who comment – and I’m aware that it is more than “only” connecting because how we connect is also important. Many use pseudonyms for their online identities. Some reply anonymously or without a way to respond other than in the comment box. I love that I can look at the map on Stat Counter and find readers from Singapore to Seattle; I even had one from Azerbaijan. I love reading the blogs of people with whom I share some “cyberintimacy” because I want to see what the next chapter in the story is. My world is wider because of this blog. And Lisa Else has a point: the value of the connection is only as good as the community it creates. We are treading new ground here. No one before us in human history has had the capacity to get so much information so instantly and in such volume. When I log on to AOL to check my email, I’m often presented with a “news” page that juxtaposes things like “Three hundred killed in car bombing” with “Man breaks hot dog eating record,” as though the two stories deserve equal consideration.

It can’t be as easy as “only connect.”

It isn’t. Listen to Forster one more time:

Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer.

The endless stream of the twenty-four hour news channels tells one story, shows another in a smaller window, and ticks another across the bottom of the screen, fragmenting both our world and us. Margaret’s sermon was to connect head and heart, heart and hands, passion and prose, faith and action, thoughtfulness and intentionality, patience and urgency so that life feels like something other than a centrifuge.

We are paradoxically blessed to live in a time when we can know what is happening around the world. These are days of wonder and days of incredible responsibility. “From everyone who has been given much, much will be demanded;” Jesus said, “and from the one who has been entrusted with much, much more will be asked” (Luke 12:48). I ‘m still floundering trying to figure out what knowing about the situation in Darfur means for my life. What I’m learning is I’m missing an important connection if I think of it in terms of my life or my response alone. It is in the connections that “human love will be seen at its height” – connections I find in family, in church, and here on this blog that help pull the fragments together.

Peace,
Milton

can you hear me now?

6

There are days that writing comes easy and days it doesn’t. There are also a lot of days in between where I find something to say once I get myself up the stairs and put my fingers on the keyboard. Every so often comes a day like today where the issue is not whether it’s easy or hard to write as much as it is whether I feel like I have something to say.

When I get to a day like this, the first fear I have to face is the prospect that I’m on the precipice of depression again. I’ve had moments over the past few days — more like a week, I guess — where I can feel the depression lurking around the edges of my life like a stalker in a Lifetime movie. That it can’t find a way to get inside gives me some hope that my new medication is working and for that I’m grateful. This week marks six years since I took my first dive off the deep end, as it were. Sometimes I think the pull of my depression is as much muscle memory as anything else. And then, of course, this particular January has offered its share of crisis and uncertainty, creating the opportunity for a symphony of emotions.

I’m also struggling to write tonight because I don’t feel very good at what I’m trying to do. I’ve been writing about Darfur because I really want to have a conversation about how I (we?) can respond. When I wrote about the war in Iraq a week or so ago, I yelled so loudly through the screen that I hardly gave anyone a chance to respond, so few did. My las two posts about the genocide in Sudan garnered two comments. I realize way more people read this blog than comment, and I also realized how much I hoped to hear from more folks when I felt my disappointment at seeing zero comments on yesterday’s post.

This is starting to sound as though I fishing for comments, which is not my point. Let me make my point clear: I’m writing about the genocide in Darfur because I want to have a conversation about what we can do beyond calling and writing any and everyone in Washington asking them to wake up. I want to talk about what it means to pray for them. I want to talk about what to do with my sense of helplessness and hopelessness as I look at how the world treats Africa. I want to know how to say all of this in a way that is invitational rather than declarative.

Peace,
Milton

requiem for darfur

2

Just as I was getting to work on Saturday, Scott Simon introduced a segment about a Carnagie Hall performance of Verdi’s Requiem to benefit the refugees from Darfur. I made a mental note and went to the web site to listen to the program. What I know of classical music I mostly learned from movie soundtracks, so the significance of the chosen piece is a little lost on me. I did find this description at Christopher Lydon’s Open Source, who also has a program on the concert:

As great as any of his 28 operas, Giuseppe Verdi’s one Requiem is beyond category among the masterpieces of human affirmation in the depths of suffering and horror. Verdi wrote it in his 60’s to mourn and remember his artistic heroes, the composer Rossini and the poet-novelist Manzoni. The Requiem lives in the choral and orchestral canon as a monument to Verdi himself: his belief, doubt, compositional craft and melodic genius. The work encompasses confessions of sin and guilt, a tour of hell, affirmations of faith and aspirations to heaven. Verdi’s “Dies Irae,” not normally part of the traditional Catholic requiem Mass, has become a Hollywood favorite soundtrack for unidentifiable terror. Prisoners at Terezin, the Nazi camp in Czecholovakia, learned and played the Requiem in defiance of their helplessness. Musicians play it still, not least to remember Terezin.

George Matthew was the conductor for the concert. He was conducting Verdi’s piece for the first time. It was not his first time to assemble a variety of musicians and singers for a cause. He conducted a performance of Beethoven’s Ninth Symphony to raise money for Asian earthquake victims. When Scott Simon asked him why he felt compelled to organize this concert, Matthew said, “We as the classical music community had to say something with our craft.”

When Simon asked why Verdi’s Requiem, Matthews said it is “at once the music of mourning, at once it is extremely stern, and it is at once full of fear, of active terror in the face of death and really what happens to the human spirit when it’s confronted with the prospect of becoming nothing.” He went on to talk about its explosiveness and said following those explosions there was “the silent space which is the fertile ground for action.” To him, the music suggested that “In our human environment, the prospect of a individual dying unnoticed is not acceptable, it is not natural, and it is certainly not conscionable. It’s almost by virtue of the fact that someone is dying, the community must gather and Verdi is speaking to our deepest and best instincts.”

Lydon wrote in his commentary of the interview he did with Matthew, “My question to George is how his grasp of Verdi, and Beethoven, can strengthen our limp notions of what is happening in Sudan; how even a rapt contemplation in listening to Verdi can relieve our very contemporary American distance and indifference to what has become the hellish wallpaper of our media and our minds.”

I haven’t listened to Lydon’s show, but I wonder if Matthew’s answer to the question was much like his answer to Scott Simon: “We as the classical music community had to say something with our craft.” In offering their gifts, the musicians and singers are doing what they can to not let human beings die unnoticed and strengthening our sense of connectedness in the best way they know how.

Our call is to listen and then go and do likewise.

Peace,
Milton