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reminder

I was driving to work yesterday and saw a sign in front of one of the storefront churches that inhabit our downtown neighborhood that said, “This is the year of great grace and great growth.” The rhythm of the words, when I said them out loud so I could remember them, pulled me towards writing a villanelle, which is a very specific form of rhymed poetry. (Think Dylan Thomas’ “Do Not Go Gently Into That Good Night” or Elizabeth Bishop’s “One Art.”) Here is what came from my encounter and effort.

Reminder

Caught by surprise by this statement of faith,
Drive-by wisdom from a church-front sign:
“This is the year of great growth and great grace” —

A slogan of hope I’m compelled to embrace,
As my grief-colored life undergoes redesign . . .
I’m caught by surprise by this statement of faith,

Black plastic letters, declarative case,
I hear more invitation than I do bottom line:
“This is the year of great growth and great grace.”

Though the scars left by sorrow are never erased,
My heart, ached with absence, can choose to incline
To be caught by surprise by this statement of faith,

Even as I keep driving, feeling lost and misplaced,
Somehow I am pulled by the simple punch line:
“This is the year of great growth and great grace,”

Which reminds me that grief is a gathering place,
Where we call one another to do more than resign
And be caught by surprise by this statement of faith:
“This is the year of great growth and great grace.”

Peace
Milton

breathing lessons

During the days I was in Texas before my dad died, my friend Christy sent me a record by Darden Smith called Love Calling. The whole album is filled with songs of informed hope and determined love. Her offering was truly a gift I needed in those moments. One line from the title track says,

some days the heart beats the rhythm of the falling tear.

What he was saying in the song was different than what I heard, I think, but in the context of my grief I found comfort in the rhythm of life (and death) that he described. I could feel the drumbeat, sometimes quiet and slow and at other times hard and exhausting; in both cases, it was the rhythm of breathing in and breathing out, of emptying and filling out, of holding on and letting go. The lightness and the weight, the relief and then the pain, felt like breathing without being able to get enough oxygen.
Trying to live on thin air.

My acupuncturist, Shea, says that in Chinese medicine they talk about how we carry our grief in our lungs, which makes more sense with each passing day. When the sadness settles, I feel like my breaths are shallow, as though I have over-extended myself, and my lungs are full, but full of empty and absence. I walked home from my appointment with an unexpected song in my head: the Hollies:

sometimes all I need
is the air that I breathe
and to love you

And I thought of Ginger’s invitation to worship each Sunday at our church:

Open your hands and relax
Breathe in the breath of God
Breathe out the love of God

The rhythm of life. And death. Alongside our inhaling and exhaling is the beat of our hearts, the pulse of our existence, the quiet drum of grace that keeps us going. In these days of grief, the beating of the heart takes on a new meaning. The syncopation of sadness is excruciating. At the risk of mixing metaphors, grief feels like improvisational jazz: there is a form, even a pattern, but it is difficult to follow for the uninitiated, leaving us to be surprised, if not sideswiped, by its seeming randomness.

Yet there is rhythm. The rhythm of the falling tear, or the breaking heart; the rhythm of memory, of absence, of getting up and going on. By the beat and breath of life and death we keep time (we don’t make time, or tell time) — sometimes we don’t know what we keep it for or from, but we breathe as best we can and keep going.

Today marks a month since both my father and Gracie, our eldest Schnauzer, died.

As one who lives with depression — and who has had three relatively light years of late — his death opened the doors in the floor in many ways. The one saving grace is at least this time I know why I’m depressed. And, I trust, it has not come to stay indefinitely. The sadness sits on me like a lead coat; I can feel the weight. I find relief in the doing of daily things: going to work, going down my to do list, and cooking.

I have one main recurring thought. I find that I want to contact friends who have lost parents and spouses and siblings and children over the years and say, “I had no idea what you have been through.” My seminary training, my years as a hospital chaplain, or even my years just living on the planet did not inform me well. I don’t know how I could have done it differently, but I understand things now I did not before. I feel a rhythm I had only heard described. The initiated around me have offered profound comfort because they know they cannot fix it. There are no words, no actions, only the rhythm of the falling tear952sparrow. And unending love. Martin Luther King Jr. said, “The arc of the moral universe is long, but it bends towards justice.” So, it might be said of the arc of grief. This is going to take time.

One of the biggest surprises for me is how painful it is to be in worship on Sunday morning. Being there is heavy and hard. Sunday, I didn’t go to church. I stayed home and cooked and spent time in the garden and basked in the companionship of Ella, our remaining Schnauzer. I’ve worked not to over-analyze what makes it so hard. Mostly, I feel as though the relationship between faith and grief, between sadness and grace, is more complicated and layered than simply saying, “God will make it better.” One of my favorite songs is “His Eye Is On The Sparrow.” The chorus says,

his eye is on the sparrow
and I know he watches me

Watches. Not catches. Nothing separates us from the love of God and there is much, including death, that separates us from those we love. Some days the heart beats the rhythm of the falling tear. Many days in fact. Breathe in the breath of God; breathe out the love of God. That will have to do for now.

Peace
Milton

faith like a row boat

One of the traditions in church I don’t take easily is that of changing the lyrics of hymns — for whatever reasons. Down the years, however, those who have served on the committees who have collected and compiled the hymns have felt free to alter the texts (as they call them) and move on by simply adding an “alt.” next to the composer’s name. I understand that they may have their reasons, but as one who has written lyrics for songs and hymns, it leaves me a bit unnerved not only for personal reasons, but also because there’s no particular standard by which the changes are made. In our hymnal, for instance, the second verse of “Come,Thou Fount of Every Blessing” has gone from “here I raise mine Ebenezer” to “here I am on my sojourning,” which doesn’t feel like much of an improvement. If Ebenezer needs explaining, then explain it; don’t just dumb down the lyric. That said, as we sang in church Sunday I found myself wanting to change the words.

The song we were singing is embedded deep in my spiritual DNA going back to my days in youth groups: “I’ve got peace like a river, I’ve got peace like a river, I’ve got peace like a river in my soul . . . .” As we sang I could see faces from both past and present and my hands wished for a guitar. We continued through the other verses:

Rowboat2I’ve got joy like a fountain . . .
I’ve got love like an ocean . . .

and then we sang, “I’ve got faith like an anchor” and I thought, “These words are wrong.” I don’t mean they were printed wrong. I’ve heard and sang them before. I mean they missed the mark, mixed the metaphor. They needed to be changed — and I knew the change to make:

I’ve got faith like a row boat. The first three verses are all about water — river, fountain, and then ocean — each one building a bit until we are singing of the great expanse of God’s love in much the same way that Paul talked about it in Ephesians 3:15-19:

I pray that, according to the riches of his glory, God may grant that you may be strengthened in your inner being with power through his Spirit, and that Christ may dwell in your hearts through faith, as you are being rooted and grounded in love. I pray that you may have the power to comprehend, with all the saints, what is the breadth and length and height and depth, and to know the love of Christ that surpasses knowledge, so that you may be filled with all the fullness of God.

In the middle of the ocean, an anchor won’t do a thing. The point of an anchor is to hold you safe in the harbor, to keep you in place, and there are ways of looking at like where faith is an anchor, in much the same way that we can talk about God’s love as a rock and a refuge, but if love is an ocean, then faith is what keeps us afloat. And by faith I mean trust. The ocean that is God’s love calls us out of the harbor, out into the open sea, out beyond our comfort zones, and we set out in the frailest of vessels — the row boat of faith — trusting we will not ever reach a place where we will run out of love.

As I sat in church writing as fast as I could think (while other stuff was going on), another song came to mind: “Rowing Song,” from Patty Griffin (my favorite hymn writer), which still astounds me with its profound simplicity.

as I row row row
going so slow slow slow
just down below me is the old sea
just down below me is the old sea
nobody knows knows knows
so many things things so
so out of range sometimes so strange
sometimes so sweet sometimes so lonely
the further I go more letters from home never arrive
and I’m alone all of the way all of the way alone and alive

Faith like a row boat. Faith: the substance of things hoped for, the evidence of things not seen. Faith: trust that love will not let us go, that there’s a wideness in God’s mercy like the wideness of the sea, that the deep deep love of Jesus is underneath and around us. Whatever these days may hold, whatever might have been, whatever has yet to happen, I’ve got love like an ocean — deeper and wider than any circumstance or loneliness — and that is what will keep me afloat in my little boat of faith.

Since my father’s death, the heaviest hour of the week for me has been Sunday morning worship. The thin place that is grief hits me hardest there, and the music plays a big part in both the weight and the comfort. Perhaps that’s what sent me searching for options when the anchor dropped in the fourth verse last Sunday. I’m not looking to sink anymore; I want to know what will keep us afloat. This is not a period of safe harbor in my life. I am not looking to stay put. I am at sea, far away from much of what I have known for sure, following those who have charted this course ahead of me, wondering what will happen next. In the midst of it all, I was reminded by my singing congregation that we’ve got Love like an ocean.

If that’s true, then I’ve got faith like a row boat.

Peace
Milton

down with the ship

Many years ago, my friend Billy Crockett and I read an article about a ship captain who, with his crew, abandoned ship when it began to sink, leaving the passengers on board. The story led us to the song title, “Down With the Ship,” which ended up being a song about Martin Luther King. When I first posted this, I had put images to the song, thanks to iMovie, but I couldn’t get the video to move over here. I have spent too much time this morning trying to figure out how to insert that video into this post, so I offer the lyrics as my way of giving thanks for Martin’s life and legacy, and a link to the video (and the older posting) here.

down with the ship

martin was ahead of his time
and time was so far behind
he had no eye for an eye
in his point of view
but what he could see
it was a beautiful dream
the trouble with dreaming things
is seeing them come true

when you set out on the high sea
when you set out on a hope trip
sometimes you get to your bright tomorrow
sometimes you’ve got to go down with the ship
sometimes you’ve got to go down with the ship

martin had the fight of his life
stared right into the enemies’ eyes
tried to wake them from their comfortable lie
that’s how ships go down
he wasn’t ready for a long white robe
he prayed for brave hearts and hands to hold
and people right here to sing and know
that we shall overcome

when you set out on the high sea
when you set out on a hope trip
sometimes you get to your bright tomorrow
sometimes you’ve got to go down with the ship
sometimes you’ve got to go down with the ship

the truth won’t die just because your heroes fall
someday all flesh will stand to see it all
see the mountains laid low
and the rough made plain . . .

and we’ll go sailing on the high sea
oh we’ll set out on a hope trip
set our eyes on a new horizon
and don’t look back
and we’ll go sailing on the high sea
believing love has got a firm grip
set our eyes on a new tomorrow
set our hearts to go down with the ship
set our hearts to go down with the ship
set our hearts to go down with the ship
sometimes you’ve got to go down with the ship

Peace,

Milton

today

today

we walked to the farmers’ market
sunshine flowing like a cape

some are gathering in washington
to hope and dream out loud

linda ronstadt said she has parkinson’s
and will never sing again

I watched a little boy of joy dance
in the middle of the coffee shop

marks three weeks since my dad died
and our little dog, too

I will write this poem and then go
back out into the sunshine

Peace,
Milton

learning to live with and without

One afternoon, when I was in fifth grade, my father bent down to pick up an ice cream freezer in the carport of our home in Lusaka, Zambia. The freezer was well-used and I have fond memories of sitting on a towel folded across the top of the gears as Dad cranked the handle to make homemade ice cream. That afternoon, however, the freezer was empty and he was simply moving it. When he picked it up, something snapped in the small of his back — a bone deformed from birth, we would later find out — that left him in a great deal of pain. The doctors in Zambia discussed surgery, but the consensus was the operation was best done stateside. In 1966, however, getting across the Atlantic was no easy feat. Our next scheduled leave from the mission field was about eight months away, so my father had to learn to live with the pain until the days could be accomplished for him to get help and relief.

And he did. They fashioned a brace that held his back rather rigidly so he could on about life; he put a piece of three-quarter inch plywood under his mattress so he could sleep. I don’t remember him talking about it much beyond the matter of factness required to get things done. He just lived with the pain and didn’t complain.

One of the consequences of his stroke a few weeks ago was he was unable to swallow thin liquids. He could chew steak or swallow thick liquids — he kept asking for ice cream — but he couldn’t drink water without choking. One of the nurses explained to me that one of the things the voice box does is to move over the windpipe when we swallow liquids. Larger heavier things move it over with simple gravity, but the liquids require it to move on its own. However the circuits blew in the stroke, one of the results was the voice box quit moving over, so he could no longer swallow a simple sip of water.

The two stories connect for me in these days because of the ways in which my grief has found physical expression. I went with a group of folks from our church to Washington DC on Friday and Saturday as our pilgrimage to commemorate the fiftieth anniversary of the March on Washington. Two of the folks in our group were there fifty years ago. The drive home took almost twice as long as it should have because of inexplicably heavy traffic on I-95. By the time I got home, my back was in a knot. And it has stayed that way. I feel a deep abiding pain just about the place where my father’s bone broke just a couple of summers after Martin spoke from the Lincoln Memorial. Then last night, as I was watching baseball with Ella, our remaining Schnauzer curled up next to me, I felt a catch in my throat and then pain, as if someone had punched me in the voice box. It was Sunday evening, and Sunday has been the hardest day for me. Worship pulls me into a deep sadness for reasons I cannot completely articulate other than to say grief is a thin place and the air is heavy there.

I’ve spent the last couple of days doing what I need to keep going. Tomorrow is my first day back at work and a return to a regular schedule follows. I will need to get back to keeping my promises, even if that means carrying my pain with me. No. Of course it means carrying my pain with me. We all do that in some sense everyday of our lives. This is just a new kind of pain for me, and it is one that feels as though it colors everything. As I think about my dad learning to live with his back pain, I am aware that it is my turn to do the same. Not to be Stoic and act as if there is no pain and just soldier on. No. I mean to learn to live with the pain, to weave it into the story, to figure out what it means and how it might shape me for the days to come. Long after my back settles down and my throat relaxes, he will still not be here. I have to learn to live with that, as my wife, Ginger, did when her father died almost two years ago, and countless others have done as well. Grief is a primary color in the art that is our lives.

And so is grace.

Peace
Milton

missing

the first poem
I learned was
for my father
and was the first
poem he ever learned:

missing

has anybody seen my mouse?
I opened his box for just a minute
just to make sure he was really in it
and while I was looking he jumped outside
I tried to catch him, I tried, I tried . . .

I have spent the day
reciting the lines
of my life
moving from memory
hoping to find

something to ease
the empty space
the heavy space
the palpable absence
and all I can muster is

missing

Peace,
Milton

“the skin you’re in” — my eulogy for my father

My father, Milton Cunningham, died August 3, 2013. He was a little over a month away from his eighty-fifth birthday. What follows here are what I said at his memorial service last Wednesday, including a poem I wrote for him entitled “The Skin You’re In.” I’m sure many of the words I write over the next weeks and months will be colored by both my memories anIMG_0073d my grief. Tonight, I am posting these words in gratitude for his life and the life he helped shape in me.
Peace,
Milton

____________________________________

Some time after I was out of seminary, I ran into a friend who had just come from a conference where my father preached. He shook my hand, smiled, and said, “You made your dad’s sermon today.” He then went on to tell me that Dad began his message by saying, “One of the lessons we have to learn in life is the difference between a problem and a predicament. A problem is something you can change or solve. A predicament is something you have to learn to live with. I used to think my eldest son was a problem; now I understand he is a predicament.”

Though I was hurt at first, I learned to appreciate his words because it gave me room to acknowledge that he was a predicament as well. So we learned to live with each other. And it was good. When Dad turned seventy-five, I wrote a Dr. Seuss-like poem for him called “The Skin You’re In,” which looked back at his life. I revised the poem and I would like to make that my offering this afternoon.

The Skin Your In
by Milton Brasher-Cunningham

You come into this world and they give you a name
As though you are going to stay the same
And everyday from there on in
You’re the one living inside your skin

The problem, you see, is you start to grow
and  — so your bones don’t start to show
your skin will sluff and stretch in size
so folks can continue to recognize

Just who you are, though long since gone
is the kid in the cradle with the sock hat on
who looked pretty ugly, like most babies do,
and from Day One was considered you.

So this is the story of who you became:
as you shed some skin, but kept your name:
you left the Gulf of Mexico
to head for Austin, don’t you know

And on about your sixteenth June
you traded your Austin High Maroon
for the Green and Gold up Waco way
and football to manage, but not to play.

They called you Squirrel, and the nickname stuck
You tackled Baylor with, shall we say, pluck?
Expulsions? Count ‘em: one, two, three —
and you still were elected as head trustee.

Before that happened you got things right
Thanks to the kindness of W. R. White
Who knew that you needed to be wrapped up in grace
as he helped you to figure out your place

on the planet beyond Patt Neff Hall
so you could stand up and answer the call
you’d heard one night out on the West Coast
and you set your eyes on what mattered most

and went to Fort Worth and the seminary
and became anything but sedentary,
then you ended up pastor at Cranfills Gap
a town very few can find on a map.

At this point our story grows more exciting
because you decided it was worth inviting
a woman named Barbara into your life
and you became husband and she became wife.

From there you went on to Corpus Christi —
and I’ll bet your eyes are getting misty
because there God gave you your firstborn son,
the smart and strappingly handsome one —

What happened next? Don’t feign amnesia:
we got on a ship and sailed off for Rhodesia.
And there in the land roamed by Livingston
you added a second spectacular son —

Then we headed north, beyond Lake Kariba,
driving past ‘bout a million zebra,
to our new home on Harding Road,
at least that was our last abode

In Lusaka, Zambia, where we spent some years
and you began to shift your gears
working in radio and television
despite the mission boards’ indecision

which led us northward to Nairobi, Kenya
and you chased your dream with all ‘twas in ya
which meant you lived on lots of planes
and you’d come home and then leave again

and then come back to our home in Mwitu
where you asked if we’d all agree to
move again, this time heading west
to Ghana, which was our hardest test

because of the weather: heat and Harmattan,
or humidity that sapped every woman and man;
seems we sweated out about half a year
till you could see that the end was near

and then on your eldest son’s birthday,
we packed our bags and flew away
from Africa, to Houston town
where — yes — heat and humidity abound.

In the heat and the hope of those Texas days
you filled your skin in some brand new ways
as pastor in Houston, and at Baylor, trustee,
and even as Pres. of the BGCT,

yet as Houston became your new mission field
the tether to Africa refused to yield
all of your heart, so you stayed connected:
your love of that land so strongly reflected

in the trips you took and the folks you sent,
but before that’s where the story went,
It was Westbury Baptist where we landed next,
to write the next chapter in our family text,

and a whole host of folks who found their way
to hear just what you had to say —
and what you said they remember still
about  those people up on the hill.

The years stacked up there to seventeen
when you retired, or did you mean
retool? restart? Your work didn’t end,
you just changed again inside your skin

and circled back to the Brazos Bank
where roots so long ago you sank,
this time to be the chaplain guy.
Did people ever wonder why

You showed up just to watch them play
whether baseball, or football, or street croquet?
And somehow you managed to convice them all
that season tickets to everything was your call.

The mission flame continued to flicker
from deep down inside your souped up ticker,
and chaplaincy turned into summer trips
from which students returned with flapping lips

telling stories of what they had seen and done
in Uganda, Ukraine, and the Amazon,
and you knew from deep down inside your skin
what to be next when you retired — again.

And so you moved with both heart and hands
to look with love to other lands
as you had long ago, you did once again,
‘cause it was, as I said, deep inside your skin.

So here’s to the memories that make up your years,
here’s to the laughter, the love, and the tears,
here’s to the things your death can’t erase:
to forgiveness, to thanks, to hope, and to grace;

Here’s to the journey that you gave your best,
and the sadness and joy knowing you are at rest;
after eighty-five years, look at who you have been:
Dad, you were the best you in the skin you were in.

I am thankful today that finally my father knows what it feels like to hear and believe that he is enough. And I am thankful that he gave my brother and me a more hopeful world than the one he inherited.

just another moral monday . . .

I spent another Monday in Raleigh this week — my third one. The North Carolina Chapter of the NAACP has sponsored the events, which have become known as Moral Mondays, as a response to the damaging laws being passed down bIMG_1972y our state legislature during this session which include cutting unemployment benefits to 170,000 of our citizens and opting out of Medicaid coverage, which will leave many without health insurance. They have proposed other bills to do heavily restrict early voting in our state and to restructure the tax code so that corporations would pay nothing but there would be a sales tax on food. My list of laws is by no means exhaustive.

Each week, a certain number of the protesters have chosen to participate in an act of civil disobedience by entering the NC Legislative Assembly building and staying beyond the legal time limit. (Who knew it was against the law to stay too long?) And they have been arrested. As of yesterday, over 700 people have been taken to jail for doing nothing more than standing and speaking and singing together in solidarity about the injustice being done. The protests have been intentionally kind and nonviolent. And they have been powerful, even though mostly disregarded by those who were elected to listen to the people of the state.

Yesterday, I went in with those who were going to be arrested as a supporter, which means I stayed until thIMG_1981ey told us if we stayed longer we would be taken to jail. The scene inside was thoughtful and determined. “Ain’t gonna let nobody turn me ‘round,” we sang, as we stood in two circles, one floor above the other. Then one young man began to chant, “This is what democracy looks like,” and I thought, “Indeed it does.”

When I was in high school, Ray Charles recorded a version of “America, the Beautiful” that remains my favorite version of the song. What I love most about it is he intentionally sang the verses out of traditional order. He began,

O beautiful for heroes proved
in liberating strife,
who more than self their country loved,
and mercy more than life.

America! America!
May God thy gold refine
till all success be nobleness,
and every gain divine.

Then he said, “When I was in school, we used it sing it something like this,” and then he began with what we all know as the first line: “O beautiful, for spacious skies . . . .” Before any  purple mountain’s majesty or any fruited plain, the beautiful part of our story tells of those who valued community over self-promotion and, just like the song says, mercy more than life.IMG_1964

Mercy — that’s what’s missing most from the life our legislators are seeking to fashion for us. Their idea of success carries little or no nobility, and the gains they envision reek of power and conquest, not of compassion and hope. What is beautiful about America is not our wealth nor our power. It is our people — every last one of us. I trust that our Monday meetings are more than flailing at windmills or venting our anger. We are working to move beyond anger, to build something, to believe that we are doing more than bailing water out of a sinking ship; we are banding together to make things better  , to do our best to love justice, do kindness, and walk humbly with our God and with one another.

On Thursday, I will stand on our front porch and read the Declaration of Independence, leaning back into all the years we stood in front of the Old State House in Boston where they have read it every Fourth since the very first. Much of the document talks about the right of the people to do away with a government when it is unjust and unfit to rule. I must say I smiled when I read it again tonight in preparation for my delivery in a couple of days, and as I recalled what it has felt like to stand and sing and shout in the shadow of the Legislature these past few weeks. I smiled because I trust that the arc of history bends towards justice and love. I smiled because, even though these new laws are painful and damaging, they will not be the last word. I smiled because I know our country is not best defined by the richest who get the attention, but by the millions who work day after day for far less than they deserve. I smiled because God is on the side of the poor and the broken and the downhearted.

All the money in the world won’t change that.

America! America!
God mend thine every flaw;
confirm thy soul in self-control,
thy liberty in law.

Everybody sing . . .

Peace,
Milton