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lenten journal: digging in

my job tonight was IMG_4065
to mix the ashes
and the oil making
from the charred remains
a paste of penitence

the sacred soot stared
from the bottom of
the plate as I poured
olive oil from home
and began to stir

the ashes stuck to
me like skin like they
knew me turning the
lines across my palm
into an ancient

map of heart I looked
as though I had been
digging in the dirt
even now my nails
are outlined by an

ashy shadow a
call to dig a grave
to plant a new bulb
in the same motion
a farmer of faith

Peace,
Milton

waffle night

For Valentine’s Day, Ginger gave me a waffle iron. Actually, she gave me a replacement waffle iron. She gave me one several years ago that I wore out making waffles when I worked at the restaurant at Duke and I wanted to put chicken and waffles on the menu. One of our friends suggested we might have a WafflIMG_3879e Night for one of our Thursday Night Dinners, and so that’s what we did. I spent the better part of a week chasing down recipes and adapting them for our purposes and have posted them all at my recipe blog. I decided I would post the menu here to make them a bit easier to find. I realize this is not a typical post for this blog, but then Waffle Night — or should I say our first Waffle Night — was not a typical evening.

Here’s the menu:

pig in a blanket waffles
falafel waffles with avocado hummus and tzatziki

fried chicken and maple cornbread waffles
cackalacky pulled pork with pimento cheese on sweet potato waffles

red velvet waffle white chocolate ice cream sandwiches with blackberry-balsamic syrup
maple bourbon bacon waffle bread pudding
chocolate chip cookies waffles

And a good time was had by all.

Peace,
Milton

the jesus ballad

On my last trip to Texas, I was passing through Fort Worth and called an old friend to meet me for lunch. When he asked what I wanted to eat, I said, “Chicken fried steak,” since, for all of its wonderful food, that is not a part of the Carolina culinary lexicon. As I was driving, I got word to meet him at the Ol’ South Pancake House, a Fort Worth standard with whom I have a history of my own. Beyond the battered beefsteak and cream gravy, he also offered me several books. Best of all we got to feast on our friendship for a couple of hours.

I should say here that a book from my friend is no small gift. He loves to comb used book stores looking for specifics and surprises. He brought five volumes for me that day, each one inscribed with a personal message that makes them even more valuable. This afternoon, I sat in my favorite coffee shop and began reading one of the books: Rock of Doubt by Sydney Carter. The book is big and square and thin with a black and white cover that feels like it could have been written by Shel Silverstein. Each chapter is not more than one or two pages of conventional text accompanied by a page of graffiti: a large print quote that ties into the topic at hand. About four chapters in, I turned the page to the words, “The Jesus Ballad.”

Carter goes on to talk about the differences between composed music and folk music, the former being written down and codified and the latter being handed down and open to interpretation. He writes:

Looking for what Jesus actually said and did is like looking for the original version of an ancient ballad. The four Gospels are like four variants. By the time they started to be written down the folk process had already gone to work. You cannot keep a live tradition down: it will go on sprouting new interpretations. If you do not like them, you can call them heresies. But any singer worth the name will keep on reaching for the song behind the song. You can call that going backward or going forward. To interpret you must recreate.

The first place my mind went was to a recording I found of Pete Seeger singing “If I Had a Hammer” in 1956, when the song was still new. I went looking for it the day he died. It was one of the songs that helped me grow up a little as a guitar player and, I suppose, a folk singer. Take a few minutes and listen.

What I realized as I watched it for the first time was what he sang was not the melody I learned. I was a ninth grader with a guitar in 1969 and what had been handed down had more to do with Peter, Paul, and Mary.

Wait. Our multimedia experience is not over. There’s one more. Last summer at Farm Aid, a ninety-four year old Seeger came out on stage and sang the song almost sixty years after the recording you saw a couple of paragraphs ago. Watch.

That’s right. He sings Peter, Paul, and Mary’s melody line with a failing voice that has all the authority and compassion of one who has stayed true to the song and changed with the times. Along the way, he even turned an old hymn into an anthem of his own:

no storm can shake my inmost heart
while to that rock I’m clinging
since love is lord of heaven and earth
who can I keep from singing

What resonates with me in what Carter and Seeger are saying about life and faith is that both thrive in the handing down, in teaching others to sing. The instruments change, the tempo varies, the key is wherever we are most comfortable singing, and we are all part of the same choir. Carter continues:

As a device for forcing us to exercise faith on a heroic scale, Christianity could hardly be improved on. By Christianity I mean the whole perplexing, exasperating, mind blowing apparatus by which the messages of Jesus have been handed down. It dangles before us, not a saving certainty, but a bright, blurred possibility that fills the heart with hope and discontent and dares us to make the necessary leap. Christianity kindles the imagination: through all the broken and corrupted variants we catch the echo of the song behind the song.

Not a saving certainty, but a bright possibility. Yes. Our faith is more doorway than wall, our calling more invitation than correction. We are made to sing along. Faith is not about being right, it’s about being creative, about being willing to risk, most of all, in relationship. It is not a set piece, but a work in progress. Carter finishes the chapter with these words:

Christianity is incurably folk: it forces us to recreate it. If we cannot, it will die.

Indeed. After all, it’s a song about the love between my brothers and my sisters.

Peace
Milton

ginger in the snow

IMG_3583who knows how many

pictures of you I’ve taken

how many times we’ve walked

down our street — in sun

and snow — on our way

 

to coffee and conversation

yet you still steal my heart

in the simplest of ways

the singlest of frames

the hope and ache

 

of a lifetime caught

in this crystal moment

and me right behind you

out in the storm and

on our way to everything

 

Peace

Milton

 

P. S. — There’s a new recipe.

all together now

One of the things I have had to unlearn from my childhood is how people were described when telling a story of something that happened. What was modeled for me was white people were simply described as people: a man, a woman. People of any other ethnic or racial background were given a qualifier: “I saw a woman drop her grocery bag in the parking lot and this nice black man stopped to help her pick them up.” I’ve never understood why it mattered what color the man was. Kindness is an intrinsic human trait.

When the Coke commercial ran last night, I found resonance in the pictures of inclusiveness. “Nice job, Coke,” I posted on my Facebook page, only to learn that the commercial was “controversial.” I still don’t understand. We could have filmed the whole commercial in my neighborhood of Old North Durham; this is the America I know and love. When the vitriol began, I thought of Ray Charles — specifically something I wrote about eight months ago at the beginning of the Moral Monday movement here in North Carolina:

When I was in high school, Ray Charles recorded a version of “America, the Beautiful” that remains my favorite version of the song. What I love most about it is he intentionally sang the verses out of traditional order. He began

O beautiful for heroes proved
in liberating strife,
who more than self their country loved,
and mercy more than life.

America! America!
May God thy gold refine
till all success be nobleness,
and every gain divine.

Then he said, “When I was in school, we used it sing it something like this,” and then he began with what we all know as the first line: “O beautiful, for spacious skies . . . .” Before any  purple mountain’s majesty or any fruited plain, the beautiful part of our story tells of those who valued community over self-promotion and, just like the song says, mercy more than life.

It’s no mistake that he begins with something other than the first verse because he did it more than once. He starts with the heart of the song — and with one of the verses we rarely sing. Notice the last line of each stanza:

mercy more than life

every gain divine

Before we start looking at purple mountains and amber waves, the call is to look at and for one another. The images in the commercial, and in the extended online version that tells the stories of those who are featured, embody the goodness in every gain. Why, then, are their successes and dreams not cause for all of us to celebrate?

When I was in college, I qualified to be a part of a national honor society my freshman year. The only significance of membership was it gave me something to put on my resume. When I went to the voting meeting my sophomore year, we found that every applicant met the requirements of membership. Even knowing that, the president asked us to vote. I was incredulous: “Why don’t we let them all in? They have all qualified.”

“If we did that, it wouldn’t be special,” he replied without irony. Someone needed to be left out in order for us to feel important. I left the meeting.

I am a straight, white, Christian, male. If I were wealthy, I would be five for five in the categories of privilege that have controlled our culture for most of it’s history. Coke’s little film is a beautiful reminder that, outside of the halls of Congress, America is choosing not to let the white guys run the joint — and that is a good thing. As we mature as a nation, we are being called to come to terms with the promises we made to ourselves and to one another to offer “life, liberty, and the pursuit of happiness.” Though our founders meant “white guys with property” when they said “all men are created equal,” we know better: everyone  . . .

todo el mundo

kila mtu

tout le monde

herkes

gach duine

America is not, and was never intended to be, a Christian nation. However, as a Christian, I have been thinking about how my faith informs this discussion. As one who grew up in evangelical life, I don’t think my Calvinist influences help me grasp inclusiveness. The idea of the “elect” smacks, somewhat, of my college honor society experience. As one stanza in the hymn “There’s a Wideness in God’s Mercy” states,

and we magnify his strictness

with a zeal he will not own

At the risk of getting into a scripture throwing contest, the verse that keeps grabbing me comes from Philippians 2, which says of Jesus,

though he was in the form of God did not regard equality with God as something to be grasped.

Jesus was far less concerned with getting what was “rightfully his” than he was making sure those who were on the margins knew they were loved and wanted. When he spoke of what judgment might look like in Matthew 25 he said the ones who incarnated his love would be those freeing prisoners and feeding the hungry, those offering shelter and sustenance, those who welcomed strangers, those who help the invisible become visible. The posture he described is one free of fear. The paradox of power is those who have it live in fear that they are going to lose it. The power of love is it chases away fear. Go ahead. Cue Huey Lewis:

don’t need money

don’t need fame

don’t need no credit card to ride this train . . .

My prayer, then, is that we would choose to see with eyes of love rather than fear, in order that we might move beyond thinking “normal” means straight, white, and male; that we the changes in our country as expansive and creative, rather than threatening; that we could think in terms of “us,” rather than “us and them.” My prayer is also this post offers more than kindling for an already raging argument. I want to remind myself that love is stronger than fear. Any day. Any time. Anywhere.

Peace,

Milton

old growth

I have work to do this morning

but I keep running into poems

that give me pause and pull

my gaze out my second-story

window to the dance of

sunshine and shadows on

the fence line, the blanket

of dead leaves turning to soil

and the trees, their bare branches

reaching or — perhaps — offering

 

their despair and determination

without a leaf to show for it.

My heart knows the same song

the trees are singing in their

slumber — they are not skeletons;

dead and dormant are not the same.

It’s what you said as we walked

yesterday in the fading light:

“The trees never quit growing.”

I want to say the same of me.

 

Peace,

Milton

epiphany: camel-less

The Christmas tide is going out . . .

the waves of wonder which

crashed against the sea wall

of my heart are sliding away

reminding me that the tides

come and go, neap and spring:

this is the rhythm of redemption.

 

Along the now silent sands

in my mind’s eye I still see the

Magi meandering, starry-eyed.

This newly exposed beach is not

a breach, but an opening, an

epiphany (to use a stained-glass

word): Greek for “I get it now!”

 

Come — let us walk camel-less

down this beach of our lives,

wandering and wondering our

way between wall and water,

between Herod and hope . . .

write our names in the sand

and see how long they last.

 

Peace

Milton

christmastide: the morning after

I wrote this poem several years ago, and I thought of it this morning.

the morning after

Mary rose before sunrise;
the baby was still sleeping,
as was Joseph and most of
the animals, except for one cow
who looked a little sheepish.

The shepherds were long gone.
In their excitement, they had not
cleaned up well after themselves.
The Magi were resting somewhere,
waiting for night and the Star.

But Mary did not yet know
of gold and myrrh and frankincense,
neither did she know much about
motherhood, messiahs, or
life beyond this nativity.

I am up early with a cup
of coffee and a donut
of a dog asleep in my lap;
the house is quiet. Christmas
has come and is settling in.

I know little of parenting, or
babies, or what to do with
swaddling clothes. I do know
Christ is born again, for the
fifty-eighth time in my life.

In my mind’s eye I watch
Mary turn back to the stable
when she hears her little one cry
for the first time on his first
morning; she is smiling.

My dog perks up her ears,
as though she, too, hears
the crying, and looks up at me.
“Merry Christmas,” I say, wondering
what gifts have yet to be opened.

Peace,
Milton

advent journal: a faraway christmas

My offering tonight is a story I wrote several years ago. Three Christmases ago, my friend Terry helped me turn it into an audio file. This past year has helped me read it a bit differently. I share it again.

A Faraway Christmas

 

As we gather together on this Silent Night,

To sing ‘round the tree in the soft candlelight,

 

From a Faraway Christmas, from time that’s grown cold,

Comes a story, you see, that has seldom been told.

 

Of all of the legends, the best and the worst,

From Christmases all the way back to the first,

 

This little tale isn’t often remembered

From then until now, down through all those Decembers.

 

But I found an old copy tucked away on a shelf,

And I turned through the pages, and I thought to myself,

 

Of all of the times between now and then,

This is the Christmas to hear it again.

 

Once upon a time in a place we might know,

‘Cause their woods, like ours, often fill up with snow,

 

Was a small little hamlet — a Long Ago Town —

Of no great importance, or no real renown,

 

Filled with people who seemed fairly normal to me,

With names like Francesca, Francine, and McGee.

 

They had puppies and children, ate bread and ice cream,

They went shopping and swimming, they slept and they dreamed;

 

They laughed and did laundry, they danced and they dined,

And they strung Christmas lights on the big Scottish Pine

 

That grew in the square in the middle of town,

And when Christmas was over, they took the lights down.

 

They read the newspaper, they sometimes told jokes,

And some of the children put cards in the spokes

 

Of their bicycle tires, so they made quite a din

Till it came time for parents to call the kids in.

 

Yet for all of the things that kept people together,

The nice festive feeling, the Christmas Card weather,

 

For all of the happiness one was likely to hear,

This Faraway Christmas was marked, mostly, by fear.

 

Well, yes, they were frightened — but that’s still overstated;

What bothered folks most really could be debated.

 

Some were tired (exhausted), some were sad or depressed,

Some — the best way to say it — well, their lives were a mess.

 

Some felt pressure from not having paid all the bills,

Some were keeping dark secrets that were making them ill;

 

Some felt guilty and thought they were headed for hell,

But the town seemed so happy, who could they tell?

 

So everyone kept all their feelings inside,

And wished they had someone in whom to confide,

 

To say, “Life is lousy,” or “I’ve made a mistake,”

Or “Sometimes I’m so sad I don’t want to awake,”

 

Or “I miss my Grandma,” or “I loved my cat,”

Or “I never, no never get my turn at bat.”

 

Everyone kept it in, no one said a thing

Until once Christmas Eve, when the man they called Bing

 

Came to turn on the lights on the tree in the square

And nobody — not anyone — no one was there,

 

And he looked at the lights as he sat on the curb

And he said — to no one — “I feel quite disturbed;

 

“I know that it’s Christmas, when I should feel warm,

But I don’t think this year that I can conform.

 

It’s been hardly two months since my friend passed away;

How can I smile when he’s not here to say,

 

“’Merry Christmas’?” he asked and burst into tears,

And all of the sadness from all of the years

 

Came out of his eyes and ran down his cheeks,

And he thought he would sit there and blubber for weeks.

 

When Samantha showed up — she had not been expected —

And sat down beside him ‘cause he looked neglected.

 

He looked up through his tears, she said, “You look kinda bad.”

And he answered, “The truth is I feel real sad.”

 

When she heard those words, tears jumped straight to her eyes,

“The truth is,” she said, “I tell too many lies.

 

I  want people to like me, so I try to act cool,

But deep down inside I feel just like a fool.”

 

So they sat there and cried, like a sister and brother,

And were joined by one, and then by another,

 

With a story to tell and feelings to free,

And they wept and they hugged ‘neath the big Christmas Tree.

 

Can you imagine how many tears fell,

After all of the years that no one would tell

 

How much they were hurting, how broken or mad,

How long they had smiled when they really felt sad.

 

How long does it take to clean out your heart,

To get it all out, to make a new start?

 

That answer’s not easy to you and to me,

But they found out that night, those folks ‘round the tree.

 

They cried until daybreak, till the first rays of dawn

Broke over the tree tops and spread ‘cross the lawn,

 

in the new morning light Bing could see all the square;

He also could see the whole town was out there.

 

They had come through the night, first one, then another

To sit down together like sister and brother

 

To pour out their hearts for the first time in years,

And let out their feelings, their sadness, their tears.

 

Samantha stood up and then turned back to Bing,

“You started us crying, now help us to sing.”

 

So he started a carol, the one he knew best,

About joy to the world, and it burst from his chest.

 

The others joined in, not because they weren’t sad,

But because they’d admitted the feelings they had,

 

Everyone sang along, both the sad and the scared,

Because true friends are found when true feelings are shared.

 

There’s more to the story, but our time is short,

Of how life was changed I cannot now report,

 

But instead I must ask why this story’s forgotten;

It’s not hopeless or humdrum, it’s not ugly or rotten.

 

Do you think it’s because people said how they felt,

And if we tell the story then our hearts, too, might melt?

 

What if we spoke the truth, what if we named our fears,

What if we loosed the sadness we’ve tied up for years?

 

Would we ever stop crying, would the dawn ever come?

And like those in the story, once the tears had begun

 

Would we sit on the curb, first one, then another,

And talk about life like sister and brother.

 

Oh, that is exactly why I chose to tell

This lost little tale we know all too well.

 

Our world is no different; we’re frightened and sad,

We feel helpless and hopeless, and certainly mad,

 

But none of those words is the last on this Night

That we wait for the Child, that we pray for the Light,

 

That we sing of the good news the angels did bring,

And we wish for peace, more than any one thing.

 

Yes, this story that came from a Long Ago Town

Of no great importance, of no real renown,

 

Could be ours, if true feelings were what we would say;

And we’d find such a Christmas not so faraway.

 

Peace

Milton

 

P. S. — You can find a downloadable version here.