I heard this story on All Things Considered last night. You gotta hear the symphony of truck horns.

Peace,
Milton

In the early nineties, Robert Olen Butler wrote a Pulitzer Prize winning short story collection called A Good Scent From a Strange Mountain. I read it for a Fiction Writing course I took while working on my MA in English. My favorite story was “Fairy Tale,” mostly because of the first paragraph:

I like the way fairy tales start in America. When I learn English for real, I buy books for children and I read, “Once upon a time.” I recognize this word “upon” from some GI who buys me Saigon teas and spends some time with me and he is a cowboy from the great state of Texas. He tells me he gets up on the back of a bull and he rides it. I tell him he is joking with Miss Noi (that’s my Vietnam name), but he says no, he really gets up on a bull. I make him explain that “up on” so I know I am hearing right. I want to know for true so I can tell this story to all my friends so that they understand, no lie, what this man who stays with me can do. After that, a few years later, I come to America and I read some fairy tales to help me learn more English and I see this world and I ask a man in the place I work on Bourbon Street in New Orleans if this the same. Up on and upon. He is a nice man who comes late in the evening to clean up after the men who see the show. He says this is a good question and he thinks about it and he says that yes, they are the same. I think this is very nice, how you get up on the back of time and ride and you don’t know where it will go or how it will try to throw you off.

Yesterday was the anniversary of when I climbed upon a time: Ginger and I had our first date on February 5, 1989. I was living in Fort Worth and she in Arlington. I had tickets to go see a new singer, Lyle Lovett, who was performing at Caravan of Dreams in downtown Fort Worth. I had planned to take my best friend, Billy, but after I met Ginger I called and told him I would get him something else – I had met a girl. In 1989, February 5 fell on a Sunday night as well. Since I was working in a church that had a Sunday night service, my original plan was to cut out during the last hymn, shoot over to Arlington and pick her up, and then come back for the show. An ice and snowstorm hit and church was called off, so I called her and made plans to pick her up for dinner. I slid across town in my front wheel drive Toyota Tercel and we ate at Good Eats, a kind of comfort food place, and then went on to see Lyle.

The show was amazing. He had a cello player with him and they moved from country to alternative to blues to improvisational jazz seamlessly. The room was intimate and charged. As we reflected on the evening later, we both had a sense of awe and mystery that night.

We climbed upon a time and have been riding ever since.

The next day I sent her a card, using Lyle’s words:

if ford is to chevrolet
what dodge is to chrysler
what corn flakes are to post toasties
what the clear blue sky is to the deep blue sea
what hank williams is to neil armstrong
can you doubt that we were made for each other?

I don’t think we ever have. In April we will have been married sixteen years. Together we have moved across country, made our home here in New England. She has stayed with me through my seemingly endless vocational crisis and the ride down the wormhole that is Living With Depression. I was there as she got her doctorate, among other things. The ride has had its moments when we felt as if we had been thrown. But the best parts have been the meals and the movies, the walks on the beach or around our old Charlestown neighborhood, the memories we keep packing into our hearts.

I searched hard to find a Good Eats Café of some sort in the Boston area, but all I found was a cheap college pizza joint, so I opted for familiar food. We went to Bob’s Southern Bistro, based on reviews I found, and stumbled into another memory together. They were having a Super Bowl party (that’s what Feb. 5 meant to everyone else). When we got there, they were handing out shots of Crown Royal; after dinner they gave us homemade carrot cake. In between, we chased down fried catfish and chicken, some meatloaf, and all kinds of good southern side dishes.

And we told anyone who would listen why we were celebrating.

One of the last lyrics I wrote when I was writing songs is one that never made it to any sort of recording, but remains one of my favorites. It’s called “Well Worn Love.” The image I had was of Ginger and I after forty or fifty years. I kept playing with the image of a love well-worn, like the library steps worn from good use.

he pours her coffee like every morning
she kisses his nose as she passes
his hair is much thinner than back when they started
and she did not always wear glasses

she smiles with her eyes as he butters his bread
they talk about what’s in the news
he heads for the garden she gathers the laundry
and life feels familiar and true

and this is the story of two common hearts
who started out young and grew old
they have practiced a lifetime the waltz of a well-worn love

he takes her hand coming out of the movie
they stop at a sidewalk café
he finds her a chair that is next to the window
‘cause he knows she likes it that way

she smiles with her eyes at the things he remembers
she touches the side of his face
the moments they share in the balance of time
are the heart of redemption and grace

and this is the story of two common hearts
who started out young and grew old
they have practiced a lifetime the waltz of a well-worn love

she wears the ring that he put on her hand
some forty five years ago
and time is defined by the lines of the love they know

winter comes early with how shadows and snowfall
who knows how long it will stay
so he pours her coffee like every morning
‘cause he knows she likes it that way

and this is the story of two common hearts
who started out young and grew old
they have practiced a lifetime the waltz of a well-worn love

Sometimes Ginger asks me where I think I would be if we had never met. My answer is always the same: “I don’t think I would be alive.” I am upon a time, rather than crushed below it, because Love found me when I looked in her eyes some seventeen years ago.

However bumpy the ride has been, Love has never let go.

Peace,
Milton

Any time we have a discussion about a meal at church and the discussion turns to how we are going to pay for it before we talk about why we are having the meal or what we are going to have, I’m afraid the folks in the room know what I’m going to say because, at least on this point, I’m rather predictable. I have a rather well-rehearsed rant that goes something like:

If we’re going to fix a meal, then let’s do it right. We don’t have to spend a lot of money to prepare nice food, and to make people feel as though we mean what we are doing. If we don’t intend to do the best we can, why do it? Do we want people to think church dinners are always substandard meals?

OK — that’s the abbreviated version, but you get the idea.

I got to make the speech again a couple of weeks ago as we planned for our annual Teacher appreciation Dinner. The quality of the meal speaks to the quality of our gratitude. For a number of years, the church paid for everyone to go to a local Chinese restaurant, which meant we had a nice meal and no one was stuck with the dishes. A couple of years ago, we convinced ourselves that kind of gratitude was too extravagant and decided the Christian Education Committee would prepare the meal in our Parish Hall. (Insert the above speech here.) Yesterday afternoon, committee members met to prepare the food and set up the room.

The woman who decorated the hall did a great job. Undecorated, the room looks a lot like an unfinished roller rink. By pulling the room dividers and using some red-checkered tablecloths and candles stuck in wine bottles, she turned it into a cozy little cafe. Our cooking team went to work as well. We served Open Chicken Marsala Ravioli and Oreo Ice Cream Pie (not my recipe, but I’ll get it). The whole event cost about a hundred dollars and we served thirty people. After dinner, people sat at the tables and talked for almost an hour. Some of us still had to do dishes, but it was worth it. We did a good job saying thank you.

Up until my grandmother died, she had a framed thank you note I wrote her when I was ten or eleven, which said, “I’m writing to say thanks for the Christmas present because Mom said if I didn’t write a thank you note I wouldn’t get any more presents.” Cute for a kid, maybe, but a lousy thank you. And yet, I’m afraid it is the kind of appreciation we too often offer one another. Acting as though a thrown-together Ragu Reward is going to make someone feel appreciated is fooling ourselves but not fooling them. True thanks ought to cost us something. When we come across as though we a just throwing a bone so we can check it off our list, the alleged gratitude is hollow and condescending.

I love to cook, so good food is a good way for me to say thanks, but it’s not the only way. Good gratitude starts by asking, “What do I have most to give and what do they most need to receive?”

It doesn’t have to be open ravioli, but it does need to be open-hearted.

Peace,
Milton

My friend, Mia, responded to my post, “re-member, then” with this comment and quote:

Your post made me think of a James Hillman quote – “our lives my be determined less by our childhood than by the way we have learned to imagine our childhoods”.

James Hillman is a new name to me, but he’s on to something.

Mia and I were a part of a group of folks who spent time growing up in Nairobi, Kenya and all attending Nairobi International School (now International School of Kenya). All of us are what they call “third culture kids“: people born in one culture, raised in another, and belonging to neither. Two years ago, thanks to the tenacity of our friend Martha, we all got back together after not seeing each other for thirty years. The reunion was full of healing for us all. I think it was one of the few times any of us had been in a room where everyone understood us. We are getting back together again this summer.

The over arching self-image of my adolescence that lives in my memory is I was a short, fat kid. Now, as an almost-fifty-year-old who struggles with my weight, I have often viewed my battle of the bulge as a life long war because I’ve always been chubby. I grew six inches taller in college, but I never got over feeling fat.

After we got back from our gathering, Martha sent my a picture she took of me in ninth grade. I remember her taking the picture. I am sitting in an armchair with one leg crossed over the other. I have on a sports coat, a pink shirt, a turquoise patterned tie that’s about nine inches wide across the bottom, and red socks.

Here’s the thing: I’m not fat in the picture.

It’s right there in all it’s Polaroid reality. I was a normal sized kid. I was short, but I wasn’t fat. Yet, somehow, the way I learned to imagine my childhood led me to grow up with a different picture in my brain.

In tenth grade, my family was on leave from the mission field and we lived in Fort Worth, Texas and I went to Paschal High School, my sixth school in ten years. My youth minister at University Baptist Church was a guy named Steve Cloud. He was everything I was not: athletic, tall, handsome, together. I was (felt) short, fat, and completely out of place. I can remember sitting on the edge of my bed at 3362 Cordone, looking in the mirror, and wishing I could be anyone else but me.

One day after school, I went by the church to see Steve. He called me “Flash.” He suggested we go out and shoot some baskets on the church parking lot. I am the world’s worst basketball player, but I went with him. One of my lame two-handed set shots missed everything and the ball rolled across the parking lot.

“You get it,” I said disgustedly.

I can still see him walking across, picking up the ball, and walking back toward me with the ball on his hip. He put his arm around me and we turned to go back to his office.

“Flash,” he said, “One day Trish and I are going to have a kid and I hope he turns out exactly like you.

That day, Steve gave me a way to imagine myself that helped me live through high school.

One of the images of my childhood that is hardest for me to shake is that love is earned. Feeling worthy of love has never come easily for me. As I have said before, one of my deepest fears is that I don’t belong. In both my head and heart, I can hear the voices of those, from Ginger on down the line, who love me deeply. I know I am loved and the imaginings of my childhood that Hillman points to tell me it’s all conditional because I haven’t done enough.

Then someone else left another e.e. cummings poem in the comments:

out of the lie of no
rises the truth of yes

I wonder sometimes what might have happened if Steve had not said that to me. But he did. In that brief moment on the parking lot the truth of yes found a foothold and hung on for my dear life, giving me a chance to grow into a different image of grace, love, and hope.

This past weekend marked seventeen years since Ginger and I met. I have been with her longer than I lived in Africa. I know most of what I know of grace and love because of the way she incarnates it to me. If life was about getting what you earned, I would not be lying next to her at night. She continues to give me new eyes with which to see myself.

And I need her to keep doing it because, Polaroid or no, the fat kid just won’t go away.

Peace,
Milton

One of my memories of teenage trips to Six Flags Over Texas was bridge made of barrels across some fabricated pond. The barrels meant each step had its own tilt: the walk was not straight or easy, but at least you had ropes along the sides to hang on to.

The last couple of weeks have felt like that barrel bridge for both Ginger and me, each day tilting a different direction than the one before, though the side ropes have not been as apparent. Most of the reason for the random pitch has been my life: there’s a lot going on. We are not deathly ill or facing a major life crisis. I have not felt significantly depressed in some time now, thank God. But the day in, day out, who’s in the hospital, what needs to get done, I have three meetings tonight circumstances of our existence, it all adds up.

On top of all that, instead of a New England winter we have been dealing with a bizarre progression of days where one is 40 to 50 degrees warmer (or colder) than the one before. It’s just hard to keep balanced.

In the midst of all the tossing about, I feel these are very pregnant days, if I might change metaphors. We’ve been busy before. We’ve had weeks with more on our plates than we know how to eat; this is not that. As Bill said to Ted (or the other way round), “Strange things are afoot at the Circle K.” Something is happening. Something is growing. Something is about to be born.

That’s about the best I can do.

I am walking in the dark, but a different kind of dark — not the bottomless pit, but the unfathomable mystery.

My spiritual director, Ken, offered me this e. e. cummings poem this week during our time together:

(no time ago)

no time ago
or else a life
walking in the dark
i met christ

jesus) my heart
flopped over
and lay still
while he passed (as

close as i’m to you
yes closer
made of nothing
except loneliness

One of Ginger’s favorite quotes is from Nietzsche: “You must have chaos within you to give birth to a dancing star.” (If he’s right, we’re about to give birth to a whole freaking galaxy!) I do love the sentiment. When life swirls around us, we can see it – or perhaps we can decide to see it – as a destructive force or as creative energy waiting to take form.

Five years ago next week was when my depression first ambushed me in a way I could name. Actually, my English Dept. Director at Winchester named it first. I lost 150 essays and she pulled me into her office and said, “We need to talk about what we are going to do about your depression.”

I am ever grateful for her courageous act of friendship.

Five years later, January feels different: energetic, chaotic, hopeful. Things are changing. The plates are shifting. The Spirit is stirring the waters.

I can’t name it much more than that. For now, I’m content to tumble along in the swirl of the mystery, keeping me eye out, of course, for any red shoes along the way.

Peace,
Milton