Home Blog Page 169

I can hear music

Milton Brasher-Cunningham
-
3

The end of my shift yesterday marked the first time in eleven days (and thirteen shifts) that I had a day off to look forward to. In fact, if I count the hours from the time I got off work until I have to go back tomorrow afternoon, I had forty-eight of them to do with as I pleased. Treasure, I tell you. Pure gold.

The landscape of my leisure has led me from one gathering to another; I have traversed my city finding friends. (Ginger’s out of town.) Last night, I sat on the porch of Parker and Otis listening to bluegrass music and sharing wine and cheese (thanks, Cherry) as I watched this little girl who was wearing a bow as big as her face dance with total abandon. She was awesome. Then there was the little guy standing next to his mom at the cash register when I went in to get more food who had azure blue eyes as big as quarters and wanted me to see the candy-filled car he had found while his mom was shopping. When she saw the car she spoke to him in German and I thought, “Man, this kid is three and already speaks more languages than I do.”

I got home about eight-thirty to feed pups and spend some time with them, but I had a promise to keep. One of the servers I work with at the restaurant also tends bar at The Green Room, a pool hall across the parking lot from our eating establishment and as we have left work for the last several days he has said, “Come by and let me buy you a beer.” So, about ten o’clock I walked the block to the bar and gladly accepted a Shiner Bock. Another person from the restaurant came in looking for someone to shoot pool and, since I had the next day off, I was happy to oblige.

This is no ordinary pool hall. It is a Durham institution, going back to Prohibition, and has this sign posted on the front door:

No
— misbehaving
— drinks on tables
— beverages in or out
— facist regimes
— poor sportsmanship

And they welcome pets. There were three large dogs, unleashed and inquisitive, working the room the whole time I was there. The setting was completely different from the folks on the porch and yet, when I sat back and watched the groups of people playing pool and shuffleboard, or just sitting at the bar, the dynamic was the same: they had come to be together.

I got up this morning and took Ella, our youngest Schnauzer and lover of ALL people, to the Durham Farmers’ Market. She loves seeing all the people and dogs that gather to buy and sell everything from local produce to baked goods to chocolate. I let her make her rounds and then asked her to wait in the car while I bought some food. I’ve gotten to know a few people there. Some are suppliers for our restaurant. One woman sold me most of the heirloom tomato plants in my garden. Another makes awesome cheese. One of the guys I work with at the catering kitchen helps out one of the artisan bakers and made the lamb chorizo in the homemade empanadas (don’t think I didn’t bring that home for lunch). I bought some fresh ground pork and kielbasa from a young girl (working with her mom) who had all the confidence of a young Broadway star and appeared to love all the people as much as Ella.

I brought Ella home and wandered back downtown for the Bimbe Cultural Arts Festival, one of Durham’s traditions I have not yet participated in. Again, people were gathered together, this time around African dance and drumming and, of course food, which ran more along the festival and carnival menu than ethnic. I saw the Only Burger truck and my decision was made. Brian, the owner, is someone I had met previously, so he and I had a nice chat as his crew made my burger. I went back over to the stage area and shared a table with five elderly women who were happy to let me sit down, mostly because they wanted to know where I got my burger.

My morning shopping set me to imagining dinner (and this new recipe) once I got back home from the festival, which set me to whom I might gather around my dinner table. After all, this blog is called “Don’t Eat Alone.” I called Lori and Terry and they joined me for dinner. And a good time was had by all.

Tomorrow, in the hours I have left before I go back to work, I’ll head to church where, once more, I will be with a group of intentional gatherers, people I mean to be with. My peeps, as the kids say. (Those crazy kids.) Thank God.

In our work-a-day world, it’s far too easy to believe that the rhythm of life is akin to the opening verse of Jackson Browne’s “The Pretender”:

I’m going to rent myself a house
in the shade of the freeway
I’m going to pack my lunch in the morning
and go to work each day
and when the evening rolls around
I’ll go back home and lay my body down
and when the morning light comes streaming in
I’ll get up and to it again
amen

Amen, translated, means, “So be it.” Well, no. (Which is actually Browne’s point, as well, I might add.) The melodies that rolled out of the mandolins on the porch at P & O and the beat of the drums in downtown Durham sing a different song, as does the jukebox at The Green Room and the couple playing and singing on the grass at the farmers’ market and the hymns we will sing in the morning, and it is a gathering song. If we listen to our hearts and the rhythm of all creation (rocks crying out, trees applauding) the song we know best is one rich in harmonies, one that calls us together in whatever groups we can gather, for whatever reason we can imagine.

Now – amen. So be it.

Peace,
Milton

P. S. — An added bonus. Here’s Jackson Browne talking about the song and singing it.

of skunks and storms

Milton Brasher-Cunningham
-
5

It was a dark and stormy afternoon and I was trapped in the Barnes and Noble by a thunderstorm. Ginger was on the other end of the Streets of Southpoint looking for shoes. Since I had the time, I migrated upstairs to the poetry section to see what I could see. There I found a teenage Latina girl who was planted in front of the poetry books and so deeply engrossed in what she was reading that she didn’t even see me when I took my place in front of the bookshelf next to her and opened a book of invitations of my own. Neither of us spoke or acknowledged one another; we simply shared the space the poems made for us there on the second floor.

We were both deep into our poems when three other girls descended on the young poet like pigeons on breadcrumbs, barraging her with Spanish I didn’t understand. I assumed they had come to tell her it was time to go, or that the rain had stopped. Then one of them asked, “What are you reading?”

“Poems,” she said. And for the first time she looked at me, perhaps to know someone understood.

More Spanish, and then the older of the three intruders grabbed the book out of her hand and said, “You don’t need to read poems,” finishing her thought in Spanish.

The girl grabbed the book back and answered, “Yes, I do. They talk about love and yearning.” The others shrugged her off and turned to walk away. She put the book back on the shelf and began to follow, but not without asking, rhetorically, “What do you want me to do – just get a job and make money everyday?”

My chance encounter fell in the middle of an eleven-day-thirteen-shift stretch for me at work in a frame of my mind that has me examining what meaning I am making of my life these days. Reading and writing far too easily gives way to prepping and cooking; I spend much more of my life with pots and pans rather than poetry. I love cooking, I like my job, and I would like to spend my time differently, proportionally, than life affords me the opportunity to do in these days.

The last paragraph has less to do with existential crisis than with the desire, to borrow words from a biblical poet, Paul, to “make the most of the time.” As long as I’m borrowing words, I’ll turn to a poet and recent acquaintance, Justin McRoberts and one of the songs he sang at the Writer’s Conference in Jackson a couple of weeks ago:

you see the question isn’t are you going to suffer any more
but what will it have meant when you are through
the question isn’t are you going to die, you’re going to die
but will you be done living when you do

What the poets know is life adds up to more than the sum of the parts. A poet who has befriended me with her words over the years is Naomi Shihab Nye who wrote a poem in response to a student coming up to her at a workshop, handing her a piece of paper with his address on it, and asking her to write a poem and send it to him.

Valentine for Ernest Mann

You can’t order a poem like you order a taco.
Walk up to the counter and say, “I’ll take two”
and expect it to handed back to you
on a shiny plate.

Still, I like you spirit.
Anyone who says, “Here’s my address,
write me a poem,” deserves something in reply.
So I’ll tell a secret instead:
poems hide. In the bottoms of our shoes,
they are sleeping. They are the shadows
drifting across our ceilings the moment
before we wake up. What we have to do
is live in a way that lets us find them.

Once I knew a man who gave his wife
two skunks for a valentine.
He couldn’t understand why she was crying.
“I thought they had such beautiful eyes.”
And he was serious. He was a serious man
who lived in a serious way. Nothing was ugly
just because the world said so. He really
liked those skunks. So, he re-invented them
as valentines and they became beautiful.
At least, to him. And the poems that had been hiding
in the eyes of skunks for centuries
crawled out and curled up at his feet.

Who knows what the days ahead hold for any of us. Here’s what I do know: I want my life to be about poetry more than paychecks. I want to live in the middle of the skunks and the storms and still have the wherewithal to notice who is standing beside me at the next bookshelf, who I come home to, and, whether I spend the rest of my days cooking or writing, do more than get a job and make money, even though I need both.

Peace,
Milton

what’s the word

Milton Brasher-Cunningham
-
1

I’m looking for?
(Not that anyone has asked
for a word, you understand)

Still – the swirl around
the swine flu has left me
looking for a word or two
with which to respond . . .

I could say something
about malaria, or cholera,
or tuberculosis, or hunger –
all bigger killers we could do
something about, but

that too quickly begins to
sound (and feel) superior.

I could repeat what I read
on the church sign driving
to work: “God is in control.”

And then I drove past a car
that had fallen into the ditch.

Most every time an angel
appears in a Bible story,
he says the same thing:
“Be not afraid,” as if that
would be enough.

Tone, you know, travels
across time and scripture
about as well as it does
in email; still — I can’t help
but hear something other
than a command.

And I wonder . . .

how I might give my
word wings of compassion
and the lightness of love
whatever it might be.

Peace,
Milton

daily office

Milton Brasher-Cunningham
-
1

My morning, so far, has been made up
of coffee shop chatter and a pretty good
ham and cheese croissant served with an
complimentary portion of overhead disco
(thank God for headphones and Patty Griffin)

My afternoon will call me to the kitchen
to assemble a fajita bar for fifty folks whom
I will not see; I will cook and then clean up,
much the same way, I suppose, as the
one who made my sandwich this morning

We take turns taking and offering, being
the one who needs and the one who
provides, most of the time (I think) not
taking too much time to regard the
transition, which is best greased by gratitude

Let me do my part. I’m thankful, today,
for ham and cheese, for a place to sit,
for good coffee and good writers, for
time, for city living, for Patty Griffin,
and for the one who invented headphones.

Peace,
Milton

close enough

Milton Brasher-Cunningham
-
3

I just got home from a great weekend in Jackson, where I got to preach this morning at Calvary Baptist Church. Here is the sermon.
__________________________

You have to wonder how soon it started.

I’m guessing, even in the early church, where two or three were gathered there were two or three differing opinions. Though we have grouped the epistles in the back half of our New Testaments, they were some of the earliest writings we have and they show that from almost the very beginning of the church people were struggling with what it meant to live out our faith together. Paul, John, and anyone else who wrote one of these letters spends some time basically saying the biblical equivalent of, “Don’t make me come over there” or “If I have to pull this car over there is going to be some serious trouble.” And they all spend a good deal of time entreating their charges to love one another; they also do what they can to draw a picture of what looks like. Listen to Eugene Peterson’s translation of the first part of our passage for this morning:

This is how we’ve come to understand and experience love: Christ sacrificed his life for us. This is why we ought to live sacrificially for our fellow believers, and not just be out for ourselves. If you see some brother or sister in need and have the means to do something about it but turn a cold shoulder and do nothing, what happens to God’s love? It disappears. And you made it disappear.

He could not have painted the picture any clearer: when we don’t care for one another, God’s love disappears. Disappears. And – not but, and — when we do respond and meet the need we incarnate the love of God as God created us to do. God’s love appears.

Yesterday at the Writer’s Conference, Justin shared a story with us that led him to write the song he sang a few moments ago called “Driving by the Accident.” As he talked about how the song came together, he spoke of Jesus’ encounter with the woman who lived with a hemorrhage and knew she just needed to touch the hem of his garment to be healed. Justin said we have to understand “the healing touch of intentional proximity.”

I love that phrase.

By choosing to be church together, we are choosing intentional proximity: we mean to be close. We are also putting ourselves near enough to one another to create the opportunity to incarnate love to one another. Or – not. The truth is we are also close enough to do damage. When we decide to explode, we send chards and shrapnel into everyone around us. Not only must we choose to be in close proximity, we must also choose, day after day after day, to love one another as Christ loves us. We must choose the responsibility that comes with connectedness – knowing that choosing to be together in a world full of suffering and chaos is choosing to enter voluntarily into one another’s pain, even as we choose, perhaps first, to do no harm.

In his book The Will to Power, philosopher Frederich Nietzsche challenged the Christian call to love all humanity, saying love was weakness that denied such values as pride, war, conquest, and anger. As harsh as it may sound to think of pride and anger as values, remember we live in a nation that lives out Vince Lombardi’s notion that, “Winning isn’t everything; it’s the only thing.” Our culture says get what you can and leave everyone else to fight for themselves.

Our faith tells us differently: we are one in the Spirit, as the song says, and we have a responsibility for and to one another.

Since we’ve been a part of the writer’s conference this weekend, let’s play with words for a minute and break down the word responsibility. It’s made of two words: response and ability: the ability to respond. Being close to one another in Christ means we have the ability to respond to one another’s needs, incarnating God’s love in the most practical and meaningful ways.

Gary Chapman has a book Ginger, my wife, uses in marriage counseling called The Five Love Languages, which he defines as the ways we best give and receive love. They are:

  • words of affirmation – saying words that encourage and support
  • acts of service – doing the “little things” that show we are paying attention
  • physical touch – hugs, and supportive touch
  • quality time – making time to care for one another
  • gifts – again, things that make a person feel known

Though we are all able to speak more than one of these languages, each of us has a favorite we speak when we receive love and a favorite we speak when it comes to giving love. Sometimes they match up well: Ginger’s best receiving language is acts of service and mine is words of affirmation. So when I do something nice for her and she says thank you we both come out pretty well. Sometimes, in the context of community, we operate on the principle of speaking the language we wish would be spoken to us and we miss each other. Incarnating the love of Christ to one another means being multilingual, if you will. It also means being forthright about what we need and what we have to offer one another as we live in close proximity.

One of the other songs Justin sang a few minutes ago was Patty Griffin’s “When It Don’t Come Easy.” I asked him to sing the song because the chorus articulates the kind of hands on love we’re talking about. The lyrics are

If you break down, I’ll drive out and find you
If you forget my love, I’ll try to remind you
And stay by you when it don’t come easy

Here’s what love looks like: if you break down, I’ll drive out and find you.

There’s a couple in our church in Durham. He is a firefighter; she is a social worker. They were driving down a street in Miami, where they were visiting family, when he noticed smoke coming out of a house as a woman was running out the door. They stopped the car and got out. He ran into the house, turned off the gas, and did what he could to stay the fire; she called 911 and then sat and comforted the woman in the midst of the turmoil. Both of them did what they were trained to do in a moment where they happened to be close enough to help.

When the brought the woman to Jesus who had been caught in the act of adultery, which is a euphemistic way of saying they pulled her out of bed and dragged her down the street naked, Jesus knelt down and wrote in the sand when they asked what they should do to her. In that moment, their attention shifted from the woman to trying to figure out what Jesus was doodling in the dirt. He was close enough to offer her grace and, as the scene played out, forgiveness.

After Peter denied Jesus three times, Jesus met him on the shore of the sea of Galilee with breakfast. He was close enough to offer food and, again, forgiveness.

Then Peter, along with John, encountered the beggar at the gate and said, “We don’t have any money, but we will give you what we have. In Jesus’ name, get up and walk.” They were close enough to be healers.

I have a friend who grew up in a family of abuse and violence. She says she remembers as a little girl being in a store with her mother and her mother was yelling and screaming at her. She said there was another woman at the counter who leaned down in the midst of the violence and said, “Remember this is not your fault. It’s going to be OK.”

We are all wounded and hurting. We are all capable of being healers. And we are close enough to one another to make the love of God appear in our midst.

If you break down, I’ll drive out and find you
If you forget my love, I’m here to remind you
And stay by you when it don’t come easy

May we respond to one another in a way that makes God’s love appear at every turn. Amen.

Peace,
Milton

vocabulary

Milton Brasher-Cunningham
-
3

On this, the last day of National Poetry Month, the least I can do is offer a verse of my own.

vocabulary

treppenwitz is a word that means
“a clever remark that comes to mind
when it is too late to utter it”
(of course, you have to be speaking
German for it to make sense)

In New Guinea when they want
to speak of “the truth everybody
knows but nobody speaks”
they say mokita

tonight in America I wished
for a word in any language
that captures what it means
for old friends to share a meal
and feed each other with love
and laughter, relishing the
fragrance and fortitude of
what it means to be together

the best I can do (in two words)
is, “thank you”

Peace,
Milton

muffins as metaphor

Milton Brasher-Cunningham
-
1

I made English muffins today for the first time since last summer.

Since classes are over at Duke, my work schedule and location has changed, putting me back on the lunch shift at the Durham restaurant, and making the muffins, which are our hamburger buns. The recipe has several steps that require some attention. First, I mix warm water, honey, and yeast, add some flour and then some more flour, then eggs, oil, and salt. I let it rest for twenty minutes and add more flour and let it rest again, this time until it doubles. Then I roll out the dough, cut the muffins, and let them rest another twenty minutes before I brown them on the flat top and finish cooking them in the oven.

At least that’s how I did it today.

We have a handwritten recipe that goes back to the opening of the restaurant and the guy who taught everyone to make the muffins. His notes provide the basic framework, but we have made changes – adjustments – as we’ve gone along, tweaking the recipe to make it work better. For instance, when I first learned to make them last summer I was told to let the dough rest thirty minutes. Today the guy who is the main lunch guy told me he had learned twenty minutes made for a better muffin. At least that’s what works for now. It will change. Trust me.

As I was dusting my little corner of the kitchen with flour (I’m a joyously messy cook) and trying to adjust my baking ritual to adapt to the new things I had learned, I thought about a passage I read last night in Eat, Pray, Love that talked about the role ritual and metaphor play in faith. Gilbert began by telling the story of a Yogic saint who had a cat that wandered around and disturbed meditation so he tied it to a pole during the practice. His habit of controlling the cat became an expectation of his followers such that when the cat died (after the Yogi did) they didn’t know how to meditate because the cat wasn’t in place. She continues:

Be very careful, warns the tale, not to get too obsessed with the repetition of religious ritual for its own sake . . . it may be useful to remember that it is not the tying of the cat to the pole that has ever brought anyone to transcendence, but only the constant desire of the individual seeker to experience the eternal compassion of the divine. Flexibility is just as essential for divinity as discipline.

Your job, then, should you choose to accept it, is to keep searching for the metaphors, rituals, and teachers that will help you move ever closer to divinity. (206)

Whether a kitchen or a congregation – or any other organization, when we gather ourselves in groups we move toward codifying the way we do things, creating rituals and recipes to make sure we do things right. Often, I think, the things that become written in stone or scripture or on recipe cards began as metaphors of discovery and imagination – statements of faith – but, once passed down, become statements of the status quo because perpetuating the institution rises higher and higher on the agenda. I’m not sure there’s any way around it.

But we don’t have to succumb to it.

The basic movements I made this morning matched those I made a year ago, but I had to pay attention to how I did the familiar steps to make them work. There, in the baking of the bread, I learned again that life are faith are mixtures of all that changes and all that stays the same. I don’t allow either to remain vibrant if I hold to close to the letter of the recipe, not allowing for anything new to come into the mix.

It’s the breaking of the bread that is the vital ritual for me in worship – our most enduring ritual of faith. Tonight we sat with a group of folks from church over coffee and the conversation turned to some of the different ways we celebrated the Lord’s Supper during Lent and the way different people responded to the varying modes. On our walk home, as Ginger and I continued the conversation, it struck me that Communion also needs to be tweaked, if you will, to stay alive. Or perhaps it’s better said that I need my heart tweaked when I come to the Table, since the point is not for the congregation to adjust to me but for me to take my place in the recipe that is my community of faith and adjust to the mix that we might make of ourselves a joyful offering to our God.

At least that’s what the muffins told me.

Peace,
Milton

a quick plug

Milton Brasher-Cunningham
-
0

I’m excited because this coming weekend I’m headed to Jackson, Mississippi to help lead “A Writer’s Conference” at Calvary Baptist Church, along with Tim Sean Youmans and Justin McRoberts. If you are anywhere in the area, the conference is free and runs all day Saturday and Sunday morning. I even get to preach while I’m there. I’m sure I will come back with good memories and good stories.

Peace,
Milton

harbinger

Milton Brasher-Cunningham
-
2

It’s one of my favorite English words. I like the way it sounds, the way my mouth has to shape itself to say it, and what it means once it’s let loose from my lips.

Harbinger: an indicator of what’s coming.

When I was living in Texas, I remember some of the old ranchers telling me you could tell a storm was coming when the cattle laid down in the field. Of course, Texas is so flat you could see the storm coming for a couple hundred miles with or without any bovine bedding down, but it was still a fun fact to know and tell. The other ominous Texas tip I remember from grade school was the weird gray-green silence of the sky that served as a tornado warning and sent us out into the hallway of Hubbard Heights Elementary School to crouch headfirst against the thick stone walls.

Not all harbingers are hints of harm. I’ve watched over the past weeks as the tiny little dogwood we planted last fall burst with pink blooms and the giant, century old pin oak that towers over it began to sprout leaves again, both foreshadowing spring. Each day of life, it seems, holds some sort of harbinger of what the days to follow might hold, though many of the hints – on a more existential level, anyway – are not much more than, “Things are going to change.” Life’s directions are seldom any more specific than these seasonally recurring statements of the obvious. What makes it worth stepping into, I suppose, it taking time to look back and see where the other directional signals have taken us, through both the crunchy and the sweet, giving us the eyes and ears to look and listen and then move on. Because, even if we stay in the same place for years, we are always moving.

I’m off work today and have taken time to read and write, since both have eluded me most of the week. I’m deep into Elizabeth Gilbert’s Eat, Pray, Love (which is knocking me out) and her account of her time living in Italy, going through changes of her own. In one passage, she writes about the Augusteum, a structure built by Ocatavian to be an elaborate mausoleum for his remains, but then spent the following centuries as a ruin, a fortress, a vineyard, a Renaissance garden, a bullring, a fireworks depository, a concert hall, and now an empty place waiting to be occupied again. She writes:

I find the endurance of the Augusteum so reassuring, that this structure has had such an erratic career, yet always adjusted to the particular wildness of the times. To me, the Augusteum is like a person who’s led a totally crazy life . . . yet who has managed to hold an intact sense of herself throughout every upheaval.

I look at the Augusteum, and I think that perhaps my life has not actually been so chaotic, after all. It is merely this world that is chaotic, bringing changes to us al that nobody could have anticipated. The Augusteum warns me not to get too attached to any obsolete ideas about who I am, what I represent, whom I belong to, or what function I may once have intended to serve. Yesterday, I might have been a glorious monument to somebody, true enough – but tomorrow I could be a fireworks depository. Even in the Eternal City, says the silent Augusteum, one must always be prepared for riotous and endless waves of transformation. (75)

Durham is a city that knows a thing or two about transformation. I’m sitting in Parker and Otis, a wonderful café/grocery store/wine shop/coffee shop that inhabits a building that was once a tobacco warehouse of some sort, going back to the days when Durham was Tobacco Central. Now the room fills with people eating awesome pimento cheese sandwiches in a room where no one can smoke. Our whole neighborhood is filled with buildings that used to be something else – tobacco warehouses, cotton mills, ice houses – now thriving in an incarnation no one could have forseen, yet the town has worked hard to ride into a new sense of itself. Like the Augusteum, some of the warehouses spent years as empty eyesores, yet the city found a way to do something with what once was besides letting it be an epitaph. Chances are, in another fifty years (twenty-five?), no one will be sitting in this room drinking coffee or perusing pinot noirs, but, then again, who knows?

The room and my reading are both metaphor for what I feel storming up in me these days. The cows of my mind and heart are starting to lay down (actually, I think I have a herd of hippos in my mind, but they are laying down, too), not for the kind of storm that wrecks and destroys as much as one of those great Dixie storms that blows up in the afternoon and clears the air of the dust and pollen that keep us all cloggled up. Maybe it’s that, almost eighteen months into our new life here, I’m beginning to see possibilities. Maybe it’s that, in the same time period, my depression has lost its foot hold (choke hold?) on me. Maybe it’s just another wave of life crashing in. Whatever it is, what I feel most is me figuring out how to become more, well, me. And that feels like good news: a harbinger of hope.

Peace,
Milton

P. S. — After far too long an absence, there’s a new recipe.

tune my heart

Milton Brasher-Cunningham
-
7

“Sometimes a light surprises the Christian when he sings,” wrote William Cowper. And sometimes the surprise is in the listening. I sat down in church this morning, feeling renewed after a wonderful weekend (Friday and Saturday are my weekend), one day in Chicago with our nephew and the other wandering through downtown Durham for the Art Walk with Ginger and Cherry, our old friend and new housemate. Both days were filled with sunshine and laughter and food and, well, all good things and I brought them all to church with me this morning. And then the choir began the prelude:

come, thou fount of every blessing
tune my heart to sing thy praise

If I were picking a list of favorite hymns, this one would be at the top, so any Sunday anyone sings it is a good day to me, but this morning I was lightly surprised, to go along with Mr. Cowper, by words and melody I know by heart, and I’ve spent the day thinking about how a heart gets tuned.

You see, I’ve been a guitar player since high school, so I know about tuning something – making sure the strings are tuned to their assigned notes and also to one another. But where my mind went today is something I know more about as metaphor than actually being able to do it with my guitar and that is what is called open tuning. Many guitar players (Joni Mitchell would be the queen) tune the strings so they play a chord without putting any fingers down – open G, open D, open C – so that the solo guitar player can do more with the instrument than just play the chords. One could play the basic rhythm, for example, and add a lead part without needing more than one guitar. (I can’t, but one could.) Emmylou Harris even has a song called Prayer in Open D.

How then do I tune my heart to be open to God?

We celebrated Earth Day in our worship today, so as I was thinking about tunings we were talking about our stewardship of our planet. Ginger and Carla had several quotes printed in the worship guide to help us along. One of them in particular helped me in my tuning.

My profession is always to be alert, to find God in nature, to know God’s lurking places, to attend all the oratorios and the operas in nature. (Henry David Thoreau)

When we lived in Boston we used to go and walk around Walden Pond and we saw some of the remnants of Thoreau’s cabin. When I read the book in high school, I remember thinking he was out in the wilderness, but the pond is not that far from the town of Concord. It was, however, far enough for him to tune his heart to both play and hear new things. And, though, I have never cultivated an appreciation for or understanding of opera, his point is very clear: I begin to tune my heart when I pay attention to what is going on around me, or, should I say, who is going on around me.

I love the idea of knowing God’s “lurking places.” It makes Thoreau’s walks in the woods sound like a friendly game of hide and seek. What little reading I’ve done about open tunings talks about how it opens up the instrument to new things and teaches the guitar player how to think of chords in new shapes since the strings are now set on different notes. How a D chord looks and feels on the fret board is, well, nothing like the D I’ve always played. To learn to play in that tuning means learning to teach myself how to see and move differently and opens the door for me to learn another tuning, or come up with one on my own.

As I was walking home from a busy night at the restaurant, it struck me that I tune my heart everyday to play something. I have a kitchen tuning, a home tuning, a Schnauzer tuning, a church tuning, a Ginger tuning. Most are so familiar I don’t even realize when I retune my heart to move from one song to another. In my best moments, I am intentional about the tuning I have chosen and the intentionality with which I tweak the strings. The melody of today requires of me to go back and fill in the lyric a bit more, I think. Here is the complete first verse of Cowper’s hymn:

sometimes a light surprises the christian while he sings;
it is the Lord, who rises with healing in his wings:
when comforts are declining, he grants the soul again
a season of clear shining, to cheer it after rain

and the first of Robert Robinson’s hymn

come thou fount of every blessing
tune my heart to sing thy praise
streams of mercy never ceasing
call for songs of loudest praise
teach me some melodious sonnet
sung by flaming tounges above
praise the mount I’m fixed upon it
mount of thy redeeming love

Tune my heart to hope and healing, to shine and surprise, to grace and gratitude. Please. Amen.

Peace,
Milton

1...168169170...248Page 169 of 248
© Newspaper WordPress Theme by TagDiv