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lenten journal: life lines

There are some nights I sit down to write what has been brewing all day, then there are others where I begin with a blank canvas and try to get quiet enough to see what ripens. Tonight’s poem comes at the end of a busy day when I don’t feel as though I had time to take in all that was given me to digest. And so I sat quietly and listened to Gavin Bryar’s “Jesus’ Blood Never Failed Me Yet” and here is what found it’s way to the page.

life lines

I’ve been staring at my palm
for over an hour: the ladder-like
lines that stack up from wrist to
thumb; the deep rutted roads
that run like poorly planned
highways across an aging desert
of skin. Instead — what if they
are river beds now run dry —
the lesser lines faded-out paths
from days when dreams roamed
these valleys like dinosaurs.

You’re right — I’ve been staring
too long to do much more
than get lost in wrinkled
metaphors and epidermal
esoterica, yet I am still captured
by my little cellular cosmos
held in my calloused hand,
little lines marking mystery
just like the moon did hiding
behind the trees, watching as
we talked among the tomb
stones and then followed
our own well-worn paths
to get home for dinner.

Peace,
Milton

lenten journal: cosmic conversation

The best part of an idea is the conversation it creates. The last several days have created a conversation in my head and my Moleskine among folks who have yet to know they are talking to each other.

I woke up this morning to a message from my friend, fellow Pilgrim, and self-described physics lover, Alice, who said,

Your sermon mentioned knowing where we are and where we are going. Because my brain works differently, I immediately thought of the Heisenberg Uncertainty Principle, which basically says you can’t know both (about quanta anyway). “The Heisenberg uncertainty principle is a concept in quantum mechanics that states that of all the things you can measure about an object, there are some things that cannot be known at the same time. An object’s location for example, no matter how small or large, can never be known exactly if you know even a little bit about how fast the particle is moving or what direction it’s moving in. This also works the other way around: the more one knows about how fast the particle is going and the direction it is going, the less one knows about where it is right now.”

So the more we know about where we are, the less we know about where we are going? I have no answers, and we aren’t quantum particles, but I thought you might have an interesting take on it.

I am fascinated by what little I actually understand of physics, most of that knowledge being limited to what I learned from reading Madeleine L’Engle. I used one of her quotes in my book:

Quanta, the tiny subatomic particles being studied in quantum mechanics, cannot exist alone; there cannot be a quantum, for quanta exist only in relationship to each other. And they can never be studied objectively, because even to observe them is to change them. And, like the stars, they appear to be able to communicate with each other without sound or speech . . . Surely what is true of quanta is true of the creation; it is true of quarks, it is true of human beings. We do not exist in isolation. We are part of a vast web of relationships and interrelationships which sing themselves in the ancient harmonies. Nor can we be studied objectively, because to look at us is to change us. And for us to look at anything is to change not only what we are looking at, but ourselves, too. (And It Was Good 20,21)

The next scrap of science I have been carrying around in my head the past few days also made its way to the surface of my thought. Somewhere this week I read about Zeno’s paradox of dichotomy, which states that in order to reach a place you must first go half the distance, so you never get where you’re going because there’s always a halfway point.

Perhaps the reason I am attracted to physics is because I am forced to so quickly engage how much I don’t know and listen to the world on a different plane, one that calls me to trust what resonates, to trust what others can help me to understand; you see, I’m not going to get all of this on my own. Neither are the physicists or the theologians or the philosophers. The picture is both to large and too detailed. None of us has the benefit of adequate perspective.

Two more things. The first is a short film I learned about from David LaMotte, which looks at how our view of ourselves has been altered by the astronauts’ ability to see earth in the context of the universe rather than as one walking on the planet. The video is beautiful and compelling, calling us to an understanding of what they call “The Overview Effect.” One of the astronauts, Edgar Mitchell, said he came back to earth and could find nothing in the literature of science and religion to describe what he had experienced, so he went to the universities and “asked them to help me with what I saw.” Those he consulted came back with words from the ancients, which he quoted in Latin (which I don’t speak or write or read) and then translated: “see things as you see them with your eyes” — resonantly, viscerally, without explanation. David Loy, a philosopher, spoke in similar terms as he said the astronauts’ experience opened us up to feel awe: to transcend the separation between ourselves and creation and see it as a unity.

OVERVIEW from Planetary Collective on Vimeo.

Here’s the final piece of today’s mosaic: something from a sermon preached by Carla, our Minister of Christian Education, a couple of Sundays ago. As she spoke of Jesus’ call to follow, she used his metaphor of being a part of the Kingdom of God (one with which I have previously struggled.) Then, in good Southern fashion, she dropped the “g” and offered a new picture: the Kindom of God, “where all persons flourish in right relationship with God and one another in love and justice.” Yes. Her important slight change resonates with the “cognitive shift” one of the astronauts described. To see the earth from space requires a new way of thinking — the same way of thinking found in seeing ourselves as part of God’s Kindom.

Jesus used the metaphor in different ways:

  • “It is among you,” he said.
  • “It is within you.”
  • “It is at hand.”
  • “It is to come.”

All of them are true at the same time, leaving us with the theological equivalent of the kind of quandaries offered by Heisenberg and Zeno: we are created and called to live in both the now and the not yet, to carry both the past and the promise of our life and faith together, to live in the creative tension that notices both the dust on our shoes and the stars in the heavens. Though we are all over the map, we are connected in ways we do not even begin to comprehend.

Today, I will carry these things from our conversation:

  • we are Here, in every sense of that word;
  • we are Together, in every sense of that word;
  • we are Loved, we are Loved , we are really, really Loved.

Peace,
Milton

lenten journal: hearing the words again

I’ve continued my journey into The Secret Life of Pronouns: What Our Words Say About Us over the last couple of days and read something this morning that made me think of our lenten journey. Let me explain. In a chapter called “Ignoring the Content, Celebrating the Style,” James Pennybaker makes two points in an aside to the chapter that struck me.

Direct Versus Indirect Knowledge
Some languages, such as Turkish, require you to provide evidence for any statement you make. If I said to you, “It was very hot in Austin yesterday” in English, you would likely shrug your shoulders and assume that I’m telling you the truth. In Turkish, however, you would use different forms of the verb “was” to denote whether I personally experienced the hot weather or am simply relaying the information from some other source.

Social Knowledge Lost in Translation
In a striking series of studies, Stanford’s Lera Boroditsky has demonstrated how the language you are speaking at the time dictates how you remember pictures of events. A bilingual Japanese-English speaker would likely remember the relative status of three other people if introduced to them in Japanese rather than in English. A bilingual Turkish-English speaker will remember me talking about Austin’s weather differently if we spoke in Turkish compared to English. (36)

Yes, I know he said nothing about Lent, but he did talk about language and memory, which lie at the heart of both life and faith. It matters how we remember things and how we talk about those memories.I remember getting a newsletter many years ago from someone whose husband had gotten ill and then died. “We found the cancer at Epiphany,” she wrote, and he died soon after Pentecost.” The sentence carried much more than it would had she said he got sick in January and died in May. Using the markers of the church year conveyed their journey of faith and grief.

The language of faith is an inside joke, if you will: those who know the words get the punch line. When Ginger’s first roommate in college was someone who had not grown up in church. Ginger was speaking Baptist when she asked her, “Do you have any convictions?” to which the young woman replied, “I’ve never even been arrested.” When you know the vocabulary, it’s a whole different story. Sometimes, we need to break the stained glass that has ensconced the word and relearn its meaning. My word to relearn for this week is confession.

Oh, I know what it means, and yet — our responsive Prayer of Confession at Pilgrim yesterday breathed some fresh air into my vocabulary. Here is the prayer:

All:  We confess our sins because we believe sin is real.  We believe sin is the real brokenness of relationship with others, with the earth, with myself, with God.

One:  We confess our sins because we participate in systems that break people.  We participate in systems that break our environment.  We participate in systems that break our relationship with the Holy.

All:  And, yet, we believe sin is more than passive participation in systems.  We confess our sins because, consciously and unconsciously, we cause brokenness.  Sometimes, we sin because the choice we’ve made seems to be the lesser of evils.  But sometimes we sin because we’re just selfish, jealous, lazy, proud, impatient, scared — or just too tired to care.

Another:  We confess our sins because that act of confession—that act of prayer—calls us to accountability and reminds us that we are not just sinners.

All:  We are also reconcilers, peacemakers, healers.

One:  And we have the responsibility to try to heal what we have broken, which is often really hard to do, and that’s why . . .

Left:  We also confess our sins to remind ourselves that we can’t do it on our own.

Right:  We need help. We need grace, community, and God.

All:  And so we confess our sins, not to make ourselves feel guilty, not to put on the sackcloth and cover ourselves in ashes. We confess our sins so that we can learn to love ourselves in all our wholeness, so that we can learn to love others in all their wholeness like God loves us.

The first thing I loved about the prayer was how long it took us to pray it. For a congregational prayer, this was a big assignment — not to mention we had to keep track of whose turn it was to speak. As the voices moved from one to all, and left to right, I prayed and listened. What I heard with new ears was the call see not only my brokenness but also the things — the people — I have broken. Like the Turkish word that let the hearer know whether I had experienced the heat in Austin or not, the lines about brokenness helped me hear the word sinner in a very personal and, I must say, helpful way. I loved the truth that sinner was not the last word. I am also a reconciler, a peacemaker, a healer.

It is our practice at Pilgrim to use the same prayers and responses for all of the Sundays in Lent (they usually change week to week). This season offers me the chance to tell time differently, to circle each week back to the same altar, to the same prayers, to the same words and see what has changed, what has been lost, and what has been found in my life. True, in some ways that is no different than any Sunday, but this season that moves in rhythm with winter giving was to spring, with old growth offering itself that new growth might come, I am grateful for the repetition and intention that calls me to look at my words that they might provide evidence that I have experienced the grace of which I speak.

Peace
Milton

lenten journal: where are we going?

“Where Are We Going”
Luke 4:1-13
A Sermon for Pilgrim United Church of Christ, Durham NC
February 17, 2013

In these weeks since Epiphany, we have journeyed through Jesus’ baptism, his first miracle, and his sermon in his hometown of Nazareth. This morning we come to the story of the Temptations.

(Jeremy, our accompanist, played the introduction to “My Girl” and I sang the first line)

Well — not those Temptations.

These are a little less rhythmic and a little more ominous. As Luke tells us, Jesus was led into the wilderness to fast for forty days. The Lectionary passages for this week makes the connection between Jesus’ time in the wilderness and the forty years of wandering by the Hebrew people after they came out of Egypt trying to come to terms with what it meant to be the people of God. His time in the desert also shapes our forty days of Lent: days intended to sharpen our focus, our faith, our faithfulness, and our direction as we move first to the Cross and then to the Resurrection.

As Luke tells the story, at the end of Jesus’ time of fasting, the devil showed up to tempt him. As we might imagine, Jesus was hungry, lonely, and tired. (I say the last one because I don’t imagine one sleeps well without food.) He was preparing to reenter the world and do what he came to do. The tempter even has Bible verses to shore up his argument and challenges Jesus to turn the stones into bread so he could satisfy his hunger immediately, to take power over the world by acquiescing to the world’s definition of power, and to jump off a tall building to prove the angels would catch him. After each offer, Jesus responded with a rather succinct and determined, “No.”

Reading through commentaries this week reminded me of how many people — from Dostoevsky’s Grand Inquisitor down to a college friend whose sermon I found online — have written trying to unpack the meaning of this story. Kyle Childress is my college and seminary friend. He wrote about an encounter with an old pastor who had preached at his ordination. After the service, Kyle walked him to the car. He writes:

He laid his Bible on the roof of the car as he opened the door and turned to me, “There are two more things you need to know about being a pastor. You’ll need to learn to say ‘No!’ and ‘Hell no!’” With that parting word he got in his car and drove away.

Kyle continues:

Luke tells us that immediately after his baptism Jesus goes into the wilderness and learns to say, “No!” He said “Yes” to God in baptism but in order to pursue his God-given vocation he had to struggle through what his vocation wasn’t. We will discover shortly what Jesus’ ministry will be when Jesus returns to Nazareth and preaches in his hometown synagogue, “The Spirit of the Lord is upon me …” Yet first, Luke shows us what Jesus will not do; who he will not be. And Luke tells that resistance is part of this vocation. Jesus learns, and so do we, that saying “No!” or resisting the devil, or Satan, whom Walter Wink calls the “spirit of the Domination System,” is a fundamental part of ministry.

Some years ago, Ginger and I made our one and what will surely be only trip to Las Vegas. The morning we were checking out of our hotel, I was walking out to the car following two men and one woman for whom it was still the night before. One of the men said, “I’ll tell you what. You’ve got know two things in life: where you’re at and where you’re going.”

“Well, hell,” said the woman. “I’ve always knowed where I was at, but I ain’t never knowed where I was going.”

The connection to the “Yes” of Jesus’ baptism is important because “No’s” cannot stand alone. We cannot define ourselves by who we will not be and survive any kind of identity crisis; that’s true of both individuals and organizations. We must know who we are, and we must know where we are going. The only “No’s” that stand are those rooted deeply in our affirmations of life and faith.

This story from the beginning days of Jesus ministry calls to mind perhaps my favorite description of Jesus that comes from John’s gospel near the end — on the night of the Last Supper. As Jesus prepared to wash his disciples’ feet, John says, “knowing . . . he had come from God and was going to God, got up from the table, took off his outer robe, and tied a towel around himself. (13:3) It strikes me Luke might have used the same phrasing for our story: Jesus withstood the temptations because he knew he had come from God and was going to God. The realization was not new to him that night in the Upper Room, but descriptive of his whole life.

When I first learned this story about Jesus as a child, I came away with the idea that the temptations happened once. Jesus was just getting things going and the devil tried to throw him off course; once Jesus stood up to him, it was over and done with. Somewhere along the way, I began to read the story differently. The temptations in this scene in the wilderness are archetypes for what Jesus had to stare down most everyday of his life. He could have used his powers to make himself safe, or comfortable, or powerful. He could have made things easier on himself, or played to the crowds to gain their popularity.  The “Yes” of his baptism and the “No” of his responses in the wilderness were not one time events; he repeated them everyday in each miracle, each parable, each encounter with those around him.

The trajectory of our lives is no different.

We, too, have come from God and are going to God. We, too, have said, “Yes” to God’s love in our lives, to being Christ followers — and we must repeat that yes, keep those promises everyday. We chose to be an Open and Affirming church more than a decade ago, and we must chose that again everyday. We have a history of being a church committed to missions and justice in our city and beyond; we have to keep making that choice in every board meeting, in every opportunity. We have chosen to travel this road of faith together as Pilgrim United Church of Christ, and connected to the larger Christian community; we must choose to say, “Yes” to what it takes to stay together and to love one another everyday.

We have come from God. We are going to God.
May the choices and commitments we make daily reflect the love of the One to whom we all belong. Amen.

Peace,
Milton

lenten journal: morning snow

I stood at the kitchen window
and looked across the leftover
dishes from last night’s dinner
and out into the backyard
because it was snowing

free falling flakes the size of
communion wafers dissolving
as they hit the unfrozen ground
ending their long lilting journey
with nothing to show for it

it felt important to stand still
at the window with my coffee
and take notice of the fleeting
offering the almost manna
the snow that will not be named

just as I want to take notice of
the barista who has not stopped
making lattes since I sat down
who keeps calling names
though no one  asks for hers

Peace,
Milton

lenten journal: telling the story

My gift for Valentine’s Day — along with a box of SpongeBob SquarePants chocolates — was a trip to the Regulator to pick out a book. On the table of recent and notable books I found The Secret Life of Pronouns: What Our Words Say About Us by James W. Pennebaker. He is the head of the Psychology Department at UT Austin and has spent much of his career researching what our use of language reveals about us.

The words that people generate in their lifetimes are like fingerprints. Increasingly, these words can be used to establish people’s identities and even their backgrounds. Language use, especially the use of function words [pronouns, prepositions, articles], can signal people’s social networks and the roles they play in their families, in their neighborhoods, and at work. . . . Words, then, can be thought of as powerful tooks to excavate people’s thoughts, feelings, motivations, and connections with others. (xi)

He even has a website where they will analyze your tweets and give you a glimpse of your fingerprint from your last few ventures into social media: www.analyzewords.com. The first chapter, “Discovering the Secret Life of the Most Forgettable Words,” looks at how we use words to tell about the traumatic events in our lives. He spends some time talking about studies that have shown writing about traumatic events improves both mental and physical health. Why that is true is not the same answer for everyone who benefits, but most everyone benefits. He spent years working with others to develop a software program (LIWC) that could analyze language and help them understand how it works and what it says about us. I will save you the details, though they are interesting, and move to what they learned. The first finding “suggested that having a coherent story to explain a painful experience was not necessarily as useful as constructing a coherent story.” (11).

I had to read that sentence a couple of times. Pennebaker went on to explain that those who used their story as a means of reflection improved; those who codified it and only repeated it became sicker.

There is an important lesson here. It harmed by an emotional upheaval in your life, try writing about it or sharing the experience with others. However, if you catch yourself telling exactly the same story over and over in order to get past your distress, rethink your strategy. Try writing or talking about your trauma in a completely different way. . . . If you’re successful, research studies suggest that you will sleep better, experience better physical health, and notice yourself feeling happier and less overcome by your upheaval. (11)

My mind has taken two roads since that reading. The first was a walk back in time to one of the first Sundays in 2001 after the ground had opened and I was in the free fall of my depression, not knowing what to do. As we were getting ready for church, Ginger said, “I need to ask you to do something difficult. I need for you to ask for prayer for yourself in church today. I don’t think it should be me. I think it will help you to do it.” Standing up was not the hard part; speaking coherently without breaking down was difficult. But I made it through and people prayed. Then, at Coffee Hour, two different people — one I knew well and one I did not — came up and said, “I didn’t know we were allowed to talk about this out loud. Thank you.” Since I started this blog in 2005, I have used it to search for metaphors for the depression and to write as freely as I could about what hurt and what was healing and what it has meant to feel connected. Reading Pennebaker’s words helped me understand more about what I had felt to be true.

The second road rambles off the path he was walking — a tangent based on his idea that people who keep telling the same story over and over without revising and reflecting on it end up less healthy. He was not talking about faith, but that’s where my mind went: here we are in Lent once more telling the same story over and over; what has changed? The soundtrack for my musings is the old hymn, “I Love To Tell the Story.” The final verse says —

I love to tell the story for those who know it best
seem hungering and thirsting to hear it like the rest . . .

Yes, and unless something changes in each retelling — unless we bring ourselves into the story and think about who is hearing it — both the story and our faith wither away. There’s another hymn that begins, “Tell me the old, old story.” No. Don’t tell me that one. Tell me the one about us and Jesus. About how your faith fed you through your pain. And let me tell you mine. Then we can both prepare ourselves for the Resurrection. If we are only repeating what has been passed down, we are only anesthetizing our hearts to keep us comfortable until we die.

So says Mary Oliver in “Wild Geese”:

Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on. . . .
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese,harsh and exciting-
over and over announcing your place
in the family of things.

So says David Wilcox in “Show the Way”:

Look, if someone wrote a play just to glorify what’s stronger than hate,
would they not arrange the stage to look as if the hero came too late
he’s almost in defeat — it’s looking like the Evil side will win,
so on the edge of every seat, from the moment that the whole thing begins
it is Love who makes the mortar and it’s love who stacked these stones
and it’s love who made the stage here although it looks like we’re alone
in this scene set in shadows like the night is here to stay
there is evil cast around us but it’s love that wrote the play
for in this darkness love can show the way

So, also, let us say every time we gather for worship, for meals, for beers and coffee and committee meetings. We are not sick people gasping our last. We are storytellers, myth makers; we are those created in the image of the Creator, the one who breathes stories into us daily and waits for us to tell them to one another. Perhaps we are not to the Resurrection just yet. Perhaps what we have to tell is dark and full of sorrow. Perhaps what we have to tell has been hidden for too long to be spoken easily. Perhaps all those things are true. Perhaps, also, when we stand to speak we will find resonance and hope — even love — louder than the darkness.

Peace,
Milton

lenten journal: what’s the question?

Last Sunday night, our church offered the last of a three week series called Forgetting but Not Forgotten: Alzheimer’s and Faith, the final gathering focusing on congregational responses to dementia. Lisa Gwyther the director of the Duke Alzheimer’s Family Support Program began the session by reciting a line from an Antonio Machado poem:

traveler, there is no path,
the path is made by walking . . .

The lines gave her room to say she was not offering prescriptive advice, but offering what others had done or were doing as they walked the difficult road of dealing with dementia and Alzheimer’s. Part of the task, she said, was to find a metaphor that works; and then she said, “Life is a poetry.”

Needless to say, I wrote that down.

This past Sunday, a change in the broadcast schedule for WUNC, our local NPR station, meant I got to hear the TED Radio Hour instead of reruns of Car Talk. The episode playing was called “The Creative Process” I spent my twelve minutes in the car listening to Billy Collins talk about “When Does Creativity Start and End?” As he talked and I drove, I found myself building a bridge between the two talks, the two Sundays, using the building blocks I had found along the path the fast few weeks.

Sitting in the Alzheimer’s gathering, I was transported back to my CPE days as a chaplain at Baylor Medical Center in Dallas and one particular article that has stuck with me, even though the citation has not. The writer was offering his take on how to help people facing life-changing or life-ending news, focusing on those who asked, “Why is God doing this?” or “Why is this happening to me?” The why questions were not helpful, he said, because they led to shame or blame and, more importantly, they were not answerable in any sort of redeemable way. He challenged me to think of how I might offer a different question — one that offered the possibility of a path: what does this mean? “Making meaning” has become more cliché in the years hence, I suppose, yet I learned something from the article that has stuck with me.

As Collins discussed what he had learned about teaching students about poetry, he talked about mistakes he and others making in the classroom, most notably “the emphasis on interpretation to the detriment of the other less teachable and more obvious bodily pleasures a poem offers — rhythm, sound pleasures, metaphor, imaginative travel — not teachable.” He continued,

When I’m writing a poem that’s the last thing I’m thinking about; I’m never thinking about ‘What does the poem mean.’ I’m just trying to advance the poem to some point where it can stop.

He went on to say he tried to offer other questions for his students:

  • how does the poem go?
  • how does the poem progress?
  • how does it get from its beginning to its end?

I’ve since gone back and listened to the program again to get the quotes down correctly, but as I drove last Sunday the question I carried with me into church was “Where is the poem going?” And I could here Lisa quoting Machado: “Traveler, there is no path . . . .” Carla, our Minister of Christian Education preached using the passage from Luke 5 where Jesus calls his disciples to follow him promising to make them “fishers of people.” She began her sermon by pointing out that we spend our lives saying, “Yes” to extraordinary offers without knowing what to do or what will happen next: marriage, children, jobs; the list went on. These are full and uncertain days for me, even as they are wonder-full and compelling. Still, I could see I was heading toward Lent like an old pickup careening down the hill without much to show for breaks.

In the midst of all that was swirling, I began to catch a glimpse of poetry in my life in the tethers that connected ideas over years and circumstance. The writer from my chaplain days had called me to move from asking “Why is this happening?” to “What does it mean for me?” Now the poets were calling me to move from focusing on the meaning to asking, “Where is this going?” As Collins pointed out, the question means every part of the poem (after all, Lisa Gwyther said, “Life is a poetry.”) is worth noticing from sunrises to sorrows, mistakes to metaphors, pressures to prayers, laughter to loneliness, futility to faith.

The power in the question, I am finding, is not in the answer, which is — at least for me — “I don’t know.” As compelling as Machado’s words are, I am finding there is a path: a well-worn path of those who have gone before me in grief and pain and uncertainty and faith. The question calls me to see we are not alone. Jesus said, “Follow me” a number of times, but he never said where; the call was to go with him. To live in relationship, in community, to walk together.

At the depth of my depression, one of the songs that kept me tethered was Patty Griffin’s “When It Don’t Come Easy.” I clung to the chorus because it was an achingly beautiful image of the tenacious love I felt from Ginger in those days who held on to me with amazing patience and determination.

if you break down, I’ll drive out and find you
if you forget my love, I’m there to remind you
and stand by you when it don’t come easy

As I type those words written indelibly on my heart, I find myself wanting to change the question one more time: not “Where is life going?” but “Where are we going?” Whatever the path, the answer is that matters most is, “Together.”

Peace,
Milton

lenten journal: gardening notes

It was about this time three years ago when Ginger and I began making plans to move her parents here to Durham to live with us. Her father’s Alzheimer’s was progressing to the point that her mother couldn’t take care of him on her own and a nine hour drive was too far a distance for us to be of much help. We all became real estate moguls that spring, selling our house here and their house there and then buying one big enough for all of us. We found a wonderful old home just north of downtown. The house was built in 1926 and had been redone; the yard, however, had not.

We turned to our friends from Bountiful Backyards to help us turn the yard from garbage into garden. When they finished, we had three fig trees, two Asian pear trees, a peach tree, blueberry bushes, blackberry bushes, an elderberry bush, a pomegranate bush, and all kinds of other things that build a permaculture, along with two big beds for vegetables. And not a blade of grass in sight. Our little urban farm, if you will, has kept me on a learning curve of how to compost and fertilize and plant and harvest.

I’ve also had to learn how to prune — or, should I say, I’m learning.

My latest lesson came last week when Sarah and Kate came over to help give the garden its winter trim. I asked for help because my life was as overgrown as the backyard and I couldn’t catch up on my own. I also still cut back most anything with some trepidation because I’m not sure what goes and what stays. In my backyard, the wheat and the chaff are not so clearly labeled. We spent a couple of hours one crisp and sunny morning working our way around the yard.

They talked and pruned and I listened and asked questions. They were gentle and judicious in their cutting, paying attention to the shape of the tree, the direction of the growth, and the ability for all the branches to see the light. Each tree had its own pruning map, so to speak. The peach tree wants to take on a bowl shape, the branches growing out first and then up, like an open hand. The pear grows straight up, centered around one central branch that calls the others to follow. The fig tree grows every way it can, its size limited only by how much it’s cut back. The muscadine grape renders more fruit when cut back to one vine instead of many. As we worked, I took notes both mental and physical, and I couldn’t help but think in metaphor: I was being offered a visual picture of Lent. This is a pruning season.

At the risk of this post becoming “FIve Things I Learned in My Garden,” I want to mention a few things that I am taking as markers for these forty days, as guides for my thoughts and actions on the way to the Resurrection. I suppose the other risk is that I am stating the obvious. I’m willing to risk both as I begin my spiritual practice of writing everyday from now till Easter. The first is old growth has to be cut away for new growth to be possible. When they pruned the blackberry bushes, they told me the new growth that came from the cut would be what fruited. The old branches were spent. They weren’t making a statement of judgement; they were stating what they knew. What grew and fruited last year had to be cut away to make room for new growth.

I hear two things. One — some things in our lives need to be finished in order for new things to be able to begin. Attending to life in the same way Sarah and Kate attended to our garden means looking for what needs to go. Two — pruning is not clear cutting, or even random cutting. They were attentive. They discussed which branch had to be cut and where it had to be cut. Pruning in the wrong place would not produce new growth. How the new growth happens depends on where we cut.

The next thing is all growth is not necessarily good for the plant. Growth is not actually the point. Healthy fruiting is the point. Letting the plant grow into its fullness is the point of pruning. Therefore, good growth doesn’t always mean just getting bigger. Part of what Kate and Sarah took into account was how the different plants fit into the larger garden. Our biggest fig tree was significantly cut back because the peach tree close by needs the room and the sun.  The fig tree will grow and produce figs and will also stay smaller than it could because its best growth will be to let the peach tree come into its own.

One last lesson, at least for this time around: what grows now will need to be pruned in time. This year’s new growth will be old next winter and will need to provide nutrition for the new branches that will bear their fruit. As we grow and change, so do our roles in the world.

Wait. One last thing — how things grow is ultimately out of my control. I can only do what I can do. Last year I had trees full of peaches and pears and figs and the squirrels got every last piece. Until I saw the barren branches I didn’t realize the century-old pin oaks that line our alley were a squirrel highway and I had inadvertently built a Cracker Barrel. I pruned this year knowing that their traffic patterns haven’t changed. I’ve been told hanging empty aluminum pie pans from the trees will deter them. My neighbors have old CDs hanging in theirs. If the little bushy tailed varmints get all of the fruit this summer, we will prune and try again.

Peace,
Milton

P. S. — I know it’s Lent, but there’s a new recipe.

under the alleluias

I once heard a comedian
say the only way to get to
the good jokes was to push
past the easy ones: go ahead
and say all the double entendres,
the terrible puns, and the sex —
the obvious stuff — and then . . .
only then — can you write
great comedy.

Perhaps I’m stretching
the analogy, but couldn’t we
say the same thing about faith:
laying aside the alleluias for Lent
is like writing great comedy
for praise can quickly turn to
platitude: God is good all the time
all the time God is good
God is good . . .

Yes, the words are true —
yet, what if we let them lie
like dormant roots under dead
leaves, what if we left them
alone for these days of darkness
and let our sorrow, our grief,
our questions, even our hopes
have the last word to see
what lies beyond what seems
to be most true

and listened to the birds
who are not singing, talked
to those no longer here,
wait for things that don’t come,
remember Love runs stronger
than sunshine, that hope is
not happiness, and prepare
ourselves for the belly laugh
of the resurrection.

Peace,
Milton

the next small thing

Last Saturday night, we went to dinner with friends. The dinner was good and the decor was cool enough, but it felt like the owners were working on a concept they hoped would become the next Cheesecake Factory. I don’t want sound as though all I’m doing is taking easy shots at an easy target. The food was good. The service was good. The place was really nice. They are trying hard. And it felt like a concept, not an offering. It felt like they hoped to have the same restaurant in Phoenix and Dallas and Any Mall, USA, which is fine.

Food, however, tastes better when it has roots.

The restaurant came to mind today because I’m writing from Cocoa Cinnamon, the newest addition to our downtown neighborhood and the antithesis to last weekend’s dining experience. Areli and Leon, the owners and creators of this IMG_0984wonderful little shop, have turned an old gas station into a living art installation, inviting each of us who come in for coffee or Mexican sipping chocolate to find more here than the Next Big Thing; instead, it’s the Next Small Thing, which is even better news. As Win Bassett wrote one afternoon last week:

5:30 p.m. on Tuesday at Cocoa Cinnamon in Durham. Twenty people, not including baristas. Several just chatting, Jane Eyre, Virginia Woolf, 3 laptops, newspapers. African tribal music low in the background. Heaven.

Ginger and I got to know Areli and Leon when they first started out with Bike Coffee, which is exactly what it sounds like. Stopping by the bike for a coffee at the Saturday Farmers’ Market became our regular routine. As plans for the shop took shape, we hosted a coffee and chocolate tasting in our home. At every turn, I saw their artist’s-eye-view of things. Every cup of coffee had a story brewed in. As construction began and continued, we would stop by on our evening walks to see what was going IMG_0987 on. They collected pieces of conveyor belt salvaged from the now disappeared tobacco warehouses, along with pieces of flooring and shelving. They looked for leftover pieces of Durham wherever they could find them and gave them new life. And they invited both old and new friends to make their mark on the space. Here is an excerpt of a write up from a local media outlet:

Community support and involvement was a huge component in creating Cocoa Cinnamon. The couple used Kickstarter to help raise funds.

  “A lot of the community really chipped in,” Areli said.
Local artist David Solow basically curated the shop, which is located in a renovated gas station. The decor colors come from spices. The walls are a mustard seed yellow and the lights, which are holdovers from the gas station, are a paprika shade.IMG_1090
Local artists like Heather Gordon also chipped in.
Gordon is known for her works which convert original analog data to digital binary code. The floor she did for Cocoa Cinnamon contains elements of literary giant Walt Whitman and the brainwave recordings of Carl Sagan’s wife, Ann Druyan.
“We really wanted the front room to be geometrics,” Areli said. The design Gordon created is a bright collection of tiles in soaring patterns.
The drink condiment station is a converted cabinet with interesting trinkets inside the front panels.
Much of the decor is from re-purposed materials, Areli said.

Re-purposed. What a great word. I know I like because it resonates inside of me like a grand piano in an empty concert hall: I live a life that has been re-purposed more than once — and I am in the middle of doing it yet again. I fit into the decor of this room, even though yellow isn’t my best color. Along side of the belts and bits of shelving, the painted garage floors and the power-washed bricks, I, too, am trying to figure out how to write for a living. (Some days, I’m trying to figure out how to write and make a living.) There’s something about these walls, holding the shiny and the scars side by side, that invites me to be here: in the shop, in Durham, in me.IMG_1088

In these final days leading into Lent, re-purposing strikes me as a valuable and viable spiritual metaphor for the season: how do I reshape and restore and refocus this little life of mine? Needless to say, I will chase that rabbit and several others from my place in this little prayerbook of a coffee shop in the days to come.

Peace,
Milton