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advent journal: incarnation

I saw Joy dressed
as a postal worker
tenaciously attempting
to infect everyone in line

up against Impatience
in the form of a woman
still in her workout clothes
complete with jewelry

and then I stood behind Clumsy
or so she seemed — dressed
in faux fur and  fumbling
at the self-serve machine

I was set to be Frustration
until Joy stepped in, as did
Grace, his coworker, and
Clumsy became Competence

without any trace of star
or shepherds; no angel band —
and I stood in the parking lot
grateful to have been there

Peace,
Milton

advent journal: walking out

I love my wife for walking out of church this morning.

She began our worship, you see, by using a song they sang on the 2012 Freedom Ride to help us figure out a way to allow us room to deal with our grief over Sandy Hook in our service. So we sang,

I woke up this morning with my mind
stayed on children
Hallelu, hallelu, hallelujah

The moment was emotional and helpful. We moved on into the service and the children moved on to Sunday School at their appointed time. The service today was mostly music, culminating in our Pilgrim Choir’s offering of five or six pieces. The closing hymn of the morning was to be “Joy to the World.” About halfway through the next to last anthem, she walked out of the service. I could tell something was on her mind. As Eden, our music director offered some final words before our closing hymn, I heard a noise behind me. (I was sitting in the back today.) As Jeremy, our organist, began the introduction to “Joy to the World,” i turned to see all of the children coming through the door. They paraded down the aisle — with balloons — as we sang, “Joy to the World, the Lord has come . . . .”

When the carol finished, Ginger said, “This morning, our children are our benediction.” And then they came single file down the aisle again. leading us, first, to coffee hour and then on out into the world.

IMG_0582
She didn’t plan it; she felt it. She knew we all needed it, so she did it.

I do love that woman.

Peace,
Milton

advent journal: little words

One of the gifts I got for my birthday was time.

It’s something I always ask for and Ginger takes my request quite seriously. After a marvelous birthday breakfast together at Guglhuph, a wonderful German bakery and restaurant here in Durham, Ginger and Rachel, my mother-in-law, left me there with over three hours of time to read and write. I’ve been working on Victor Hugo’s masterpiece Les Miserables, hoping to get through all fifteen hundred pages before the movie comes out. I’m not sure I’m going to make it. Part of the reason is the beauty of his language, even in translation, preempts me from moving quickly through the book. Here’s an example of a paragraph that comes after a chapter that describes little more than a meal:

History ignores almost all these minutiae; it cannot do otherwise; it is under the dominion of infinity. Nonetheless, these details, which are incorrectly termed little — there are neither little facts in humanity not little leave in vegetation — are useful. It is the features of the years that make up the face of the century. (119)

I thought about his words Wednesday night when our friends circled around me and Kelly, a friend who was also born on December 12, in the dark under a strange giant spaceship-looking canopy and read twelve word poems (on 12/12/12) in our honor: birthday-ku, if you will.No little facts. No little leaves. No little words. No little loves.

I thought about it again today as I read some of the stories emerging from Sandy Hook: what the adults in the school did to protect the children, what the children did, and who those were who died. I also thought about the stabbing of the twenty children at the school in China that occurred on the same day and was barely mentioned on any American news outlet. No little lives.

The past two days at the computer store have been a parade of children either on their way to or from getting their picture made with Santa. The obvious bargain was they would get to play at the iPad table if they were good for the portrait. I kept thinking of President Obama’s words as he spoke of those who were killed:

The majority of those who died today were children — beautiful, little kids between the ages of 5 and 10 years old. They had their entire lives ahead of them — birthdays, graduations, weddings, kids of their own. And I have continued to wonder what features of these years — or perhaps I should say the years I have been alive — have done to shape the face of the century ahead. One feature strikes me as particularly difficult to own: since 1982 — thirty years — there have been at least 61 mass murders carried out with firearms in our country. We finish our national anthem singing about the land of the free and the home of the brave, yet we have let three decades go by and have done little or nothing to take a stand against the greed and fear that keeps killing us. We are not who we think we are.

How then, should we live so that we do not continue to kill one another?

When I was a youth minister in Fort Worth, Texas, I used to tell my kids that “I don’t have time” was a euphemism for “That is not important to me.” When something matters, we find time. We make time. When we don’t have time to do something, the reality is it has fallen from our priorities. Thirty years on, we have not had time (or in the parlance of our elected officials, the “the political will”) to come to terms with the roles violence and firearms play in our lives. Our politicians prioritize power and money over meaningful change that would create a safer society. They are more concerned with getting reelected and keeping their respective parties in control of the committee chairs than seeking effective governance.

I have to pause here because this is where my anger kicks in. I want to take time to mention a story I heard on NPR that came back to me as I began writing. Kiera Knightley was interviewed about her role in the new film adaptation of Anna Karenina. As she talked about how she came to acting, she spoke of the role her parents had played in helping her shape her craft — particularly her father. She talked about one of the most helpful notes her father had given her:

He said, “Beware of playing anger.” He said, “Anger isn’t very interesting. If you think you’re going to go there, really think about it because maybe there’s a more interesting route.”

I quote her that I might take the words to heart. I want to do something other than rant here. And so I will wonder aloud what might be the more interesting route through this tragedy. One of the scripture passages I saw quoted several times over the last couple of days is Jeremiah 31:15:

“A voice is heard in Ramah, lamentation and bitter weeping. Rachel is weeping for her children; she refuses to be comforted for her children, because they are no more.”

Though it was also one of the first to strike me, another verse out of the Hebrew scripture has kept coming to mind alongside of Rachel’s grief, one that goes back to the first act of human violence against another human. After Cain murdered his brother,

God said to Cain, “Where is Abel your brother?” He said, “I do not know; am I my brother’s keeper?” (Gen. 4:9)

The story keeps coming to mind, for me, because I think Cain’s question is emblematic of much of contemporary American society. We spend much of our time talking about what our rights are; we spend excessive amounts of energy protecting those rights, about what “I” deserve, what is “mine,” what belongs to “me.” We are a working paradox: a society that values the individual above all else. I think a modern American reading of Cain’s question sees it as rhetorical: of course we’re not our brother’s keeper, nor our sisters. We are a nation of self-made people, of boot strap puller-uppers, of accomplishers. The American Dream is about being anything I want to be, not about giving up my rights. We have chosen freedom over community and, in that choice, confused freedom and license. Being free does not mean being able to do whatever the hell I want to do. Freedom — true freedom — holds within itself a sense of consequence. There are things I can do, which I may even be allowed to do, but when I exercise those rights and do damage to those around me I am not free, nor am I promoting freedom. When I temper my choices by looking through the lenses of community and humanity and weigh the consequences of my actions, then I am free and I allow room for others to be free as well.

Jesus didn’t say, “Exercising your rights will make you free.” He said, “The truth will make you free.” And the truth is love is what frees us most of all. Freedom grows out of our lives together, not by our glorifying our individualism. We are most free when we commit our lives to the best for one another. All the one anothers. Together we must stare down the greed that keeps assault weapons in production and gun industry lobbyists paying off politicians. Together we must face the fear that keeps politicians from telling the truth and then living it out, that frightens people into thinking they must arm themselves to be safe, that fools us into believing that violence as a response to violence has ever solved anything. Together we must foster patience and determination that lasts longer than the twenty-four hour news cycle to figure out how to care for the mentally ill in our togetherness. Together, we must make time to do more than lament and blame.

Let us do more with the features of our years than trace the face of cowardice on our century.

Peace,
MIlton

advent journal: sandy hook

I tried prose tonight
but all I could do was drop
a gravel load of anger
in the middle of the page
this is no time for stones

I tried to be relevant
but all I could do was take
my best shot in the ranting wars
in hopes of getting hits
this is not a competition

I tried to be hopeful
so all I could do was turn
off the media assault and sit
quietly with my helplessness
under the sorrow and stars

I wrote, instead, a poem
an act of faith and futility
a word-shield against real bullets
a whisper in the whirlwind
but Rachel is still weeping

Peace,
Milton

advent journal: gratitude

I love telling stories. I also love repeating them — just ask Ginger. I do, however, come by it honestly: it’s a family trait. One of my favorite repeatables is one I have heard my brother tell many times and comes from his days living in Akron, Ohio. His barber there was a man who had fled Lebanon back in the days when it was what Syria is in our present tense. He and his family had to leave Beirut on the spur of the moment in the middle of the night with nothing but the clothes on their backs. One day, he was a successful business person and the next a poor refugee trying to figure out how to live. He became a barber. I don’t know why. Miller said whenever you asked the man how he was, he always had the same response: “Grateful.”

I retell the story today because I can think of no other word to describe how I feel on this day of my beginning and, at least according to dyslexic Mayans, our collective end. I am grateful for the family that helped to shape me, the places I have lived, the friends who surround me. I am grateful.

Thank you. Thank you. And thank you. Oh — and you, too.

Because one of my birthday gifts was three hours of time to read and write today, I went searching for poems and discovered this one by Joy Harjo, who was new to me and who comes from Oklahoma, where my friend Nathan Brown has just been named Poet Laureate. (Never miss a chance to shamelessly plug a friend.)

Perhaps the World Ends Here
The world begins at a kitchen table. No matter what, we must eat to live.

The gifts of earth are brought and prepared, set on the table. So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the corners. They scrape their knees under it.

It is here that children are given instructions on what it means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms around our children. They laugh with us at our poor falling-down selves and as we put ourselves back together once again at the table.

This table has been a house in the rain, an umbrella in the sun.

Wars have begun and ended at this table. It is a place to hide in the shadow of terror. A place to celebrate the terrible victory.

We have given birth on this table, and have prepared our parents for burial here.

At this table we sing with joy, with sorrow. We pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.

Much of this day, I’m sure, will be spent around tables. It began this morning with Ginger and Rachel at Guglhupf, being fed by my friend Dave, who is the executive chef and all-around good guy, even if he is a Yankees fan. It’s no secret that the kitchen table is my working metaphor for life (and I suppose it’s the center of things actually as well). Today I am grateful for everyone at the table, for all of the ways I am fed and loved, and for the life that is mine.

And now — the Gratitude Dance.

Finally — someone that dances like I do.

Peace,
Milton

advent journal: birthday eve prayer

beginningon the cusp of a new year
back edge of the old one
may I see life as frontier
‘stead of something that’s done

may I age with more grace
and far fewer demands
stare out into space
and work with my hands

make love the last word
and thank you the first
let my silence be heard
and in joy be immersed

look more at what’s starting
embrace all that ends
and let all of my charting
lead me home to my friends

 

Peace,

Milton

advent journal: how’s the weather?

It’s December in Durham, which means we have no idea what the weather is going to do from day to day. Right now, it might as well be May; tomorrow may feel like, well, December. Who knows. As I sat in our kitchen this morning, trying to decide whether or not to turn on the air conditioner, I saw a Facebook post from a friend showing that it was two degrees in Denver. Underneath, in smaller print, it said, “Feels like 18.” When I see a statement like that, I wonder who decided how eighteen degrees feel. Is it noticeably different from seventeen or nineteen?

Weather forecasting as always been an attractive career to me for one simple reason I remember my father articulating when I was in high school: “They get to be wrong everyday and they never get fired.” I am also old enough to remember George Carlin’s routine as Al Sleet, the “Hippy Dippy Weather Man.” At one point he says, “I imagine some of you were a little surprised at the weather over the weekend, especially if you watched my show Friday night, man. I’d like to apologize for the weather, especially to the residents of Rogers, Oklahoma; caught them napping.” And then there’s my favorite weather man, Phil Connor, who said, “You want a prediction about the weather, I’ll give you a winter prediction: it’s gonna be cold, it’s gonna be gray, and it’s gonna last you the rest of your life.”

I suppose the weather forecasters in Denver this morning are on to something larger than they realize with their postulations: there’s the way things are and then there’s the way things feel. Two measurements, sometimes both accurate, each in its own way and different for most every person. A life colored by grief feels the world differently than a life colored by achievement or surprise; a life colored by joy feels the world differently than one colored by depression or despair. For some, these days are Advent. For others, they are short, cold, and dark.

One of the things they taught us early on in Clinical Pastoral Education (CPE) was to understand that “perception is reality” when we were dealing with patients and families in trauma. What I had to learn (OK, one of the things I had to learn) was I couldn’t fix their perception. I couldn’t tell them what the temperature was and make them warm up or cool down with my explanation of reality. I had to listen. I had to listen to see how cold they were, or how hot they felt and then take their word for their weather in order to know how to help. I had to learn my readings of life weren’t the only accurate ones.

The birth of Jesus is the story of God entering our weather, putting on skin to see what it feels like to be one of us, stepping out into the cold rather than simply reading the thermometer and offers us a model to follow. Ginger and I talked about her trip on the 2012 Freedom Ride this afternoon and one of the biggest things I heard in what she learned is how hard it is for us to listen to someone else’s weather report rather than telling them the forecast. People need to be loved way more than they need to be fixed or advised.

Even though we have been in Durham five years, my blood has not thinned. From the inside of my skin, people think the winter is far colder than it actually is (that is, on the days when it is actually cold). I lived up North long enough that I no longer remember how to survive a Texas summer, and those folks just keep right on going as though it’s “not that hot.” Whether we call it the wind chill or the heat index, how it feels to step out into the weather of life is not so easily quantifiable. If wewant to know what it feels like, we have to ask.

And then we have to listen.

Peace,
Milton

advent journal: u2charist

I am a U2 fan because of James, John, and Todd — three guys in my youth group at University Baptist Church in Fort Worth back in the Eighties. Well, those guys and the fact that in those early days of MTV the band’s videos played relentlessly. One of my favorite memories at UBC was sending James’ mother to Sound Warehouse to pick up The Joshua Tree on release day because we were on a youth group ski trip. She met us with the CDs on our return. When the band came to town on the Rattle and Hum tour, we were all in the Tarrant County Convention Center for both nights. One of those concerts contained the performance of U2 and B. B. King singing “When Love Comes to Town” that ended up on the live record. James even managed to meet the band and they dedicated a song to him: “Bullet the Blue Sky,” as I remember.

My foot starts tapping just thinking about it.

The memories unearthed themselves this evening because I went to a “U2charist” at St. Philip’s Episcopal Church here in Durham. It’s just what it sounds like: a Eucharist with music by U2. The idea has been around about a decade, but I’ve never gotten to go to one. We met in the Parish Hall at the church. The music was provided by U2FX, a local U2 cover band, who did a good job offering the songs. The priests at the church led the worship. The offering went to support the work the church is doing with the Bromley Mission School in Liberia.

We sang a lot of songs. Here’s the list, in the order we sang them:

Pride (In the Name of Love)
Vertigo
Yahweh
Beautiful Day
Amazing Grace/Where the Streets Have No Name
Magnificent
Still Haven’t Found What I’m Looking For
Heaven on Earth/Walk On
One
40
Window in the Skies

Two of them were new to me: “Magnificent” (based on the Magnificat) and “Window in the Skies.” All of them added meaning and focus to the service. The lead singer of the band took time to talk about how the U2charist had come to be in the first place and how it had found a life in many adaptations. The point, for me, might be best described in one of my favorite Billy Joel lyrics: “I believe there comes a time for meditations in cathedrals of our own.” The centuries-old prayers backed by electric guitars made for good worship because it cast new light through the stained glass.

One of the quotes I come back to every Advent is one I found about the time I got The Joshua Tree, though the words are also centuries old, from the pen of Meister Eckhart:

“What good is it if Mary was full of grace unless I am full of grace? And what good is it if Christ was born 2000 years ago, if he is not born in me, in my time, and in my culture?”

I don’t think he was saying we have to contemporize everything to make it meaningful. I’m not saying that either. What I hear in his words is the call to keep the story fresh, to keep telling it in a way that compels our hearts to hunger for God. Tonight, hearing the U2 in the context of Communion made both the songs and the sacrament come alive in new ways. I ieft wondering how I might put together an Emmylou-charist — and how I can be the best midwife for Christ to be born here in Durham this year.

oh, can’t you see what love has done
what it’s doing to me?

Here’s the video for “Window in the Skies.”

Peace
Milton

advent journal: a picture of mary

Libby is one of the folks I work with at the computer store and she is a wonderful photographer. What I love about her work is the way she captures a moment more than she creates a pose. She works to tell a story in a snap shot. It’s art. And it almost always leads me back to Jackson Browne’s opening lines to “Fountain of Sorrow”

looking through some photographs I found inside a drawer
I was taken by a photograph of you
there were one or two I know you would have liked a little more
but they didn’t show your spirit quite as true . . .

When we start talking about old stories, we have ways of visualizing them. That’s why making movies out of great books is dangerous work. After seeing To Kill a Mockingbird on screen, I can’t help but hear Gregory Peck’s voice when Atticus speaks each time I reread it. The filmmakers did good work there. Some others have not fared so well in the translation: Demi Moore as Hester Prynne comes to mind. When we come to how we visualize the story of the birth of Jesus, we’ve seen too many Christmas cards and Hallmark specials to remember, as Rev. Barber said the other night, “Stop saying swaddling clothes; say nasty! The Christmas story is violent!.”

And then there’s Mary.

I had lived through who knows how many Christmases before I began to get a sense of who Jesus’ mother was. When you grow up hearing Mary speak in King James English and singing things like, “My soul doth magnify the Lord,” and you hear your share of cantatas and classical settings of “The Magnificat,” the picture of Mary too quickly becomes a rather well put together opera singer and poet. I mean she made that stuff up on the spot.

But no. She was young — just old enough to be given away (as property) in marriage and not very experienced or educated. Nazareth was a one donkey town. As far as her singing  goers, perhaps we would draw a better parallel to a teenager with her first guitar (or lyre, I suppose) than Kiri Te Kanawa. I also think she was strong. She seems like she was one tough cookie from the start.

Yet, just like Jesus, Mary didn’t arrive fully formed. But the time the gospels come to an end, Mary was one of the few left standing at the cross, even though it was her son who had been summarily executed. In between Bethlehem and Golgotha she had pointed people at the wedding to Jesus when they needed more wine. Later on she showed up with other family members to take Jesus home because they thought he had lost his mind. But where we meet her in the story she was a young girl surprised by the the Spirit and invited to a life she could not begin to comprehend, only trust, which she did.

One of the things I wish I had done while we lived in Africa was to climb Mt. Kilimanjaro. From what I understand, when you reach the last stretch ascending to the peak, they wake you up early in the morning — as in three in the morning — and you climb in the dark. They do it for two reasons: one, they want you too see the sunrise as you reach the summit and, two, they say you would climb it if you could see what’s in front of you. Sometimes it’s easier to look back where you have been than it is to come to terms with what lies ahead.

I wish there were interviews with Mary and Joseph where they spoke about what it was like to look back on where they had been as Jesus’ parents. I wonder how they would have told what happened on the road to Bethlehem, at their home in Nazareth, or any of the other stops along the way. I also wish there were pictures — captured moments like Libby’s photographs; I would love to see the young Hebrew girl we call Mary. I think it would change the story.

Peace,
Milton