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advent journal: where’s home?

Over the past several weeks, I have been working towards another book. What that means for me is a string of almost daily photos from Cocoa Cinnamon, our neighborhood coffee shop, of my coffee, pen, and notebook because I find it best to write in longhand in the early stages. I like thinking through the pen rather than the keyboard, and my journals don’t have internet access. I still don’t know exactly what kind of shape the book is going to take, but I do know it’s about home.IMG_2911

Home.

For someone who has spent most of his life moving around, it’s an elusive target. I have a growing collection of songs and poems, of quotes and quips, each one offering its take on what home is. It is safe to say you will hear more about both the ideas and whatever they become in the days and weeks ahead, but tonight, as I was sitting here in my favorite coffee shop thinking about Advent, a new thought crossed my mind as I imagined Mary and Joseph packing up to go from Nazareth to Bethlehem.

In those days a decree went out from Emperor Augustus that all the world should be registered. This was the first registration and was taken while Quirinius was governor of Syria. All went to their own towns to be registered. Joseph also went from the town of Nazareth in Galilee to Judea, to the city of David called Bethlehem, because he was descended from the house and family of David. He went to be registered with Mary, to whom he was engaged and who was expecting a child. (Luke 2:1-5)

 

Joseph and Mary were the first ones who had to go “home” for Christmas.

Though they lived in Nazareth, the census required them to register in Joseph’s hometown, so they hit the road, third trimester and all, so they could be counted in the place that mattered. Though Joseph’s family heritage was there, they had no relatives to count on for lodging and support. Still, they went as they were told and it came to pass that Jesus was born in Bethlehem. Even today, the birth city gets much more attention than the place where Jesus grew up. No one goes to Nazareth on Christmas Eve. And I wonder if they ever took Jesus back and said, “Well, son, there’s the barn where you were born.”

Home.

When I was in sixth grade we lived in Fort Worth, Texas. I had not been in America since my kindergarten year. I walked home from my first day at Hubbard Heights Elementary School and said, “Mom, I met the weirdest kid today. He’s lived in the same house his whole life.” (By that time in my life, I had lived in four cities, three countries, and gone to four schools. I, like Jesus, had moved quickly after I was born.)

My brother said, “There were three or four kids like that in my class.”

And my mother said, “I hate to tell you boys, they aren’t the weird ones. Lots of people live that way.”

I was in the country of my birth, but I wasn’t at home. When I went back to Africa, I wasn’t sure how to feel at home there either. As I sit here in the coffee shop, I feel at home and yet also know that my roots run about as deep as the potted plant on our porch that looks settled there as well. One good pull and that all changes.

Jesus spent a couple of years in Egypt running from Herod before he finally got back to Nazareth. I can picture Mary and Joseph sighing with relief, “Home!” and Jesus wondering what all the fuss was about. To him, it was just another new town, except this time with a few more relatives.

Home.

Yesterday in church, I accompanied my friend Jennifer as she sang,

I am a poor wayfaring stranger

a-traveling through this world of woe

but there’s no sickness toil or danger

in that bright land to which I go . . .

She sang after our time of prayer requests, when we had voiced our joys and concerns, our grief and pain. The song carries an odd comfort for me because I have sung it for so many years and it also calls me to claim I want to be more than a passing stranger in these days I am on the planet. Today I spent part of my afternoon walking with my friend Tim as we both are working for there to be less of us on the planet; before I walked with him, I spent some time reading from a  book of Wendell Berry essays he loaned to me called What Are People For? In one of the essays is about Huckleberry Finn, Berry defines what it means to be a part of a beloved community, which could be a name for home, and he says it is where we go to hurt together. Hurting in isolation leaves us strangers; sharing our grief, our tragedy in community creates the room for redemption and forgiveness.

Home.

My morning started here at Cocoa Cinnamon. I met an artist here named Jim. He is a metal sculptor, among other things. We were meeting to talk about spiritual direction and how I might study with him to help me figure some things out. Tonight as I came in, I saw Leon, the owner with his wife Areli of this wonderful place,  and we talked about when we might share a meal together. In between I walked with Tim and with Ginger, which we have done together in several places, and ate dinner with Melinda who traveled from Birmingham to surprise my mother-in-law, Rachel. Though I am traveling through this world of woe, I am not a stranger.

When the alarm goes off at 6:30 in the morning, it will be almost exactly four months to the minute that the phone rang in August to tell me that Dad had died. My traveling through this day will remind me I do not bear my grief alone. I am surrounded by many hearts and hands willing to share the load, even as I do what I can to help carry theirs as well. Roots or not, they treat me like I’m home.

Peace,

Milton

advent journal: o come, o come . . .

We gathered this morning in our church, along with Christians around the world, to observe the first Sunday of Advent, our intentional, patient walk to the birth of Jesus. Our tradition on this day is a service called “The Hanging of the Greens” (needless to say, we are not alone) where we decorate the sanctuary as we tell the stories of where many of our Christian traditions around Christmas came from: wreaths, holly, poinsettias, trees, and lights. At the same time, we were following our usual liturgy, which begins with a note of praise and then moves to a prayer of confession. Following the prayer we have a time of silence before we are reminded that we are forgiven by the very one whose birth we await. Today, that silence was followed, first, by music. My friend, Terry — who is an amazing harmonica player — joined with his friend, Roger, who plays the upright bass to offer “O Come, O Come, Emmanuel.”

The piece began with Roger bowing the bass and offering a deep and aching musical phrase that felt mournful and resolute at the same time. Terry joined in with what felt like the opening melody of the carol, but he didn’t finish the line. The two of them swirled around each other, one high and one low, incarnating the pleading anticipation of the carol even as they began to play the notes I recognized. No one sang a word, yet both their rehearsed notes and their improvisations spoke more than any lyric. Deep called to deep, as the psalmist said. As they played, I scribbled in my notebook,

I’m not ready for this. Advent, that is. The long walk to a first Christmas without Dad.

I’ve almost dreaded sitting down to keep my promise of a daily journal during Advent, which has been my spiritual practice for many years now, because I still don’t know how to write about much more than my grief, as I have done over the past four months in my less than regular posts. A couple of years ago, I wrote for several days one spring about what it felt like to live with my severe allergies and had someone write and asked to be removed from receiving the posts by email because they were tired of hearing about my pain. Though I was still stopped up, changing subjects was not so difficult; this time around, however, I find few circumstances in my life that aren’t affected by my father’s death. I am not merely congested; I am changed.

The song helped me this morning. As Roger drew the bow across the stand-up bass, I recognized the melody, not of the carol, but of grief. As Terry breathed into the harmonica the breath that became the swirling minor chords of longing and loss, I felt known and even gathered up. They were playing not just my song, but a hymn deep from the heart of humanity: O come, O come . . . . While they played, I remembered I could write my own words to the hymn, if you will. I remembered I needed to write as they played: not trying to speak for all eternity, but to make my offering on this day. And what I have to offer is my grief.

For all but the last few days of this Advent season, the darkness will keep growing as the days get shorter and shorter. Even as far south as we are in Durham, the sun feels like it calls it a day in the middle of the afternoon. I learned when dealing with my depression a few years ago that I dealt better with the setting sun if I was outside of the house — something about being inside when night settles shuts me down, so Ginger and I do our best to go walking about dusk so we are out on the streets as it gets dark. The last light of the day is rich and deep — photographer’s light — as though it were streams of stories reflecting off of the bricks and mortar and falling into the shadows. I find consolation being out and about in the fading day, to be together in the dark.

As Terry began to play the melody I recognized, I heard the words in my head: O come, O come, Emmanuel. Emmanuel: the name spoken to Joseph as he struggled with how to come to terms with Mary’s pregnancy, and with an angel in his room. Emmanuel: God With Us. I love the encounter as it is described in the gospels, because the name of the child doesn’t offer a solution, but a presence. God with us.

O come, O come and find us in the dark. We are here. Together.

Peace

Milton

remnants

it is the morning
of the next day —
I have come down-
stairs to the kitchen
to make coffee . . .
the room still
smells of pork chops
and laughter;
the empty glasses —
both wine and water —
stand like a skyline
on the old farm table
that soaked it all in . . .
we gathered for
no other reason
than to gather,
made a memory
for the sake of
remembering,
which is what I’m
doing as I sit alone
with my coffee
and the skyline
and our little grey
dog sniffs the floor
looking for leftovers.

evening light

we walked tonight

at sunset just in time

to see the fading sun

reach across town for

an old building and

bask it in the splendor

of what was left undone

 

home now my kitchen

smells like that sunset

full of sorrow and stories

while the singer reaches

for what is as true as

the light on old buildings

and I sing along . . .

 

Peace,

Milton

coffee house

a year ago, this room
was filled with reclaimed
lumber and pregnant dreams;
now I sit in my spot,
trying to give birth to
new ideas as though
I have always come here.

the path from then
to now is not mapped,
but discovered — looking
back into the woods
of hope and friendship,
of late nights and failures,
of sweat and smiles and stories

in which we live and
draw our circles — the paths
that keep coming back
to this clearing,
this prayerbook of a coffee shop,
where they call our names
when all is ready.

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Peace,
Milton

pie-a-palooza

Several years ago, Thanksgiving became synonymous with pie at our house. The week before I go on a pie baking frenzy and the results are shared throughout the neighborhood, as well as around our table. Here are a few of the recipes that have become keepers over the years.

I’ll start with my mother’s pie crust recipe.

And now on with the countdown:

Chocolate pecan pie

Sweet potato chess pie

Smokin’ sweet potato pie

Spirited pecan pie

Blueberry pie

Awesome pumpkin pie

Brown sugar buttermilk pie

Apple hand pies with cheddar crust

Caramel custard pie

Fudge pie

I’m sure I’ll find some new ones to try this year. Don’t worry — I’m happy to share.

Peace,

Milton

twenty-one times

If you have followed this blog for very long, you have heard me make reference to my songwriting days with my friend, Billy Crockett. This week, his wife Dodee posted a video of him singing what is perhaps my favorite song we wrote together. The idea grew out of our reading Paul Bowles’ amazing novel The Sheltering Sky together. We were particularly moved by this paragraph.

Death is always on the way, but the fact that you don’t know when it will arrive seems to take away from the finiteness of life. It’s that terrible precision that we hate so much. But because we don’t know, we get to think of life as an inexhaustible well. Yet everything happens a certain number of times, and a very small number, really. How many more times will you remember a certain afternoon of your childhood, some afternoon that’s so deeply a part of your being that you can’t even conceive of your life without it? Perhaps four or five times more. Perhaps not even. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.

Our conversation led us to this song. Here is Billy offering a wonderful performance. I have also included the lyrics below.

twenty-one times

 

she saw the sun go down

twenty-one times

twenty-one times

in thirty-five years

she saw the sun go down

she thought there’d be a million

and she thought that she would see them

she saw the sun go down

twenty-one times

 

she stayed and danced all night

only one time

only one time

in thirty-five years

she stayed and danced all night

the moonlight fell like laughter

on her happy ever after

but she stayed and danced all night

only one time

 

and over new england

geese are flying south

a november nightfall

settles round about

while a lighthouse

calls another home

 

she walked away from love

so many times

so many times in thirty-five years

she walked away from love

and hearing lesser voices

she turned them into choices

she walked away from love

so many times

 

and over new england

geese are flying south

a november nightfall

settles round about

while a lighthouse

calls another home

 

hearing lesser voices

she turned them into choices

she walked away from love

she stayed and danced all night

she saw the sun go down

twenty-one times

 

Peace,

Milton

where are the stones?

One of the most enduring stories in scripture, for me, comes from Joshua 4, where Joshua is explaining to the people how they were to mark what had happened in their lives.

When the entire nation had finished crossing over the Jordan, the Lord said to Joshua: “Select twelve men from the people, one from each tribe, and command them, ‘Take twelve stones from here out of the middle of the Jordan, from the place where the priests’ feet stood, carry them over with you, and lay them down in the place where you camp tonight.’” Then Joshua summoned the twelve men from the Israelites, whom he had appointed, one from each tribe. Joshua said to them, “Pass on before the ark of the Lord your God into the middle of the Jordan, and each of you take up a stone on his shoulder, one for each of the tribes of the Israelites, so that this may be a sign among you. When your children ask in time to come, ‘What do those stones mean to you?’ then you shall tell them that the waters of the Jordan were cut off in front of the ark of the covenant of the Lord. When it crossed over the Jordan, the waters of the Jordan were cut off. So these stones shall be to the Israelites a memorial forever.” (1-7)

The stone-stacking metaphor has offered meaning in most every direction in my life. I use it as a way to explain why I think wedding ceremonies matter, to talk about what it means to gather around the Communion table, and also to mark more personal memories. As Bob Bennett sings,

I built an altar in the field
So I’ll remember
Back to this time when it’s so real
That I am loved and not alone
And if I pass by here again
I’ll be able to see
My life was scattered like these stones,
Until the Lord began to gather me.
I built an altar in the field
So I’ll remember.

But what if there are no stones?

br b and a

In early October, I had a chance to drop in on my friend, Billy, who lives outside of Wimberley, Texas. He and his wife Dodee have a wonderful place there called Blue Rock, which is, among other things a recording studio and artists’ retreat.

“We don’t know if the water will be back,” Billy said. Their home found its name in the big blue rock that lived in the riverbed down below, ten feet high and fourteen feet wide. Billy and I sat drinking coffee on their big back porch, looking out over the rock and riverbed, and we talked about the drought that had the Hill Country by the throat.

Last week, the water returned, with a vengeance, and when the storm was over, there was a noticeable change in the valley below. Blue Rock — the stone that named them — was gone.br b and a - Version 2

To paraphrase Joshua, when your children ask in time to come, “Where did the stones go?” What will we tell them?

We must tell them stories of grief. Tell them of the floods that break boulders into pebbles, of the sicknesses that take loved ones, of the circumstances that kill dreams. We must tell them of the darkness that is heavy as sorrow, of the hunger that devours so many, of the despair that appears as endless as the stars. And then we must begin to gather new stones and stack them up again while we still remember that love is stronger than death, that grace defies gravity, that hope cannot be washed away. It is the stories, not the stones, that matter most.

Peace,

Milton

fall classic

forty-seven octobers ago

first pitch of the 1967 world series
first pitch of the 1967 world series

i was eleven

dad was thirty-nine

and we lived in a shotgun

apartment for missionaries

who had come home

from the field . . .

 

I didn’t know much

about america, but

I loved the boston red sox

though we had never been

to boston in the fall

and I was not much

of a baseball player . . .

 

forty-seven octobers ago

the sox made it to

the world series — when they

still played afternoon games

and as I left for school

dad said, “do you want to come

home early and watch with me?”

 

he wrote me a note for every

afternoon game

I walked home and

we sat on the couch

together while the red sox

raised my hopes and

broke my heart . . .

 

the favorite memory

of my childhood

is crisp and alive

in the autumn air

and the leaves letting go

like dad did this summer

let’s go red sox . . .

 

Peace,

Milton