• talk about pop music

    by  • November 22, 2006 • Uncategorized • 8 Comments

    Several months ago, I was walking down the aisle of our local Target store when a mother and her son, who looked to be about ten or eleven, rounded the corner and started coming toward me. They were obviously having a fight. I only heard one sentence. The mother said,

    “You’re right. I don’t know who Slipknot is. But I know who Led Zeppelin is and I know who Lynyrd Skynyrd is.”

    I felt like yelling, “Free Bird” right there between the eye care products and the printer cartridges. What I did was smile and think back to the faces my dad would make when I put on my Jimi Hendrix records. Ah, but those castles made of sand fall in the sea eventually.

    I came home from work tonight to find Ginger watching the American Music Awards. She and I are both intentional about keeping up with popular music because we like a lot of it and because we like young people. That said, tonight’s lineup of nominees made me keenly aware of how the music business changes. Many of the folks I grew up listening to are still making good music. Many of them spend their summers singing songs from long ago without any new stuff so we can yell, “Free Bird” from the back row. But many of the ones getting the awards were not easily recognizable to me (except the Isley Brothers – I’m assuming it’s really the Isley Brothers’ grandkids).

    When it comes to award shows, I’ve got three or four good essays in me. There’s the one about how cool it must be to work in a business that is determinedly self-promotional and affirming. We don’t have the American Dishwasher Awards, if you know what I’m saying. There’s one about the vanity, opulence, and waste of such an over the top evening. Wait – Vanity, Opulence, and Waste would be a great album title. Better yet: those are good names for rappers, except they would have to be spelled VaniT, Opwelens, and Wayst. I can see it now: “The Bring the Bling Tour.”

    Where was I? Oh, yeah. There’s another one on fashion do’s and don’ts. After a few of those outfits, I want to sing, “Ya’ll gonna make me lose my mind up in here, up in here.” There’s one wondering why so many popular artists have to swear so profusely in their songs.

    Then there’s this one.

    American popular culture, in the form of most of those who crossed the stage tonight, is easy pickings. I like making fun of it because much of it deserves the ridicule, along with several other slices of our society. Most of what makes it to our radios and televisions is not the best stuff out there. The Billboard Hot 100 is littered with well-marketed mediocrity. Just ask Milli Vanilli, Rupert Holmes, and either one of the Simpson sisters. But I have to come clean. I like some of it, too. I’ve been a closet Christina Aguiliera fan ever since “What a Girl Wants.” “Any Kind of Man” is Ginger’s ring tone on my cell phone. Come on – you have to give the girl props for singing “You’ve got soul, you’ve got class, you’ve got style, you’re badass.” Now those are lyrics, my friend. Ginger has danced all of her life, so she gets a kick out of the choreography of the Pussycat Dolls and Justin Timberlake. She’s says I dance a lot like Timbaland.

    However dismal I think much of today’s music is, I must remember I graduated from high school in the year that “Seasons in the Sun” was the number one song. It remains one of the worst songs ever inflicted on the world, along with “The Night Chicago Died,” “Billy, Don’t Be A Hero,” and pretty much anything Meatloaf has ever done.

    And then, of course, there’s Celine Dion, or, as I like to call her, Satan.

    You won’t find an phat beats or mad rhymes on any of those records. The rise of hip hop will not bring the fall of civilization as we know it anymore than Elvis, the Beatles, or Jim Morrison. But it will make me feel old, which is hard to take. Kelly Clarkson, who won the first American Idol competition as a teenager, won an award tonight as Adult Contemporary Favorite Artist. U2 has been making records for twenty-five years. A friend saw Bob Dylan last weekend and said in concert he can’t play guitar anymore because the arthritis in his hands is too bad; he only plays the keyboard.

    As I age, I can choose to walk around yelling, “Turn that music down,” and talk about how they don’t write songs like they used to. I can choose to act like I’m hip and cool (or whatever the kids are calling themselves these days) and not act my age. Or, I can continue to do as I’ve tried to do most of my life and that is look for excellence in the sea of unimaginative marketing that is American popular culture. It’s easy to be condescending. When I was writing songs, which were played mostly on Christian radio, I struggled because I wanted to feel better than the guy who was singing about cartoon characters getting saved (that was a real song). It wasn’t easy for me to come to terms with his song and my song getting played back to back because I thought it put us in the same boat.

    We were.

    There are folks out there in every genre – in every field — working hard to do it well and doing good stuff. There are also bunches of people phoning it in or just meeting the minimum daily requirement. Not everyone lives in the same category all the time. Most of the best songs I know never made it to Number One. When they did, it had less to do with how great the song was and more to do with timing.

    I’m with the lady in the store. I don’t know who Slipknot is, other than a thrash metal band. I also don’t know much about Chamillionaire, one of the presenters tonight. I’m guessing, based on what I saw, that excellence is not his primary pursuit. But, that I don’t know who is doing excellent work in hip hop or metal has less to say about those genres than it does about me. I like guitars rather than drum machines. I prefer singer-songwriters to digital sampling DJs. And I wonder if we have hip hop Muzak to look forward to in the elevators of the future.

    John Mayer, one of the young and excellent ones, sings:

    me and all my friends
    we’re all misunderstood

    they say we stand for nothing and

    there’s no way we ever could

    now we see everything that’s going wrong

    with the world and those who lead it

    we just feel like we don’t have the means

    to rise above and beat it

    so we keep waiting
    waiting on the world to change

    we keep on waiting

    waiting on the world to change

    I remember feeling like that when I was his age. I also remember feeling like that driving to work this morning listening to the news. I’m not going to be much help encouraging him or me to do something other than wait if I spend most of my time stating the obvious about American popular culture.

    Excellent work never settles for stating the obvious.

    Peace,
    Milton

    About

    Blogging since December 2005

    http://donteatalone.com

    8 Responses to talk about pop music

    1. Deb
      November 22, 2006 at 5:25 pm

      wit U on that 1
      🙂

      Deb
      who also likes the music of Billy Crockett, incidentally!

    2. November 22, 2006 at 7:28 pm

      Oh, folks are wondering why I’m snickering! Dion=Satan, ohhh!
      I get all of this! Doesn’t Mayer sound like Curtis Mayfield on that one…?

    3. November 24, 2006 at 3:57 am

      Okay, I just have to do this:

      “Billy, don’t be a hero
      Don’t be a fool with your life (da da da da da-da da)
      Billy, don’t be a hero
      Come back and make me your wife” (da da da da da-da da)
      And as he started to go
      She said, “Billy, keep your head low – ow – ow
      Billy, don’t be a hero, come back to me”

      DA DA DUM DA DA DUM DA DA DUM DA DA

      That was from memory.

      Thank you. Thank you very much.

      (Great essay. I pretty much agree. With pretty much everything. Except about “Billy Don’t Be A Hero”.

      If I think about it, I can probably recite all of “Seasons In the Sun”, too. I had both on 45’s….)

      Sigh…

    4. gander
      November 25, 2006 at 3:32 am

      I once requested “Free Bird” from the DJ at a wedding. He told me that he couldn’t play it because it was a on list of banned songs, per the new bride. That marriage didn’t last. Cause and effect?

      I once requested “Free Bird” from the DJ at a bar in Ohio. He played a live version that kicked butt.

      Press on regardless, that’s my motto.

    5. November 25, 2006 at 2:07 pm

      OK, we did Freebird during a funeral. All 14 and a half minutes. The widow said she never let him finish the song — always made him skip ahead to the next one and that this should be the one time they played the entire thing….

      (And, of course, the guys from Lynard Skynard are all good Methodists (at least Billy Powell is)).

    6. November 25, 2006 at 9:06 pm

      “You’re Havin’ My Baby” must be on the short list of Worst Pop Songs of All Time too…but I’m with you on “Seasons in the Sun” and “Billy Don’t Be a Hero.”

      “Waitin’ on the World to Change” reminds me a wee bit of Van Morrison.

      I find it ever harder to keep up with what the kids are listening to these days, but every once in awhile it’s fun to go to a music store and ask the 20-something clerk a question about a new alternative artist — their look of surprise and perhaps admiration (“Wow — she’s pretty hip for someone OLD”).

    7. November 26, 2006 at 5:25 am

      Beth

      I hate the song, but — thanks to the power of radio — the words are emblazoned on my memory.

      Reverend Mommmy — great funeral story.

      Lutheranchik — I’m with you on the Paul Anka song. And the worst pop songs ever should be an ongoing discussion. I would also add anything by Air Supply.

      Peace
      Milton

    8. November 29, 2006 at 5:24 pm

      Well, I totally agree on the Air Supply thing. But I can freakin’ recite all their songs, pretty much verbatim, from memory.

      AARGH!

      I really, really wanna hear the song about the cartoon characters.

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